Tyrone Power, Sr.
Tyrone Power, Sr. | |
---|---|
Tyrone Power, Sr., c. 1916 | |
Born |
Frederick Tyrone Edmond Power 2 May 1869 London, England, United Kingdom |
Died |
23 December 1931 62) Los Angeles, California, United States | (aged
Other names | Fred |
Spouse(s) |
Maud White (unknown marriage date) (as of 1904) Edith Crane (m.Sept 19, 1908) (1908-1912; her death) Helen Emma Reaume (m. June 10, 1912) (1912-1920; divorced; 2 children) Bertha Knight (1921-1927; her death) |
Children |
Tyrone Power Anne Power |
Parent(s) |
Harold Littledale Power (father) Ethel Lavenu (mother) |
Frederick Tyrone Edmond Power (2 May 1869 – 23 December 1931) was an English stage and screen actor, who acted under the name Tyrone Power.
Early life
Power was born in London in 1869, the son of Harold Littledale Power and Ethel Lavenu. His father had worked as a singer and actor before his marriage, most notably in Edmund Yates' production "Invitations" at the Egyptian Hall, London, 1862–63. Turning to business, his father became a wine merchant, later collaborating in the mining business with his brother Frederick Power. Power's father was the youngest son of the Irish actor Tyrone Power, from whom his son, grandson and great grandson would later take their stage names. His mother Ethel Lavenu, an actress was the third daughter of conductor and composer Lewis Henry Lavenu.
Frederick Power, as he was then known, was educated at Hampton School then Dover College with his brother George, who would later accompany him on tour in America as Littledale Power. In 1883 at the age of 14 he was sent from Britain to Florida by his parents to learn citrus planting.
Career
Stage
After a couple of years Power ran away from his farm work and joined a theatre stock company at St. Augustine, Florida, debuting as Gibson in Charles Hawtrey's The Private Secretary on 29 November 1886 aged 17. Power steadily moved up the ranks in a variety of roles mainly Shakespearean parts. In 1899 he was in the cast of Mrs Fiske's Becky Sharp which costarred Maurice Barrymore. 1902 saw Power join Mrs. Fiske again in Mary of Magdala. The following year Power starred opposite Edgar Selwyn in Ulysses. (Selwyn would later join part of his name with Samuel Goldfish's name to create Goldwyn Studios.) Power also had roles in Julia Marlowe's When Knighthood Was in Flower in a 1904 revival.
In August of 1905 Power appeared at the Elitch Theatre in Denver with his wife, Edith Crane, in Tess of the D'Urbervilles. According to Mary Elitch Long, in her autobiography, Lady of the Gardens, "I shall never forget the beauty of his voice nor his first utterance as he entered the Gardens: 'I am about to realize a great ambition, and that is to play in the Elitch Gardens Theatre.'"
In 1908 Power had what was probably his greatest personal theatrical success, The Servant in the House. The production ran for 80 performances in the first half of 1908 and then a return engagement for 48 performances near the close of the year. Following this success Power appeared in a few more original stage productions like Chu Chin Chow (American version) and The Wandering Jew, which apparently was a huge musical. The rest of his theatrical career before World War I and after consisted of revivals of popular and Shakesperean plays such as The Merchant of Venice, Julius Caesar, the all-star play Diplomacy, and The Rivals. In 1922, he played Claudius in John Barrymore's groundbreaking production of Hamlet.
Films
After an extremely prosperous 30 years of acting on the stage and touring around the world, Power moved into silent films in 1914. Initially playing the leading man in films, he soon switched to playing villains and proved highly successful. In 1916 Power played the male lead in Where Are My Children?, a serious film about birth control and social issues directed by pioneer woman director Lois Weber and her husband Phillips Smalley. A pristine copy of this film is preserved in the Library of Congress. That same year Power appeared in a Selig film called John Needham's Double. When not acting on Broadway, Power appeared in films. Producer William Fox found him a great character part at Fox Studios in Footfalls (1921).
Also in 1921 Power appeared in D.W. Griffith's Dream Street in which experimental synchronised sound was used, using the Photokinema sound-on-disc system. In 1924 Power was in the cast of the sumptuous Janice Meredith, a Hearst produced Marion Davies vehicle. In 1925 Power appeared in a film called The Red Kimono, a film as daring as Where Are My Children? had been a decade earlier. The Red Kimono was produced and partly written by Dorothy Davenport, the widow of Wallace Reid. It is the only silent Power film available on home video or DVD.
Power finished out the decade & silent era in several A-list silent films. In 1930, Power had a final great role as the villainous "bull whacker" Red Flack in Raoul Walsh's widescreen epic The Big Trail, which was Power's first (and only) talkie and provided an unknown John Wayne with his first starring role. Power then prepared to film a sound remake of The Miracle Man, which had been a great silent success in 1919 for Lon Chaney. A few scenes had been shot but before filming could be completed on The Miracle Man. Power died of a heart attack in the arms of his 17-year-old son at the end of 1931. He was 62. His part of the preacher in The Miracle Man was taken up by fellow veteran actor Hobart Bosworth.
He is now usually referred to as Tyrone Power, Sr., to distinguish him from his son, actor Tyrone Power, who would die in 1958 at the age of 44, also of a heart attack .
Stage appearances
Production | Production | Company, Dates |
---|---|---|
The Private Secretary Charles Hawtrey | Gibson | his debut on November 29, 1886 with St. Augustine, Florida stock company |
Saratoga Bronson Howard | The Hon. William Carter | at Mechanics' Institute, St. John, NB, Huebner-Holmes Co., June 22, 1888 |
The Texan Tyrone Power, Sr. | William Plainleigh | at Opera House, St. John, NB and at the Masonic Hall at Chatham and Newcastle, New Brunswick, own company, June, 1893, and at Princess's Theatre, London, June, 1894 |
The Two Roses James Albery | Digby Grant | at Opera House, St. John, NB, own company, June, 1893 |
Betsy | Adolphus | at Opera House, St. John, NB, own company, June, 1893 |
The Sins of the Fathers W. Lestocq | Sir Roger Walvernby & Norman Vernley | at Opera House, St. John, NB, own company, June, 1893 |
Guy Mannering Sir Walter Scott | Dominie Sampson | opened at Montreal, Fanny Janauschek company c.1888-1891 |
The School for Scandal Richard Brinsley Sheridan | Sir Oliver Surface | Augustin Daly players, 1891 |
The Magistrate Arthur Wing Pinero | Posket | Augustin Daly players, c.1891-1898 |
The Cabinet Minister Arthur Wing Pinero | Brooke Twombley | Augustin Daly players, c.1891-1898 |
The Foresters Alfred Tennyson | Much the Miller | Augustin Daly players, c.1891-1898 |
As You Like It William Shakespeare | Frederick | Augustin Daly players, c.1891-1898 |
Love's Labour's Lost William Shakespeare | Holofernes | Augustin Daly players, c.1891-1898 |
Much Ado about Nothing William Shakespeare | Antonio | Augustin Daly players, c.1891-1898 |
The Taming of the Shrew William Shakespeare | Christopher Sly | Augustin Daly players, c.1891-1898, and with own company Australia and New Zealand tour 1900-1902 |
The Tempest William Shakespeare | Caliban | Augustin Daly players, c.1891-1898 |
The Merry Wives of Windsor William Shakespeare | Host of the Garter Inn | Augustin Daly players, c.1891-1898 |
Magda Hermann Sudermann | - | Minnie Maddern Fiske's company c.1890s |
Frou-Frou Henri Meilhac, Ludovic Halévy | - | Minnie Maddern Fiske's company c.1890s |
Becky Sharp Langdon Mitchell ad. Thackeray's Vanity Fair | Lord Steyne | Minnie Maddern Fiske's company, Fifth Avenue Theatre, September 12-December, 1899, 116 performances |
Tess of the D'Urbervilles Thomas Hardy dram. | - | Australia and New Zealand tour 1900-1902 |
Trilby George du Maurier dram. | - | Australia and New Zealand tour 1900-1902 |
Our Boys Henry James Byron | - | Australia and New Zealand tour 1900-1902 |
The Only Way Freeman C. Wills, Frederick Langbridge ad. A Tale of Two Cities | - | Australia and New Zealand tour 1900-1902 |
The Merchant of Venice William Shakespeare | Bassanio | at the Lyceum Theatre, London with Henry Irving and Ellen Terry, June, July, 1902 |
Mary of Magdala William Winter | Judas Iscariot | Minnie Maddern Fiske's company, Manhattan Theatre, November, 1902, 105 performances |
Ulysses Stephen Phillips | Ulysses | at the Garden Theatre, September 14-November,1903, 65 performances |
Ingomar Maria Lovell | Ingomar | at the Empire Theatre, Broadway, May 16, 1904 |
Yvette Pierre Berton ad. Cosmo Gordon Lennox | - | at the Knickerbocker Theatre, Broadway, May 13, 1904 |
When Knighthood Was in Flower Charles Major ad. Paul Kester | The Princess | at the Empire Theatre, Broadway, May, 1904, 16 performances |
Adrea David Belasco | - | at the Belasco Theatre, January 1 – April 26, 1905, 123 performances |
Tess of the D'Urbervilles | - | at the Elitch Theatre, August, 1905 |
The Redskin Donald MacLaren | Lonawanda | at the Liberty Theatre, January 3- March, 1906, 26 performances |
The Strength of the Weak Alice M. Smith, Charlotte Thompson | - | at the Liberty Theatre, April 17- May, 1906 |
The Christian Pilgrim James MacArthur | Apollyon, Beelzebub, Giant Despair, Lord Hategood | at the Liberty Theatre, November, 1907, 14 performances |
The Servant in the House Charles Rann Kennedy | Robert Smith | at the Savoy Theatre, March 23 – June 1, 1908, 80 performances, October 19-November, 1908, 48 performances |
Thais Anatole France, ad. Paul Wilstach | - | at the Criterion Theatre, March 14-April, 1911, 31 performances
"Julius Caesar" Marcus Brutus one performance for 40,000 at Beachwood Canyon, Hollywood, May 1916 |
Julius Caesar William Shakespeare | Marcus Brutus | at the Lyric Theatre, November 4-December, 1912, 32 performances, outdoor performance before 40,000 at Beachwood Canyon Hollywood, May 1916, one performance at the Cort Theatre, March 15, 1918 |
Chu Chin Chow Oscar Asche | Abu Hasan | American premiere at the Manhattan Opera House, October 22, 1917, second run at the Century Theatre, January 14-April, 1918, 208 performances |
The Little Brother Milton Goldsmith, Benedict James | - | at the Belmont Theatre, November 25, 1918-March, 1919, 120 performances |
The Wandering Jew Ernest Temple Thurston | Mathathias, The Unknown Knight, Matteo Battadio, Matteos Battadios | at the Knickerbocker Theatre, opened October 26, 1921 |
The Rivals Richard Brinsley Sheridan | Sir Anthony Absolute | at the Empire Theatre, opened June 5, 1922 |
Hamlet William Shakespeare | Claudius King of Denmark | at the Sam H. Harris Theatre, November 16, 1922-February, 1923, 101 performances |
Venus Rachel Crothers | Herbert Beveridge | at the Theatre Masque, December 26, 1927-January, 1928, 8 performances |
Diplomacy (play) Victorien Sardou | Markham | at Erlanger's Theatre, May 28-July, 1928, 40 performances |
The Unknown Warrior Paul Raynal trans. Cecil Lewis | Elderly Man | at Charles Hopkins Theatre, October 29-November, 1928, 8 performances |
The Merchant of Venice William Shakespeare | Duke of Venice | at the Royale Theatre, opened November 16, 1931, 8 performances |
Filmography
Year | Title | Role | Notes |
---|---|---|---|
1914 | Aristocracy | Jefferson Stockton | |
1915 | A Texas Steer | Maverick Brander | |
1915 | Sweet Alyssum | Roanoke Brooks | |
1916 | The Devil-in-Chief | - | |
1916 | Thou Shalt Not Covet | I, or the Hero | |
1916 | John Needham's Double | Lord John Needham/Joseph Norbury | |
1916 | Where Are My Children? | District Attorney Richard Walton | |
1916 | The Eye of God | Olaf | |
1917 | The Planter | Ludwig Hertzer | |
1917 | Lorelei of the Sea | Paul | Alternative titles: A Modern Lorelei The Lorelei, Sirens of the Sea |
1917 | National Red Cross Pageant | Servia | |
1919 | The Mad Woman | - | |
1920 | The Great Shadow | Jim McDonald | |
1921 | Dream Street | Street Preacher | |
1921 | The Black Panther's Cub | Count Boris Orliff | |
1921 | Footfalls | Hiram Scudder | |
1923 | Fury | Captain Leyton | |
1923 | The Truth About Wives | Howard Hendricks | |
1923 | Bright Lights of Broadway | John Kirk | |
1923 | Wife in Name Only | Dornham | |
1923 | The Daring Years | James LaMotte | |
1923 | The Day of Faith | Michael Anstell | |
1924 | Damaged Hearts | Sandy | |
1924 | The Lone Wolf | Bannon | |
1924 | Trouping with Ellen | Mr. Llewellyn | |
1924 | The Story Without a Name | Drakma | Alternative title: Without Warning (USA) |
1924 | For Another Woman | - | |
1924 | Greater Than Marriage | Father | |
1924 | Janice Meredith | Lord Cornwallis | Alternative title: The Beautiful Rebel |
1924 | The Law and the Lady | John Langley Sr. | |
1925 | The Wanderer | Jesse | |
1925 | Where Was I? | George Stone | |
1925 | A Regular Fellow | King | |
1925 | The Red Kimona | Gabrielle's Father | Alternative title: Red Kimona Red Kimono (USA) |
1925 | Braveheart | Standing Rock | |
1925 | Bride of the Storm | Jacob Kroon | |
1926 | The Test of Donald Norton | John Corrigal | |
1926 | Out of the Storm | Mr. Lawrence | |
1926 | Hands Across the Border | John Drake | |
1927 | The Elegy | Servant of Satan | |
1930 | The Big Trail | Red Flack, wagon boss |
External links
Wikimedia Commons has media related to Tyrone Power, Sr.. |
- Tyrone Power, Sr. at the Internet Movie Database
- Tyrone Power, Sr. at the Internet Broadway Database
- Tyrone Power, Sr. at the NY Public Library
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