Unnal Mudiyum Thambi

Unnal Mudiyum Thambi
Directed by K. Balachander
Produced by Rajam Balachander
Pushpa Kandaswamy
Written by K. Balachander
Starring Kamal Haasan
Seetha
Gemini Ganesh
Manorama
Charle
Janagaraj
Delhi Ganesh
Nassar
Music by Ilaiyaraaja
Cinematography Raghunath Reddy
Edited by R. Bhaskaran
Production
company
Distributed by Kavithalayaa Productions
Release dates
  • 12 August 1988 (1988-08-12)
Country India
Language Tamil

Unnal Mudiyum Thambi (translation: You can, Brother) is a Tamil language film written and directed by K. Balachander. The film was produced by Rajam Balachander and Pushpa Kandasamy under Kavithalaya Productions. The film features Kamal Haasan and Seetha in the lead roles with Gemini Ganesan, Manorama, Janagaraj, Naasar and Delhi Ganesh playing supporting roles. The film is a remake of the Telugu film Rudraveena. The soundtrack album and background score were composed by Ilaiyaraaja. Cinematography was handled by Raghunath Reddy and editing was done by R. Bhaskaran.

The film's plot revolves around clash of ideologies between father and son; the father believes in art while his son is interested in social service. The rest of the film revolves around how the father changes his opinion about his son. The film was released on 12 August 1988.

Plot

Udhayamoorthy (Kamal Haasan) is the younger son of an illustrious Carnatic music maestro, Bilahari Marthandam Pillai (Gemini Ganesan). The father is a strict disciplinarian who is very class conscious and cares only for his art. The maestro's elder son (Prasad Babu) is born mute and hence had to take to an instrument, the nadhaswaram, which he is quite adept at.

A car makes an entry into the village. An MP (VK Ramasamy) gets out of the car and finds that the village is self-disciplined in terms of cleanliness, get rid of bad habits such as drinking, etc. He learns that the cause of all this is a young man named Udayamurthy. The MP wonders how only a young man was able to achieve this and expresses this to Udayamurthy; a flashback begins.

Adolescent Udayamurthy from a high society family sees an old blind beggar woman struggling to pick up a banana thrown by a passer-by. Udayamurthy doesn't help the woman and an old man helps the beggar woman instead. The old man calls Udayamurthy and tells him to be helpful to others. Now and adult, Udayamurthy is a very mischievous and happy-go-lucky guy who likes to pull pranks on his family members and gets punished by his father Pilahari Marthandam Pillai, an ardent devotee and a short-tempered Carnatic music singer. One day Marthandam Pillai shouts at his son saying that it is better to die than to live an irresponsible life like this and this hurts Udayamurthy. Next morning family members are shocked on seeing Udayamurthy hanging himself at the middle of the hall. But actually it is another prank played by him and he did not die so. Angayarkanni hurt by the mischief feels sad for not playing her role as a sister-in-law and not raised Udayamurthy properly and made him as an irresponsible boy. Udayamurthy changes his mind and start to be responsible making his family happy. He comes to a decision of being helpful to the society by reminding of the temple incident in his adolescent life and on seeing an old gardener who wants to live usefully for the society at least by planting trees.

Udayamurthy sees a woman in a government office who protests against an official for rejecting her application for teacher job for not mentioning her caste and religion in the application. Udayamurthy again sees the woman at a theatre when she slaps a thug for misbehaving. Udayamurthy gets attracted to the girl named Lalitha Kamalam (Seetha) on knowing that she and her thoughts are very much secular. Both Udayamurthy and Lalitha fall in love with each other. Udayamurthy could not concentrate on singing when he hears the begging of a night beggar. This angers Marthandam Pillai and shouts that he is not fit to be his disciple. Marthandam Pillai also get angry on seeing his son loving a girl who come from the caste of untouchables. Udayamurthy and Marthandam Pillai get into fight when Marthandam Pillai brings another man Charukesi (Ramesh Aravind) to become his disciple stating reasons that Udayamurthy can live as a man going behind humanity and not as a devoted singer. At another incident Udayamurthy gets vexed when Marthandam Pillai does not care to save a dying man by giving lift in his car to hospital but cared only to be punctual for his music program leading to the death of the man due to delay in treatment. Marthandam Pillai challenges Udayamurthy to become a man making his father proud without using the name of his father in the society and then he will listen to what he says. Udayamurthy could not bear to be neglected by his father and he leaves the house.

Udayamurthy meets the wife of the dead man and finds that the government did not give any compensation to the family as the man was drunk while on duty. Udayamurthy finds lot of men laying always at drunkard state and their children go for work to earn for their drinking expense instead of going to school. Hence he sets out to change the people and bring them out of drinking habit. He becomes unsuccessful in his attempt and at the same time gets attacked by liquor selling group. Lalitha provokes the wives of the drunkard to protest their drunkard husbands to which the women co-operates. Udayamurthy gains the enmity of the drunkards for destroying the liquor shops and for provoking their wives against them.Hence they set out to stop the wedding of Udayamurthy with Lalitha by promising that they would stop drinking if he cancels his wedding to which Udayamurthy accepts. His sacrifice earns up the respect upon the whole village and the drunkards start to obey him. Udayamurthy and Lalitha together start 'Amaidhi Puratchi Iyyakam' (Silent Revolution Society) and bring many reforms.

The MP on hearing the whole story appreciates him a lot and brings the reformation to the light of the government. Udayamurthy becomes famous overnight and gets 'Best Indian' award from Prime Minister for transforming the village in the good path. Pilahari Marthandam Pillai finds that his son achieved his mission and proudly announces that Marthandam Pillai is the father of Udayamurthy rather Udayamurthy is the son of Marthandam Pillai. He also accepts the marriage of his son with Lalitha and unite them.

Cast

Production

Kamal Haasan's character was inspired from a real life social activist M. S. Udayamurthy.[1][2] Vishweswaran, husband of Bharatanatyam artist Chithra Vishweswaran portrayed the role of Chief-minister who appears in the climax.[3]

Soundtrack

The songs were composed by Ilaiyaraja while lyrics written by Pulamaipithan, Muthulingham and Ilaiyaraaja.[4] Ilaiyaraaja has reused some tracks from Telugu original Rudraveena. The song "Idhazhil Kathai" is based on Lalitha Raga while "Nee Ondruthaan" is based on Bilahari Raga.[5][6] Indiaglitz praised the song "Enna Samayalo" stating that "If you pay keen attention to the lyrics of the song, you will notice even the mention of ingredients like - 'Garam masala'! Ofcourse the use of vegetables and ingredients in the lyrics makes this song different on its own".[7]

SL. No. Song's Title Singer(s) Lyrics
1. "Akkam Pakkam Parada" S. P. Balasubrahmanyam Pulamaipithan
2. "Enna Samayalo" S. P. Balasubrahmanyam, K. S. Chitra, Sunandha Illayaraja
3. "Ithazhil Kathai" S. P. Balasubrahmanyam, K. S. Chitra Muthulingam
4. "Maanida Sevai" K. J. Yesudas Pulamaipithan
5. "Nee Onru Than" K. J. Yesudas
6. "Punjai Undu" S. P. Balasubrahmanyam Pulamaipithan
7. "Unnal Mudiyum Thambi" S. P. Balasubrahmanyam Pulamaipithan

Reception

Behindwoods included the film in the list "Social Awareness in Tamil Cinema" and mentioned that "Kamal hassan, Gemini Ganesan, and Sita’s heart wrenching performance and Balachander’s direction made this movie stand apart from the crowd. Illayaraja’s music helped in a big way too".[8] The Hindu appreciated Manorama's performance calling it "One of her finest roles [..] Her depiction of the travails faced by the woman of the house [..] remains an acting benchmark".[9]

References

  1. ↑ B. Kolappan. "He took Tamil cinema beyond hero-centric creations". The Hindu. Retrieved 14 October 2015.
  2. ↑ "The Hindu : Beyond politics and spirituality". thehindu.com. Retrieved 14 October 2015.
  3. ↑ "The Hindu : Life is stranger than fiction". thehindu.com. Retrieved 14 October 2015.
  4. ↑ "Unnal Mudhiyum thambi songs". Retrieved 19 February 2012.
  5. ↑ Charulatha Mani. "Distinctly classical". The Hindu. Retrieved 14 October 2015.
  6. ↑ "Cinema Quiz". The Hindu. Retrieved 14 October 2015.
  7. ↑ "Vegetable names in songs". Indiaglitz. Retrieved 20 January 2016.
  8. ↑ "Social Awareness in Tamil cinema - Unnal Mudiyum Thambi". Behindwoods. Retrieved 20 January 2016.
  9. ↑ "When the camera rolled, she lived the character - The Hindu". The Hindu. Retrieved 20 January 2016.

External links

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