Africana womanism

"Africana Womanism" is a term coined in the late 1980s by Clenora Hudson-Weems [1] intended as an ideology applicable to all women of African descent. It is grounded in African culture and Afrocentrism and focuses on the experiences, struggles, needs, and desires of Africana women of the African diaspora. It distinguishes itself from feminism, or Alice Walker's womanism.

The Africana Womanism Society lists eighteen characteristics of the The Africana womanist, including self-naming, self-defining, family-centered, flexible and desiring positive male companionship.[2][3]

Development

Clenora Hudson-Weems,[1] Professor of English, University of Missouri, author of Africana Womanism: Reclaiming Ourselves, coined the concept Africana Womanism in the late 1980s (Africana is the feminine form of the Latin Africanus, meaning Of Africa, and appears to be preferred by the movement over African). Hudson-Weems argues that "Africana Womanism is not an addendum to feminism, Black feminism, African feminism or Alice Walker's womanism"[4] According to Patricia Hill Collins, "Although some Africana women may support the very ideas on which feminism rests, however, many of them reject the term “feminism” because of what they perceive as its association with white women’s cause. They see feminism as operating exclusively within the terms white and American and perceive its opposite as being Black and American."[5] Further many African men and women do not accept the ideology of feminism. According to Hudson-Weems, she states that "there is a general consensus in the Africana community that the feminist movement, by and large, is the White woman's movement for two reason. First, the Africana woman does not see the man as her primary enemy as does the White feminist, who is carrying out an age-old battle with her White male counterpart for subjugating her as his property. Africana men have never had the same institutionalized power to oppress Africana women as White men have had to oppress White women."[6]

Africana Womanism contrasts feminist/womanist ideology and many Africana women (and men) have come to embrace it . Hudson-Weems (1998), Africana Womanism: Reclaiming Ourselves, explains the development of Africana Womanism:

Africana Womanism is a term I coined and defined in 1987 after nearly two years of publicly debating the importance of self-naming for Africana women. Why the term ‘Africana Womanism’? Upon concluding that the term ‘Black Womanism’ was not quite the terminology to include the total meaning desired for this concept, I decided that ‘Africana Womanism,’ a natural evolution in naming, was the ideal terminology for two basic reasons. The first part of the coinage, Africana, identifies the ethnicity of the woman being considered, and this reference to her ethnicity, establishing her cultural identity, relates directly to her ancestry and land base—Africa. The second part of the term Womanism, recalls Sojourner Truth's powerful impromptu speech ‘Ain't I a Woman?’, one in which she battles with the dominant alienating forces in her life as a struggling Africana Woman, questioning the accepted idea of womanhood. Without question she is the flip side of the coin, the co-partner in the struggle for her people, one who, unlike the white woman, has received no special privileges in American society.[7]

Africana Womanist ideology contributes to Afrocentric discourse. Africana womanism fundamental foundation is built on traditional Africana philosophy and values, and Afrocentric theories:

Lastly, Nah Dove (1998), "African Womanism: An Afrocentric Theory", credits Hudson-Weems and other scholars in shaping the Africana womanist model. Dove asserts: http://www.jstor.org/stable/2784792?seq=1#page_scan_tab_contents

A concept [Africana Womanism] that has been shaped by the work of women such as Clenora Hudson-Weems, Ifi Amadiume, Mary E. Modupe Kolawole, and others. African womanism may be viewed as fundamental to the continuing development of Afrocentric theory. Africana womanism brings to the forefront the role of African mothers as leaders in the struggle to regain, reconstruct, and create a cultural integrity that espouses the ancient Maatic principles of reciprocity, balance, harmony, justice, truth, righteousness, order, and so forth. (p. 535)

Values

The Africana Womanist concept was best exemplified in Brenda Verner’s (1994) article "The Power and Glory of Africana Womanism":

Africana Womanism in essence says: We love men. We like being women. We love children. We like being mothers. We value life. We have faith in God and the Bible. We want families and harmonious relationships. We are not at war with our men seeking money, power and influence through confrontation. Our history is unique. We are the inheritors of African-American women's history, and as such we shall not redefine ourselves nor that history to meet some politically correct image of a popular culture movement, which demands the right to speak for and redefine the morals and mores of all racial, cultural and ethnic groups. Nor shall we allow the history to be "shanghied" to legitimatize the "global political agenda" of others. We reject the status of victim. Indeed, we are victors, Sisters in Charge of our own destiny. We are Africana culture-keepers: Our primary obligation is to the progress of our cultural way of life through the stability of family and the commitment to community. The practice of cultural womanism is not limited to Africana women. Italian, Japanese, Hispanic, East Indian, Arab, Jewish women, etc., all utilize this approach to decision-making, and know the value of maintaining indigenous cultural autonomy. The rite of passing generation-to-generation knowledge free from outside manipulation, coercion or intimidation insures traditional integrity, which fosters a climate of cultural security. Traditional cultures should not be obligated to bow to redefinitions foisted upon them by elitist entities that gain their authority via the drive of well-organized "media hype."[8]

Male-womanist

Africana men can embrace an Africana womanist approach. According to Tolagbe Ogunlege (1998), “Referring to a man as a male-womanist is not an anomaly or rarity, and bestowing gender-specific title on individuals of the opposite sex has been practiced by Africana peoples for millennia. For example, among the Yoruba, an exceptional woman who has made significant contributions to the educational, socioeconomic, and/or spiritual growth and development of her family and community is referred to as a man-woman or obinrin bi okunrin. Ogunlege further explains that among the Lebou people of Senegal, a man who governs according to ancient customs is referred to as the "Mother of the Country".[9]

In education

The Africana Womanist concept was adopted by many faculty in higher education. According to Daphne W. Ntiri (2001), Associate Professor of Social Science, Wayne State University, "Since Clenora Hudson-Weems broke new ground with her 1993 book Africana Womanism: Reclaiming Ourselves, discourse on the place and agenda of Africana women in the women's movement reflects the text's influence. In only six years, this work is in the second printing of its third revised edition. It has been adopted by faculty in several higher education institutions in as far away places as Africa, Brazil, Japan, and the Caribbean Islands. Adoption at national universities includes Clark Atlanta University, California State University-Long Beach, Florida A&M, Indiana State University, Northern Illinois University, San Francisco State University, Temple University, the University of Missouri, and the University of Utah to name a few" (p. 163).

Examples in literature

Drawing on the tenets of Africana Womanism, Clenora Hudson-Weems extends the theoretical framework to literary analysis. Such an anlysis of Africana literature emphasizes the family, complimentarity between men and women, and commitment to the survival and liberation of the community as a whole. In her text, Africana Womanist Literary Theory, Hudson-Weems explores select Africana novels in order to offer Africana womanist interpretations. Five Africana Womanist novels: Zora Neale Hurston, Their Eyes Were Watching God. Hudson-Weems states that the character Janie is a protagonists to name and define herself. Also, a protagonist of family-centeredness (pp. 81–82); Mariama Ba, a renowned Senegalese writer, So Long a Letter, Ba's attack on polygamous society that subjugates women, and her interests in the rights of Africana women are reflected in her novel. According to Hudson-Weems "the novel does not justify categorizing it as a feminist novel, which the author dedicates the book 'To all women and men of good will,' thereby demonstrating her natural inclination to include men as a very important part of women's lives" (Hudson-Weems, pp. 93–94); Paule Marshall, a prominent African-Caribbean writer, Praisesong for the Widow, which the character "Reena" bears the historical nuances of so-called shortcomings of the Africana woman in relationship with her male companion. Pauline, the narrator, advocates a solution to the deteriorating relationship between the Africana man and woman (Hudson-Weems, p. 105); Toni Morrison, Beloved. Hudson-Weems asserts that "From Morrison first novel, The Bluest Eye, to Sula, Song of Solomon, Tar Baby, and finally to her fifth novel, Beloved, the author develops the roles of the male and the female in this collective struggle" (p. 119); and Terry McMillan, Disappearing Acts. Hudson-Weems explains that the character Zora Banks is self-naming and self-defining, family-centered and compatible, flexible with her roles and ambitions, demanding of respect and strong, reverent of elders and authentic, and last but not least, nurturing and mothering (pp. 133–134).

Africana Womanist literature also consists of Africana family dynamics, Africana women and men—their interrelationship, and experiences within their communities, and religion. For instance: Russell J. Rickford (2003) Betty Shabazz: Surviving Malcolm X: A Journey of Strength from Wife to Widow to Heroine; Ilyasah Shabazz (2002), Growing Up X: A Memoir by the Daughter of Malcolm X; Sonsyrea Tate (1997) Growing Up in the Nation of Islam; Yvonne S. Thornton, M.D. (1995), The Ditchdigger's Daughters: A Black Family's Astonishing Success Story; Alex Haley (1976) Roots: The Saga of an American Family; Coretta Scott King (1969), My Life with Martin Luther King, Jr. In addition to Regina Jennings (2001), Africana Womanism in The Black Panther Party: A Personal Story, published in the Western Journal of Black Studies. Jennings describes her experiences as a young woman who joined the Black Panther Party in Oakland, California, using the theory of Africana Womanism.

Notes

  1. 1 2 http://tri-statedefenderonline.com/articlelive/articles/5584/1/Africana-Womanism-An-authentic-agenda-for-women-of-Africana-descent/Page1.html
  2. ↑ AWS
  3. ↑ Hudson-Weems, pp. 57-58, 61, 66, 68-72.
  4. ↑ Hudson-Weems, Clenora (1998). Africana Womanism: Reclaiming Ourselves. Bedford Publishing. p. 24. ISBN 0-911557-14-8.
  5. ↑ Collins, Patricia Hill (Winter–Summer 1996). "What’s in a Name? Womanism, Black Feminism, and Beyond". The Black Scholar 26 (1).
  6. ↑ Hudson-Weems, p. 25.
  7. ↑ Hudson-Weems, pp. 22-23.
  8. ↑ Brenda Verner (1994, June), "The Power and Glory of Africana Womanism", Chicago Tribune Newspaper, p. 8. Accessed December 2008, ProQuest.
  9. ↑ Tolagbe Ogunlege (1998), "Dr. Martin Robison Delany, 19th-Century Africana Womanists: Reflections on His Avant-Garde Politics Concerning Gender, Colorism, and Nation Building", p. 630, in the Journal of the Black Studies, 28(5) pp. 628-649, and Diop, 1978, p. 35.

References

Further reading

External links

This article is issued from Wikipedia - version of the Saturday, April 16, 2016. The text is available under the Creative Commons Attribution/Share Alike but additional terms may apply for the media files.