Preston Reed

Preston Reed

Preston Reed, June 2011
Background information
Born (1955-04-13) April 13, 1955
Origin Armonk, New York, United States
Genres Instrumental Jazz, blues, funk, world, fingerstyle
Occupation(s) Musician, composer
Instruments Guitar
Years active 1974–present
Labels Sky, Flying Fish, MCA, Capitol Nashville, Outer Bridge, FolkStudio, Liberty
Website www.prestonreed.com
Notable instruments
Jacobson-Hardy guitars, Ovation Adamas, Yamaha AE-2000, Signature model jumbo and baritone Bailey Guitars

Preston Reed (born April 13, 1955, Armonk, New York) is an American fingerstyle guitarist. He is noted for a two-handed playing style and compositional approach that integrates the percussive potential of the guitar body.

Biography

Preston Reed learned guitar as a child on his father's guitar and, for a short time, studied classical guitar. When he was 16 his interest was rekindled by Jorma Kaukonen's acoustic guitar-playing in Hot Tuna. He took the guitar again and began to compose his own songs in the style of Leo Kottke and John Fahey.[1] His first public performance was at Smithsonian Institution in Washington D.C., in a concert with Allen Ginsberg.[2]

Reed moved to Scotland in 2000.[1]

Technique and musical influences

Reed plays with his fingers, thumbs, fists and hands at once. He is also a player of blues or ballads reminiscent of Bill Evans, one of his musical idols.[3]

As a teenager, Reed was initially influenced by Leo Kottke and John Fahey and in the beginning of his career was a more traditional fingerstyle player. In the late 1980s, though, he began to experiment with his own highly individual and percussive style, a short time after Michael Hedges published his first records using some technically similar techniques, but Reed's approach created very distinctive and different sounding music. [1][4]

His guitar style is characterised by the use of percussive effects he generates with both hands on various parts of the guitar body. He names them rim shots and bongo hits.[5] He uses slap and tap techniques like slap harmonics or the generation of notes or whole chords with his left hand (hammer-on, pull-off). He uses both hands for tapping (two-hand tapping) and frets chords with his right hand (right-hand fretting). He often plays with both hands from above the guitar's neck. In many of his compositions, Reed uses altered tunings characterized by very low bass string tunings, for example BGDGAD or CGDGGD.[1][2]

Guitars and technical equipment

On his first recording Reed used a Martin D28 12-string and a Martin D28 6-string. He later used guitars made by the American luthier Michael Jacobson-Hardy.[6] Later he played Washburn guitars with Seymour Duncan pickups[5] and in the second half of the 1990s a custom Adamas Long Neck Ovation. He now plays his signature models, acoustic Jumbo and Baritone from Bailey Guitars. Around 2000 he began using several different guitars, not only steel-string acoustic, but also solid body electric guitars, semi-acoustic guitars, electrical baritone guitars, 12-string and classical guitars.[1]

Reed recorded his 2007 album Spirit with a semi-acoustic Yamaha AE-2000 guitar.

Discography

Studio recordings

Collaborations

Compilations

Video

Video, guest-starring

Sheet music

See also

References

  1. 1 2 3 4 5 Gerken, Teja (2014). "Expanding Acoustic Realms (Agan)". Premiere Guitar (January). Retrieved July 25, 2014.
  2. 1 2 Roos, John (October 17, 1997). "Rhythm and Bruise". Los Angeles Times. Retrieved July 25, 2014.
  3. ↑ The Preston Reed web site quoting EuroClub de Jazz (July 2004) Accessed on July 8, 2013.
  4. ↑ Review of Reed's CD Metal at Allmusic Guide, by Robert Taylor. Accessed on November 25, 2007.
  5. 1 2 The Guitar of Preston Reed, Text on video cover. Accessed on November 25, 2007.
  6. ↑ Discography at Preston Reed's website. Accessed on November 25, 2007.

External links

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