|  Year | 
 Physical Media formats | 
 Recording formats | 
|  1860 | 
 Phonautogram | 
 Mechanical analog; sound waveform transcribed to paper or glass | 
|  1877 | 
 Phonograph cylinder (Edison) | 
 Mechanical analog; hill-and-dale grooves, vertical stylus motion | 
|  1878 - 1916 | 
 Ediphone - Dictaphone | 
 Mechanical analog, The Ediphone and subsequent wax cylinders used in Edison's other product lines continued to be sold up until 1929 when the Edison Manufacturing Company folded | 
|  1883 | 
 Music roll | 
 Mechanical digital (automated musical instruments) | 
|  1887 | 
 Phonograph disk (Emile Berliner) | 
 Mechanical analog; lateral grooves, horizontal stylus motion | 
|  1898 | 
 Wire recording | 
 Analog; magnetization; DC bias | 
|  1925 | 
 Electrical cut record | 
 Mechanical analog; electrically cut from amplified microphone signal, lateral grooves, horizontal stylus motion, discs at 7", 10", 12", most at 78 rpm | 
 
|  1930s | 
 Reel-to-Reel, Magnetic Tape | 
 Analog; magnetization; AC "bias" dramatically increases linearity/fidelity, tape speed at 30 ips, later 15 ips and other refined speeds: 7½ ips, 3¾ ips, 1⅞ ips | 
|  Electrical transcriptions | 
 Mechanical analog; electrically cut from amplified microphone signal, high fidelity sound, lateral or vertical grooves, horizontal or vertical stylus motion, most discs 16" at 33⅓ rpm | 
|  1936 | 
 Tefifon | 
 Electromechanical, vinyl belt housed in a cassette, used an embossing technique using a stylus to imprint the information, was the first audio cassette | 
|  1945  | 
 SoundScriber | 
 Analog, 4-6 inch discs, It recorded sound by pressing grooves into soft vinyl discs | 
|  1947  | 
 Dictabelt (Memobelt) | 
 Analog, medium consisting of a thin, plastic belt 3.5" wide that was placed on a cylinder and rotated like a tank tread, developed by the Dictaphone company in 1947 | 
|  1948 | 
 Vinyl LP Record (Columbia) | 
 Analog, with preemphasis and other equalization techniques (LP, RIAA); lateral grooves, horizontal stylus motion; discs 7", 10" and 12" at 33⅓ rpm, 1st LP Columbia ML 4001 Milstein, Mendelssohn Violin Concerto | 
|  1949  | 
 Vinyl 45 Record (RCA)  | 
 Analog 45 rpm vinyl 7" disk, first 45 pressed "PeeWee the Piccolo" RCA 47-0147 Indianapolis | 
|  1951 | 
 Minifon P55 | 
 Analog, magnetic wire on reel, 30 cm/s or about 11.8 ips was quickly adopted by many governments as being the ultimate "spy" recorder of its day | 
|  1957 | 
 Stereophonic Vinyl Record | 
 Analog, with preemphasis and other equalization techniques. Combination lateral/vertical stylus motion with each channel encoded 45 degrees to the vertical | 
|  1957 | 
 Dictet | 
 Analog, ¼ tape, 2.48 in/s, (3" reels housed 5.875 x 3 x .4375 inch cassette), developed by the Dictaphone Corp, was the very first dictation machine to use magnetic tape cassettes | 
|  1958 | 
 RCA tape cartridge (Sound Tape) (Magazine Loading Cartridge) | 
 Analog, ¼ inch wide tape (stereo & mono), 3¾ in/s & 1.875 in/s, one of the first attempts to offer reel-to-reel tape recording quality in a convenient format for the consumer market | 
|  1959 | 
 NAB Cart Tape (Fidelipac) | 
 Analog, ¼ inch wide tape in cartridge, 7½ in/s & 15 in/s, Introduced in 1959 by Collins Radio, the cart tape format was designed for use by radio broadcasters to play commercials, bumpers and announcements | 
|  1962 | 
 4-Track (Stereo-Pak) | 
 Analog, 1⁄4-inch-wide (6.4 mm) tape, 3¾ in/s, endless-loop cartridge | 
|  1963 | 
 Compact Cassette | 
 Analog, with bias. 0.15-inch-wide (3.8 mm) tape, 1⅞ in/s. 1970: introduced Dolby noise reduction | 
|  1964 | 
 Sanyo Micro Pack 35 (Channel Master 6546) | 
 ¼ inch wide tape housed in a transparent cartridge measuring 2.6 x 2.9 x 1.9 inches, tape was stored on two reels residing atop one another, keeping the cartridge compact | 
|  1965 | 
 8-Track (Stereo-8) | 
 Analog, ¼ inch wide tape, 3¾ in/s, endless-loop cartridge | 
|  DC-International system | 
 Analog cassette format introduced by Grundig, Telefunken and Blaupunkt: 120 x 77 x 12 mm cassette with ¼ inch wide tape run at 5.08cm per second. | 
|  1966 | 
 PlayTape | 
 Analog, ⅛ inch wide tape, endless-loop cartridge, introduced by Frank Stanton | 
|  1969 | 
 Microcassette | 
 Analog, ⅛ inch wide tape, used generally for note taking, mostly mono, some stereo (developed in the early 80's). 2.4 cm/s or 1.2 cm/s | 
|  Minicassette | 
 Analog, ⅛ inch wide tape, used generally for note taking, 1.2 cm/s | 
|  1970 | 
 Quadraphonic 8-Track (Quad-8) (Q8) | 
 Analog, ¼ inch wide tape, 3¾ in/s, 4-channel stereo, endless-loop cartridge | 
|  1971 | 
 Quadraphonic Vinyl Record (CD-4) (SQ Matrix) | 
 Analog | 
|  1975 | 
 Betamax Digital Audio  | 
 Digital | 
 | 
 | 
 Analog. Dolby Stereo cinema surround sound | 
|  1976 | 
 Elcaset | 
 Analog | 
|  1978 | 
 Laserdisc | 
 Digital/Analog | 
|  1982 | 
 Compact Disc (CD-DA) | 
 Digital. Linear PCM (LPCM) | 
|  1985 | 
  | 
 Digital. Audio Interchange File Format (AIFF) | 
|  1985 | 
  | 
 Digital. Sound Designer (by Digidesign) (SD and DIG formats) | 
|  1986 | 
 High Definition Compatible Digital (HDCD) | 
 Digital. Redbook compatible physical CD containing 20–24 bit information (uses linear pulse-code modulation (LPCM) | 
|  1987 | 
 Digital Audio Tape (DAT) | 
 Digital. | 
|  1992 | 
 Digital Compact Cassette (DCC) | 
 Digital,  ⅛ inch wide tape, 1⅞ in/s, introduced by Philips and Matsushita in late 1992, marketed as the successor to the standard analog compact cassette | 
|   | 
 Digital. WAVEform (WAV) | 
 | 
 Digital. Dolby Digital surround cinema sound (also known as Dolby Stereo Digital until 1994) | 
|  MiniDisc (MD)[1] | 
 Digital. Adaptive Transform Acoustic Coding (ATRAC) | 
|  1993 | 
 | 
 Digital. Digital Theatre System (DTS), Sony Dynamic Digital Sound (SDDS), MPEG-1 Audio Layer III (MP3) | 
|  1994 | 
 | 
 Digital. TwinVQ | 
|  1995 | 
 RealAudio[1] | 
 | 
|  1997 | 
 DVD | 
 Digital. Dolby Digital, Digital Theatre System (DTS) | 
|  DTS-CD | 
 Digital. DTS Audio | 
|  1999 | 
 DVD-Audio | 
 Digital. Including Meridian Lossless Packing (MLP), Linear PCM (LPCM), Dolby Digital (AC-3) and Digital Theatre System (DTS) | 
|  Super Audio CD (SACD) | 
 Digital. Direct Stream Digital | 
 | 
 Digital. Windows Media Audio (WMA) | 
|   | 
 Digital. The True Audio Lossless Codec (TTA) | 
|  2000 | 
  | 
 Digital. Free Lossless Audio Codec (FLAC) | 
|  2001 | 
  | 
 Digital. Advanced audio coding (AAC) | 
|  2002 | 
  | 
 Digital. Ogg Vorbis codec | 
|  2003 | 
 DualDisc | 
 Digital. Multiple formats encoded onto the same disc | 
|  2004 | 
  | 
 Digital. Apple Lossless (ALE or ALAC) | 
|  2005 | 
 HD DVD | 
 Digital. Dolby TrueHD, DTS-HD Master Audio | 
|   | 
 Digital. OggPCM | 
|  2006 | 
 Blu-ray Disc | 
 Digital. Dolby TrueHD, DTS-HD Master Audio | 
|  2008 | 
 slotMusic | 
 Digital. Usually at 320 kbit/s MP3 on microSD or microSDHC | 
|  Blu-spec CD | 
 Digital. PCM | 
|  2009 | 
 SILK | 
 Digital. Codec developed by Skype, extended into the Opus codec. | 
|  2010 | 
 DCP (Digital Cinema Package) | 
 Digital. Auro-3D codec | 
|  2012 | 
 Opus | 
 Digital. Opus codec |