Subsidiary chord

Tonic and tonic parallel in C major: CM and Am chords

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In music and musical analysis, a subsidiary chord is an elaboration of a principal harmonic chord in a chord progression.

If the principal chord (X) is partially replaced by the subsidiary (Y), there are three possible positions - beginning, middle, and end - for the subsidiary:^[1]

X–Y

Y–X

X–Y–X

Modulation with subsidiary chord (in blue).^[2]

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For example, a subsidiary chord in a modulation.

A subsidiary chord may be a chord with related function and/or sharing pitches, for example in E major, C♯m (C♯-E-G♯) as a subsidiary for E (E-G♯-B), which share two of three pitches and are related as tonic parallel (vi) and tonic (I).

Sources

↑ van der Merwe, Peter (2005). Roots of the Classical: The Popular Origins of Western Music, p.501. ISBN 0-19-816647-8.
↑ Becker, Julius (1845). A concise treatise on harmony, p.17. Ewer & Co.

Chords

By form

Triad	Major Minor Augmented Diminished Suspended

Seventh	Major Minor Dominant Dominant seventh flat five Diminished Half-diminished Diminished major Minor-major Augmented major Augmented minor Altered seventh Nondominant Harmonic seventh

Extended	Ninth Eleventh Thirteenth Upper structure Dominant 7♯9 Polychord Tone cluster

Added / omitted	Sixth Augmented sixth Lydian Seven six

Specific	Alpha Bridge Complexe sonore Dream Elektra Farben Grandmother Magic µ Mystic Northern lights Petrushka Psalms So What Tristan Viennese trichord

General	Mixed interval Secundal Tertian Quartal Synthetic chord

By function

Diatonic	Tonic Dominant Subdominant Supertonic Mediant Submediant Leading / Subtonic

Altered	Approach Borrowed Chromatic mediant Neapolitan Passing

Secondary	Secondary dominant Secondary leading-tone Secondary supertonic

Other	Common Contrast Primary triad Subsidiary

Techniques

Other

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Subsidiary chord

See also

Further reading

Sources