The Holy Thief

The Holy Thief

First edition
Author Ellis Peters
Series Brother Cadfael
Genre Mystery novel
Publisher Headline
Published in English
 1992
Media type Print (Hardcover, Paperback) & audio book
Pages 282
ISBN 0-7472-0686-4
OCLC 26856865
Preceded by The Summer of the Danes
Followed by Brother Cadfael's Penance

The Holy Thief is a medieval mystery novel by Ellis Peters set in 1144–1145. It is the 19th and penultimate volume of the Cadfael Chronicles, first published in 1992 (1992 in literature).

It was adapted for television in 1998 by Carlton Media for ITV.

Heavy rains flood the river which in turn floods the Abbey, threatening the precious reliquary of Saint Winifred. When the waters recede, the saint is gone, beginning a long search with tangled motives, including a murder that challenges the monks.

This novel was well-received when it was published. Some commented on the finely wrought pose, and the author's ability to bring the reader to another time, making that time vividly alive. Another says the plot is "Less predictable and far more complex" than the prior novels in this series.

Introduction to Plot

On 16 September 1144, Geoffrey de Mandeville's reign of terror in the Fens comes to an end when Geoffrey succumbs to an infection, brought on by a minor graze from an arrow. King Stephen had worked for a year to confine the marauding within a ring of forts and castles. In the heat of August, the one-time Earl of Essex went out without his chain mail and helmet at Burwell, northeast of Cambridge, where an archer's arrow reached its target. Besides being stripped of his lands by King Stephen, he and his eldest son were excommunicate for his seizure of Ramsey Abbey, which he used as his headquarters. There was no place for him to be buried, so rejected was he from England and his religion. Empress Maud gave the title back to the younger namesake son, but she could not grant the lands – a fairly empty gesture. The rest of England was relieved as they learned by the passing of small bands of brigands looking for places to lay low, that they could again venture out without fear of seizure or murder by his organised band of brigands and marauders.

As de Mandeville is dying, his allies who hope to mend fences wrote grants returning church property to its owners, including Ramsey Abbey. Before the end of 1144, Abbot Walter[1] gets word he again has an Abbey to lead in the Fens. He sends word to collect his prior and sub-prior, and ask all the monks to return, to rebuild their home after more than a year away. The devastation is so extensive, the brothers not only begin work themselves, but also reach out to their fellows in other Benedictine monasteries in England for aid.

Plot summary

Two visitors from the now reviving Ramsey Abbey arrive in February 1145. Sub-prior Herluin and young Brother Tutilo request alms and aid in restoring their abbey. The Abbey of Saint Peter and Saint Paul and the people of Shrewsbury respond generously. Herluin seeks Sulien Blount at Longner Manor. Sulien will not rejoin as a monk. The family gives coppice wood for rebuilding. Lady Donata, Sulien's ailing mother, has the pleasure of hearing beautiful music from young Brother Tutilo. She donates her personal jewellery for Ramsey Abbey. Also staying at the Abbey is a successful Provençal troubadour, Rémy of Pertuis, his groom and a singer.

The Sheriff cries the warning that the River Severn is rising rapidly. A chaotic scene develops as the flood continues to rise after dark, as items of value are moved without benefit of lamps or candles within the Abbey buildings by monks and guests, and the cart for Ramsey Abbey is loading to leave. Herluin and Tutilo ride out to Worcester.

When the flood subsides, in place of Saint Winifred's reliquary they find a wrapped piece of timber, the same size and heft, showing this to be a planned theft. The Sheriff and Prior Robert are dispatched to meet Herluin for what he knows. James of Betton returns to the Abbey more than a week after the cart set out, with the news that cart did not make it all the way to Ramsey Abbey – the same news Nicol delivers to Herluin in Worcester. Nicol leads them to the place of the ambush.

The reeve finds the reliquary in Ullesthorpe, where the brigands dumped it, and carries it to safety at Huncote, home of the Earl of Leicester. The Sheriff, the Prior and the sub-prior explain the story of the reliquary to the Earl. Herluin and Prior Robert explain this loss and rediscovery as the saint's own actions. Earl Robert sees the competition between them for it, and lightheartedly makes his claim, as it was found safe on his land. Earl Robert joins them in carrying it the long journey home in state.

Cadfael finds Aldhelm, who moved the reliquary at the request of a monk. Brother Jerome eavesdrops on Hugh and Cadfael speaking about this visit, expecting Aldhelm to confirm Tutilo as the one who put the reliquary on the wagon. Bénezet, the groom, overhears Jerome talking with Prior Robert, and shares the word with Daalny, the singer, who tells Tutilo. Jerome is not seen that evening. Aldhelm does not appear at the agreed time. After Lauds, Tutilo returns, deeply shaken, after tripping over a dead man in the dark on his return to the Abbey from another visit to Longner Manor. At dawn, Cadfael and Hugh confirm the dead man is Aldhelm. He was stunned by a hit on the head with a piece of fallen wood; next his head was smashed by a large stone, which was carefully replaced. Hugh Beringar, Radulfus, Prior Robert, Cadfael, Sub-prior Herluin, and Earl Robert gather. Tutilo confesses that he did take the saint, as she encouraged him to help Ramsey Abbey in this way. He had no part in this murder. Tutilo is put in a penitential cell of the Abbey. There remain three claims to possession of the saint in her reliquary. The earl wants an unbiased judge. Radulfus proposes a method.

Sulien Blount arrives after Compline, requesting Tutilo for his mother who will not last the night. Radulfus agrees, sending Tutilo under guard. He sings for her as she quietly dies. He returns before dawn on a day in early March, with the gift of a psaltery[2] and words of advice on the needs of a troubadour.

The four conduct the sortes Biblicae, placing the book of the gospels on Saint Winifred's reliquary in front of the monks. Each verse is accepted as the saint telling them where the reliquary of Saint Winifred belongs.

Radulfus

The last shall be first, and the first last. Matthew Ch 20 verse 16

Earl Robert

Ye shall seek me, and shall not find me; and where I am, thither ye cannot come. John Ch 7 verse 54

Father Herluin

I tell you, I know you not, whence you came. Depart from me, ye workers of inquiry… Luke Ch 13 verse 27

Prior Robert

Ye have not chosen me, but I have chosen you. John Ch 15 verse 16

The breeze in the chapel turns the pages

And the brother shall deliver up the brother to death. Matthew Ch 10 verse 21

They agree that the saint stays on her altar at Shrewsbury Abbey. Cadfael dares not explain his verse to Earl Robert. The sober last verse causes them to turn to the monks for their aid. Jerome unexpectedly confesses to the murder. He describes his actions up to striking Aldhelm on the head with a piece of wood in the dark, then leaving upon discovering it was not Tutilo as he anticipated. Jerome wails out his pain in the second penitentiary cell.

Daalny lets Tutilo out of his cell. Herluin is enraged; the Earl is not bothered. Daalny says that someone here is a thief. Bénezet realises she means him; he flees on someone else’s horse. They find two surprises in his saddle bags. One is the bag of silver coins and Lady Donata’s gold jewellery meant for Ramsey Abbey. It never left Shrewsbury Abbey. The other is a laundered shirt, with blood stains on it. Bénezet killed Aldhelm, waited for him, fearing that Aldhelm might have seen him take the alms out of the coffer the night of the flood. Hugh’s men hold Bénezet for murder. The Earl asks for Daalny to be fetched from Saint Winifred’s chapel. She is gone. The Earl seems to expect this. Rémy mourns her loss, but is very pleased to be part of the Earl's household.

Hugh and Cadfael are relieved that that the seals of the reliquary were never opened. Cadfael is pleased that Tutilo and Daalny have joined for a new free life for both, and impressed that Donata, finally free from her years of pain, was the one who read the lad aright.

Characters

Main article: Cadfael

Reviews

Kirkus Reviews remarks the elegant prose carrying the reader to another time:

In 1144, the Benedictine Abbey at Shrewsbury, home of herbalist-humanist-sleuth Brother Cadfael (The Summer of the Danes, etc.), has extended its hospitality to Brother Herluin and his novice attendant Brother Tutilo—both soliciting help for the ravaged Abbey at Ramsey, many miles away, left in shambles by the marauding forces of the Earl of Essex, now vanquished. Soon, they've collected alms, timber, and some willing workmen. Handsome young Tutilo has also used his beautiful voice to soothe the dying Lady Donata and has attracted the interest of the slave girl singer who's traveling with French troubadour Rémy and his servant Bénezet. As Tutilo's little band gets ready for the trip back to Ramsey, heavy rains put the Church's treasures in danger. All hands work to move them to higher ground. Only after the Ramsey group has left is it discovered that the reliquary of St. Winifred has disappeared. Its eventual reappearance and the confession of the thief pale next to the dramatic and tragic events that follow. Through it all, to the satisfying finale, Cadfael remains his benign, intuitive, appealing self. The pace sometimes slows to a near standstill; the elegant prose is sometimes excessive—but, for the patient, the reward is finely wrought transport to another time.
Pub Date: March 1st, 1993

ISBN 0-89296-524-X Page count: 256pp Review Posted Online: June 24th, 2010

Kirkus Reviews Issue: Jan. 1st, 1993[7]

Publishers Weekly has many positive words for this complex and vividly alive novel:

Less predictable and far more complex than many of the 18 previous Brother Cadfael chronicles, this 12th-century mystery pits the sacred against the secular, and cleric against cleric. A sub-prior and his young novice appeal to the abbey of St. Peter and St. Paul in Shrewsbury for aid in rebuilding their own monastery at Ramsey, which had been defiled by outlaws. Craftsmen, building materials and even jewellery are gladly given and are to be transported to Ramsey. The promise of spring floods makes haste imperative, and in the confusion another item is slipped aboard the cart: the casket containing the remains of St. Winifred, Shrewsbury's revered patron saint. The Shrewsbury monks grieve over its loss, and the faction at Ramsey sorely covets it. When the one person who could identify the sacrilegious thief is murdered, Sheriff Hugh Beringar is summoned and Cadfael's special skills are put to the test. Cadfael—a herbalist, matchmaker, detective and medical examiner—must now be a psychologist as well, soothing egos, calming nerves and finding a killer. Twelfth-century Shropshire comes vividly alive when peopled with Peters's aristocratic ladies, sturdy lawmen, eager squires and, above all, devout—and devious—monks. (Mar.) Reviewed on: 03/01/1993[8]

School Library Journal reviews this for young adults and teens, finding it unusual and entertaining:

YA-- Monks from another abbey and a troubadour and his servants are visiting the abbey in Shrewsbury when the bones of St. Winifred, its patron saint, are stolen. Brother Cadfael must locate them before a long-held secret is revealed about them that would be embarrassing for him. Then the murders begin . . . . This medieval mystery series continues as Brother Cadfael identifies and pursues each clue in this unusual and entertaining story. Precise words accurately describe the period, and they can usually be understood in context. It will be easy for teens to like the clerical sleuth because of his delightful charm and keen wit. Although religious, he is not sanctimonious.

– Claudia Moore, W. T. Woodson High School, Fairfax, VA

Copyright 1993 Reed Business Information, Inc.[9]

Setting in history

This novel is set in several locations in England. The story is set in Shrewsbury, located in Shropshire, England; briefly in Worcester Cathedral; and at Huncote, a manor of Robert, Earl of Leicester, not far from Ullesthorpe. Some scenes were at Longner Manor, east and south from the Abbey, crossing the Severn at a ferry location, near modern Uffington and shown clearly on the map titled Shrewsbury and Environs in the printed book. These were real places in the twelfth century, and now. The troubador Rémy was from a city in the south of France populated then and now, Pertuis, an area where troubadors may have started.

It occurs during the Anarchy, which began when King Stephen's claim to the throne was disputed by his cousin Empress Maud in 1138. With the help of her ally and half-brother Robert of Gloucester, the two sides fought since that year. After all this time, no resolution was in sight and England suffered much while the attention of the king was focussed on fighting to keep his crown. The story begins with the death of Geoffrey de Mandeville.

The Anarchy and Geoffrey de Mandeville

The start of Geoffrey de Mandeville's story was told, in this series of novels, in The Potter's Field, the 17th Chronicle of Brother Cadfael. After King Stephen accused him of treason, revoked his title as Earl of Essex and took away his lands, Geoffrey de Mandeville responded by taking over the Ramsey Abbey in the Fens in East Anglia. This became the headquarters for his rampaging band of marauders for over a year. King Stephen built a ring of castles as his bases to contain the marauding, but could never draw him into a direct battle.[10] Instead, de Mandeville's life was ended by a chance arrow shot from one of those castles at Burwell, on a hot August day when the one-time earl mistakenly removed his helmet and upper chain mail. The wound from the arrow led to an infection, fatal to him a month later on 16 September 1144. He had been excommunicated for his taking of Ramsey Abbey, such that only the Pope in person could revoke it. He died unshriven, with no legal place to bury him in England. Some of the Knights Templar did put his remains to rest at a site where the Temple Church in London was later built (in 1185) and somewhat ironically near the center of law and lawyers in London.[11][12]

His accomplices in burning homes, burning or stealing crops, killing local residents, and pillaging the stolen property of the church, could not keep their hold on the Fens without his leadership. Those who joined up as pure bandits themselves scattered, hoping to find safe harbour and new victims elsewhere. One such band may have been the thieves of the horses and cart in the novel. The allies of Geoffrey de Mandeville who sought some reconciliation after his death moved quickly to record writs returning the stolen properties back to the church. Word of this change travelled slowly to the people of the area, and to Abbot Walter[1] of Ramsey Abbey. By the end of 1144, he called back his prior, sub-prior and the monks, to begin a huge task of rebuilding their home, then reviving their estates for agriculture. Two months after Abbot Walter returned to his Abbey, he dispatched monks to request help from neighbouring Abbeys, as far as Shrewsbury, where the main plot of The Holy Thief begins.

Earl Robert of Leicester

Earl Robert was a real person in history, quite involved in King Stephen's fortunes. Robert and his brother Waleran, twin sons of Robert, Count of Meulan who held lands and title in England and in France, supported Stephen in battle early on, but at this story, are in a difficult position. Waleran, whose title came from the lands he inherited in France and Normandy, had to come to terms with Geoffrey of Anjou, husband of Empress Maud and father of her son Henry, later King Henry II of England. Geoffrey of Anjou had consolidated his holdings in Anjou and Normandy, becoming a major force there that Waleran was forced to recognise, as Stephen had lost his position in Normandy. Waleran did not overtly support the Empress on English soil, but was constrained from overt support of King Stephen. Robert, in England, was similarly constrained, though he had his own title and lands primarily in England. Robert, living in England, did not have his loyalty questioned, but his twin brother, living in Normandy, did, though there was no difference in their true attachments. Robert used this time to keep the peace on his own lands as much as he could, and gain lands from his neighbour, Earl Ranulf of Chester. When Robert of Gloucester died in 1149, Robert of Leicester joined the movement for the earls in England to make private peace treaties, as suggested in his conversation with Sheriff Hugh Beringar in the novel.[13]

Earl Robert is described as a man of education and culture. In the reign of King Henry II, Robert became the first chief justiciar of England who was also the King's chief minister. He held this position for fourteen years, earning him much respect for his administration of the law. This reputation seemed to be the basis for many conversations between the Earl and the clerics in this novel.

The Abbeys

Characters in this novel travelled extensively, mainly from Abbey to Abbey. First, Herluin and his party walk from Ramsey Abbey. Abbot Radfulfus of Shrewsbury Abbey gives them horses for their journey to the abbeys at Evesham, Pershore[14] and Worcester. The Sheriff and Prior Robert ride out to Worcester to meet Herluin's party. The five men who took the cart load of alms meant for Ramsey Abbey reached Ullesthorpe. Two walked back to Shrewsbury; two walked on to Ramsey Abbey; and one walked to Worcester. The party at Worcester then proceeded on horseback to Ullesthorpe, whence they are directed to Huncote. One lay servant is left to walk on his own from Worcester to Shrewsbury, which he did, in time to join Herluin for the return to Ramsey Abbey. Earl Robert joins them, with a proper carriage for the reliquary, in the journey back to Shrewsbury. The Earl rides back to Huncote with his party, escorting Herluin and his lay servants that far. Herluin will make the rest of the way to Ramsey Abbey without that welcome escort.

Using modern roads, the distance from Ramsey Abbey to Shrewsbury is 135 miles; a route through Ullesthorpe adds 10 miles to that distance. In The Potter's Field, it took Sulien Blount a week to complete this walk. From Shrewsbury to Ullesthorpe is about 80 miles, and from Shrewsbury to Worcester is 50 miles. From Ullesthorpe to Worcestor is nearly 65 miles, walked by Nicol. Worcester to Huncote is about 70 miles. The journey back to Shrewsbury is nearly 90 miles, following a more northerly route. Thus does time pass from February into March for the events of the novel to transpire.

Troubadours and Sortes Biblicae

William IX of Aquitaine portrayed as a knight on a chansonnier, troubadour who first composed poetry on returning from the Crusade of 1101

The Middle Ages saw the start of troubadours across Europe. These were learned men who composed poems and songs, and performed them on the musical instruments of the day for the nobility. Troubadours travelled with their talents, like Rémy of Pertuis in this novel, and as Lady Donata suggested that Tutilo should do. They would reside in the household of one nobleman for a period of time.

Depiction of a woman playing a portative organ (detail from a painting in the Alte Pinakothek in Munich). The bellows can be seen to the right of the pipes.

The word troubadour has its origins in an old language of Provence and Languedoc, in the area where the langue d'Oc language was long ago used (Occitania or lo Pais d'Oc, the Oc Country). Songs of chivalry and romantic love were common,[15][16] along with satire and some vulgar humour. The troubadours made use of their clerical education in the writing of songs. Some go so far in our modern era to claim the works of the troubadours were the origins of literature.[17][18]

Psaltery of the 14th century from the book: De Arythmetica, De Musica by M. Servinius Boetius. The instrument is typically held before the chest with the hands under the curves.

The harp[19][20][21] and the psaltery were two of the musical instruments of the day.[22] The mandora, rebec, portative organ, lute or oud, flutes and panflutes were also used, and mentioned in the novel.[23] Lady Donata's gift of a psaltery pleased and amazed Tutilo, and prepared him for the first steps of becoming a troubadour himself, per her advice.

The sortes Biblicae described in the novel was a method of fortune-telling used for many ages, and in civilisations before medieval England.[24] The users choose important writers, in this story, the authors of the four Gospels, as the source of phrases or sentences that might hint at the future, or the resolution of a problem. One selects a verse at random, then applies it to the present situation, as Abbot Radulfus suggests for resolving the true home for the reliquary. The book chosen was not a complete bible, as those were rarely copied before the printing press. Instead, important sections were copied.

It is sometimes called Sortes Sanctorum or bibliomancy.[25] The verses selected by the author move the story right along. The first one, selected by Radulfus, says that the next person of the four of them to choose a verse should be Earl Robert, the last to enter the story of the reliquary. His selection reveals the paradox of this reliquary; the Earl suspects a paradox but does not learn what it is from Brother Cadfael, the only one in the chapel who knows. The next, chosen by Herluin, tells him he has no business with the reliquary. Prior Robert's selection confirms it belongs in Shrewsbury. The last selection, selected by the breeze in the chapel, is marked by blackthorn blossoms that fell from Brother Cadfael's clothing as he looked at the Bible before the Mass. Prior Robert is pleased by the blossoms, recalling the hawthorn blossoms around the clothing of Brother Columbanus in Wales, just before the monks of Shrewsbury took their saint home seven years earlier. It is a troubling quote in a house of brothers with an unsolved murder, leading to the confession of part of what happened to the murdered man.

It was an intriguing way to resolve a dispute, relying heavily on the deep faith of all the parties in the written words of their religion.

Publication history

Five hardback editions are listed at Fantastic Fiction. The first was issued in August 1992; the most recent was issued in November 1994 in large print by Chivers North America ISBN 0792717449 / 9780792717447 (USA edition). Seven paperback editions have been published. The first was in April 1993 by Headline Book Publishing ISBN 074724040X / 9780751511192 (UK edition). The most recent was in August 1998 by Sphere ISBN 0751527327 / 9780751527322 (UK edition).[26]

Five audio cassette editions were issued, beginning in May 1993 by Harper Collins Audio with Paul Scofield reading, ISBN 0886463572 / 9780886463571 Canada (English speaking) edition, and a simultaneous release in the UK. The last one listed was issued in September 1999 by Chivers Word for Word Audio Books.[26]

This novel was issued for the Kindle in June 2013, ISBN B00E6YTP1G, published by Velmon Books Pty Ltd.[27]

The novel has been translated and published in French, Italian, Spanish, German, Dutch, Polish.[28]

In addition to the Spanish language edition in the above list, WorldCat has a Korean edition in its holdings.[29]

Television adaptation

Main article: Cadfael (TV series)

The Holy Thief was adapted into a television program as part of the Brother Cadfael series by Carlton Media, Central and WGBH Boston for ITV. It filmed on location in Hungary and starred Sir Derek Jacobi as Cadfael.[30]

The resulting episode was the first episode of the fourth series.

References

  1. 1 2 "Ramsey Abbey Abbots".
  2. ↑ "Playing a Psaltery(photo)".
  3. 1 2 "Abbey History".
  4. ↑ "Irish Myth Cycle (name is also spelled Dalny)".
  5. ↑ Thomas Rolleston (1911). "Myths and Legends of the Celtic Race". pp. Chapter III.
  6. ↑ "Celtic Invasion Myths".
  7. ↑ Ellis Peters. "The Holy Thief". KirkusReviews.com. Retrieved 28 November 2012.
  8. ↑ Ellis Peters. "The Holy Thief".
  9. ↑ "Editorial Review from School Library Journal".
  10. ↑ "Scourge of the Fens".
  11. ↑ Round, John Horace (1892). Geoffrey de Mandeville: A Study of the Anarchy. Longmans, Green, and Co. London republished in Elibron Classics Replica Series, Adamant Media Corp. 2005 ISBN 1-4021-5248-5. pp. 202, 210, 214.
  12. ↑ John Horace Round, London 1892 (1960). "Geoffrey de Mandeville". New York: Burt Franklin. pp. 222–226.
  13. ↑ Peters, Ellis The Holy Thief 1992 Chapter Ten
  14. ↑ "Pershore Abbey".
  15. ↑ "The Troubadour Poetry of Southern France in the 12th Century".
  16. ↑ "Troubadours, Trouvères and the Art of Courtly Love".
  17. ↑ "Troubadours".
  18. ↑ "History of Literature". Retrieved 28 November 2012.
  19. ↑ "The History of the Harp in England".
  20. ↑ "Photo of 12th Century Harp & Lute". 26 September 2005.
  21. ↑ "Frame Harp History".
  22. ↑ "List of Medieval Musical Instruments".
  23. ↑ "Troubadour Music (images)".
  24. ↑ "Sortes Biblicae".
  25. ↑ "Bibliomancy".
  26. 1 2 "The Holy Thief". Fantastic Fiction. Retrieved 13 July 2013.
  27. ↑ "The Holy Thief". Amazon Kindle. Fantastic Fiction. Retrieved 5 August 2013.
  28. ↑ "The Holy Thief". Goodreads.com. Retrieved 14 July 2013.
  29. 1 2 "The Holy Thief". WorldCat.org. Retrieved 14 July 2013.
  30. ↑ The Holy Thief at the Internet Movie Database

External links

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