Tomoko Sawada

Tomoko Sawada (澤田 知子 Sawada Tomoko, born 1977 in Kobe, Japan) is a Japanese contemporary feminist photographer and performance artist.[1][2] She has been included in numerous group shows in Japan, Europe and the US. Her first solo exhibition was in 1997 at Japan's Gallery Chat. In 2004 she was awarded the prestigious Kimura Ihei Memorial Photography Award for Young Japanese Photographer as well as the International Center of Photography Infinity Award in the category of Young Photographer.[3]

Life and work

Sawada graduated in 1998 with a degree in Media Design, then later in 2000 with a degree in Photography from the Seian University of Art and Design in Otsu, Shiga, Japan. Some of her works of art include ID-400, OMIAI♡, Costume, Schoolgirls, Costume, Cover, Masquerade, Recruit, Mirrors, and Facial Signature. Her work investigates human identity and especially gender roles and stereotypes in Japanese culture.[4][5]

Sawada uses photography and techniques of performance art to explore ideas of identity, status, culture, individualism, and conformity through traditional and contemporary cultural methods of portraiture. Sawada's photographs are each part of a themed photo series in which she makes use of make-up and costume to dramatically alter her identity, such that each photograph appears to represent a different individual or group of individuals, when all subjects are Sawada herself. Sawada uses commercial photographers, photo booths, and her own studio environment with digital photo editing to represent hundreds of different identities.[6] Clearly, her use of costume in her self portraits draws from the work of Cindy Sherman. Her work also explores the way assumptions about personality are largely driven by Japanese cultural responses to gender, job occupation, and other socio-cultural stereotypes.[7]

Career

Sawada's earliest self-portrait photo series is Early Days from 1995-1996 made while Sawada was in her teens.[8] Her next series, ID400, was created over the course of 4 years, from 1998-2001 using a public photo booth to take 400 different ID card style self-portraits while Sawada altered her appearance through costume, hair, and make-up changes along with altering her facial expression or even gaining/losing weight.[9][10] Subsequent photo series continue to explore varying methods of altering Sawada's outward appearance then documenting these changes using single and group style photographic methods.

Early Days, 1995-1996

Sawada's earliest photo series.[11]

ID400, 1998-2001

For this photo series, Sawada visited the same photo booth outside a train station in Kobe, Japan over the course of four years to create 400 different black and white ID card photos of herself.[9]

OMIAI♡, 2001

Sawada's OMIAI♡ series references the traditional photo book of a young woman used by her family members for an arranged marriage. Sawada was photographed in a professional photography studio. On each visit she dressed as a different type of woman, as the photographs are carefully produced with the intention of showing a woman's identity for the prospective young man and his family.[12]

Cover/Face, 2002-2003

Photographs in this series show Sawada attired based on trends of the Japanese youth culture and the influence of Western ideas of beauty.[13] She dressed herself as a ganguro, described as a tan, California girl type idolizing the pop music star Namie Amuro.[9]

Costume, 2003

Sawada dresses in the uniforms and work clothes associated with various jobs. The idea for this series grew from her personal experiences working in different roles and learning how different people responded to her in these roles, "people’s attitude toward another person changes greatly according to their occupation."[14]

School Days, 2004

This series shows Sawada repeated within the same large group class portraits as both the students and their teacher wearing a school girl uniform and then dressed as the typical school matron. Sawada finds ways of altering her presentation wearing identical school uniforms through changes to her hair style, accessories, and facial expressions, then the images are digitally combined to create the class, including a background.[15]

Exhibitions and Awards

Solo Exhibitions

Group shows

Awards

Permanent collections

References

  1. ↑ Reilly, Maura, and Linda Nochlin. "Contemporary Japanese Women's Self-Awareness." Global Feminisms: New Directions in Contemporary Art. London: Merrell, 2007. 97-105. Print.
  2. ↑ "Tomoko Sawada | MEM". mem-inc.jp. Retrieved 2016-03-05.
  3. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 "Zabriskie Gallery Tomoko Sawada Biography". Zabriskie Gallery. Retrieved March 7, 2015.
  4. ↑ "Tomoko Sawada." Zabriskie Gallery. Zabriskie Gallery, 2014. Web. 14 Apr. 2014.
  5. ↑ Matsui, Midori. "The Artists to Watch." MasterFILE Premier. EBSCO, June 2005. Web. 14 Apr. 2014.
  6. ↑ "MEM: Artists – Tomoko Sawada". MEM, Inc. Retrieved March 7, 2015.
  7. ↑ "Zabriskie Gallery, Artists, Tomoko Sawada, Press Releases, School Girls". Zabriskie Gallery. Retrieved March 7, 2015.
  8. ↑ "MEM Gallery Early Days Exhibition". MEM, Inc. Retrieved March 7, 2015.
  9. 1 2 3 Verena. "The Many Facets of Tomoko Sawada". Ping Mag. Retrieved March 7, 2015.
  10. ↑ "Zabriskie Gallery Sawada Press Release Two Photographic Series". Zabriskie Gallery.
  11. ↑ "MEM Gallery Tomoko Sawada". MEM Gallery. Retrieved March 7, 2015.
  12. ↑ "MEM Tomoko Sawada". MEM Gallery. Retrieved March 7, 2015.
  13. ↑ "Zabriskie Gallery Tomoko Sawada Schoolgirls". Zabriskie Gallery. Retrieved March 7, 2015.
  14. ↑ "Zabriskie Gallery Tomoko Sawada Costume". Zabriskie Gallery. Retrieved March 7, 2015.
  15. ↑ Rösler, Dirk. "Tomoko Sawada's School Days". Japan Exposures. Retrieved March 7, 2015.
  16. 1 2 Leffingwell, Edward. "Tomoko Sawada at Zabriskie." MasterFILE Premier. EBSCO, 1 Apr. 2005. Web. 14 Apr. 2014.
  17. 1 2 3 4 5 6 "Elizabeth A. Sackler Center for Feminist Art: Feminist Art Base: Tomoko Sawada". Brooklyn Museum. Retrieved 28 April 2014.
  18. ↑ "Tomoko Sawada". Zabriskie Gallery. Retrieved 28 April 2014.
  19. ↑ "Art review: Tomoko Sawada at Rose". Los Angeles Times. Retrieved 28 April 2014.
  20. 1 2 Itoi, Kay. "Multiple Personalities." MasterFILE Premier. EBSCO, 12 Apr. 2004. Web. 14 Apr. 2014.
  21. 1 2 3 4 "Biography of Tomoko SAWADA - CONNOISSEUR CONTEMPORARY". www.connoisseurcontemporary.com. Retrieved 2016-03-05.
  22. ↑ "Brooklyn Museum: Tomoko Sawada". www.brooklynmuseum.org. Retrieved 2016-03-05.

External links

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