The First Deadly Sin

The First Deadly Sin

Theatrical release poster
Directed by Brian G. Hutton
Produced by Frank Sinatra
Elliott Kastner
George Pappas
Mark Shanker
Written by Novel:
Lawrence Sanders
Screenplay:
Mann Rubin
Starring
Music by Gordon Jenkins
Cinematography Jack Priestley
Distributed by Filmways Pictures
Release dates
  • October 3, 1980 (1980-10-03)

(premiere)

Running time
112 min.
Country United States
Language English

The First Deadly Sin is a book written by Lawrence Sanders in 1973 and a 1980 movie produced by and starring Frank Sinatra. The film also features Faye Dunaway, David Dukes, Brenda Vaccaro, James Whitmore, Martin Gabel in his final role and Bruce Willis in his film debut.

The First Deadly Sin was based on the first of a series of popular novels by Sanders. The screenplay, which was adapted from Sanders' work, was written by Mann Rubin.[1] The film was originally slated to be directed by Roman Polanski, who was dropped by Columbia Pictures after statutory rape charges were brought against him. Director Brian G. Hutton took over the production after Polanski fled to France.

The last of nine films produced by Sinatra, and his final starring role, he plays a troubled New York City homicide cop, Captain Edward X. Delaney. In a small role, Dunaway is the detective's ailing wife, hospitalized during the entire story with a rare kidney affliction. A then-unknown Willis has a bit part, virtually unrecognizable as a hat covers most of his face.

The First Deadly Sin was the third production by Sinatra's Artanis production company and was shot on location in New York City. It premiered on October 23, 1980 at Loew's State Theatre in Times Square as part of a benefit for the Mother Cabrini Medical Center. The musical score was by composer and arranger Gordon Jenkins, who had first worked with Sinatra on the 1957 album "Where Are You?"

Plot

The film opens outside Mount Pleasant Baptist Church on West 81st Street in Manhattan. A man is viciously attacked by another man wielding an ice axe. The attack is intercut with graphic closeups of a woman undergoing surgery. The NYPD arrive to process the scene. The coroner, Dr. Ferguson (Whitmore), shows Detective Edward Delaney (Sinatra) that the fatal wound on the skull was made with a round object.

Meanwhile, the 20th Precinct receives news that Delaney's wife Barbara (Dunaway) is recovering from emergency surgery. The information is relayed to Delaney at the scene, and he rushes to the hospital. Barbara's surgeon, Dr. Bernardi (Coe), explains that complications from her kidney stones forced him to remove the organ. Over the course of the film, Barbara's condition worsens, and Delaney harbors deep suspicions that Bernardi is incompetent.

The murder on 81st Street is a kind of solace for Delaney. Much to his colleagues' surprise, he throws himself into the case, despite constant admonitions from his friends and supervisors that the NYPD's priorities are elsewhere. One of his first visits is to the Metropolitan Museum of Art, where he consults with Arms and Armor curator Christopher Langley (Gabel) about the type of weapon that could make such a unique wound. The elderly Langley is thrilled to have such a unique problem to solve, and he devotes a great deal of time to research.

The angle of entry and the perfectly spherical nature of the wound rule out most of the weapons familiar to Langley. He decides the weapon must have been some kind of tool, and he visits a hardware store, where he explicitly asks for the best implement to kill someone with. A bemused clerk helps Langley deduce that the weapon was most likely an ice axe.

Delaney has discovered that a similar attack had occurred recently on West 79th Street. After consulting with the perpetually harried Ferguson, he discovers that the wound patterns are nearly identical. As they investigate, they realize that similar attacks have been taking place all over New York City. Langley uses the new information to locate the exact model of ice axe that would cause such injuries. At one sporting goods store, the owner hands over the addresses that he collected from every customer who bought that ice axe. The addresses eventually lead Delaney to the highrise building of Daniel Blank (Dukes).

Blank has been seen intermittently throughout the film cleaning up after his murders. As Delaney closes in on him, Blank attempts one more attack, but it does not go as planned. After striking several blows, his victim escapes only to be run over by a passing car. Delaney's investigation of Blank confirms that he is the killer, and he finally confronts Blank in his apartment.

Delaney finds Blank curled up in a closet in a deeply disturbed state. He confesses to his crimes before composing himself. Blank brags about how respectable and well-connected he is, and he guarantees that he will get away with his crime. He confidently goes to the phone to report Delaney for breaking and entering. Delaney shoots Blank as he is talking. The film ends with Delaney reading to his wife in the hospital as she passes away.

Cast

Critical reception

The First Deadly Sin failed to make much of an impression at the box office, while some critics were left cold by a slow-burning picture that tried to focus more on character and plot without succumbing to action scenes and shootouts.

The ending was changed from the novel in which the killer Daniel Blank retreated to a bluff called Devil's Needle in upstate New York where he died of dehydration before Delaney and the State Troopers were able to bring him down. Here, a more subtle approach allowed the ending to be more in tune with the rest of the film. Critics Roger Ebert and Leonard Maltin both praised Sinatra's performance as one of his best, while daughter Nancy Sinatra commented in her book Sinatra: An American Legend that this was a film her father was very excited about.

"Who would have thought, in all honesty, that Frank Sinatra still had this performance in him?" wrote Roger Ebert in the Chicago Sun-Times. "The movie is one of the season's pleasant surprises." Leonard Maltin wrote: "Sinatra in good form in one of his better serious vehicles."

Accolades

References

External links

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