Aranyak
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| Author | Bibhutibhushan Bandopadhyay |
|---|---|
| Translator | bengali |
| Country | India |
| Language | Bengali |
| Genre | Novel |
| Publisher | Mitra & Ghosh Publishers Pvt. Ltd (Presently) |
Publication date | May,1976 |
| Media type | Print (Paperback) |
| Pages | 168 |
| ISBN | 81-7293-120-4 |
Aranyak (Bengali: আরণ্যক ) composed between 1937–39 is a famous Bengali novel by Bibhutibhushan Bandopadhyay[1][2] based on his long and arduous years in northern Bihar, where he came into contact with a part of the world, that, even now, remains unknown to most of us. Aranyak literally means Of the Forest. This novel explores the journey of the protagonist Satyacharan in the dichotomy of the urban and jungle lives. This novel reflects the great love of human and nature that the great novelist experienced in his heart. This novel is a classic in Bengali literature and has influenced many upcoming novelists and intellectuals alike.
The book and its making
Bibhutibhushan went to places like Azamabad — Fulkia — Lobtulia — Baihar in the state of Bihar during the period of 1924-1930. In these 6 years he worked for the Estate of Khilat Chandra Ghosh to reform lands by deforestation and provide the inhabitants some land for their settlement. During this period he became highly influenced by the natural beauty and the lives of dispossessed subsistence peasants, penurious Brahmins, migrant landless laborers and adivasis and this provides the impetus to compose this classic novel. On 12 February 1928 he wrote in his personal diary (Smritir Lekha) : I shall write something about the lives around this jungle. A portrait of a tough courageous, speedy, neglected life. This jungle it's loneliness getting lost while riding a horse — darkness — to live in this jungle building temporary thatch settlements... The poverty, simplicity of these people, this Virile, Active life, the picture of this dense forest in the pitch darkness of this evening — all of this. (Bibhutibhushan Rachanasamagra 1, page 417). In his unpublished personal diary he had further written in 1934 - A novel on forests. It will have the stories of loneliness, stories of trees and plants... In this novel I shall bring out the dichotomy between the rich, wealthy landlords and the poor, sad peasants. They are homeless... They don't get to eat.
Aranyak used to be published serially in a monthly magazine titled Prabasi. It was first published as a book by Katyayani Book Stall. Presently the edition available is the one published by Mitra & Ghosh Publishers Pvt. Ltd. This book was dedicated to Bibhutibhushan's first wife Gauri Devi.
The plot
Aranyak is a simple and uncomplicated story. The protagonist Satyacharan goes to an estate, full of forest land, in Bhagalpur district in Bihar after getting a job of the estate manager. Initially his urban lifestyle revolts against the lonely jungle life but gradually nature hypnotized Satyacharan. Eventually he can not even remain away from the forest and its serene surroundings for long periods. Satyacharan and his partner Jugalprasad, a perfect match to the nature-loving soul of Satyacharan decorated the forest by planting many rare species of herbs and saplings. But Satyacharan is an estate manager and his job was to reclaim the forest land and distribute to the people for more revenue earnings. He has no other way but to destroy this wonderful creation of the forest-Goddess against his own will and distribute it amongst the local people. Age old gigantic trees as well as plants and herbs of rare species are being destroyed to make way for human encroachment. The novel ends with a deep feeling of guilt and sadness in Satyacharan.
Characters
Satyacharan
The novel "Aranyak" is written in first person. The protagonist of the novel is Satyacharan — a young man who has had to travel out of Kolkata in search of a job. He is the sole bridge that connects the forest with the so-called civilized outer world. The unsaid comparison between the two worlds that is hidden almost everywhere in the novel, would have never been possible without the presence of this character. Satyacharan is one of the most important characters in this novel. However, it will be a grave mistake to think of him as the central character of this novel. He is an outsider- who has no connection with the forest or the forest people. He is a mere audience of the daily mystery drama that is played in the stage of the jungle every day. He can only witness the acting in this beautiful drama from outside, he does not have the capability to go up onto the stage and take part in that drama. Basically there is no central character in the novel "Aranyak". The forest itself is the central character — which introduces itself through the beauty of the forest and the lives of the forest people at every point. Satyacharan stands outside of all of this. Through his sharp intellect and intense feelings he can understand and enjoy whatever he watches, but he can not engross himself into any of it. Because he does not belong to the forest, he is an outsider.
Raju Pnaare
There are many different characters in the forest but none like Raju Pnaare. Extremely poor, very harmless, shy, religious man — who spends the entire day in worship, reading holy books etc. He got two bighas of land courtesy of Satyacharan but could not deforest it in two years time — he had to lead his life eating grains of Chinese grass only. Satyacharan gave him some more land but his habit did not change. Actually Raju was more of a poetic and philosophical nature than that of a financial nature.
Dhaturia
When a short boy named Dhaturia came to perform dance here his age was not more than twelve or thirteen. In the Southern parts there was a famine due to drought, hence the people of those lands went out to perform dances. Dhaturia came along with such a party — he was only paid with meals, that too only as meager as Chinese grass grains with salt, and at most some jungle vegetables.
Dhaotal Sahu
Dhaotal Sahu lives in the village of Naogachia; his occupation is to lend money on interest. We mostly think of interest earning money lenders as very bad people. But Dhaotal Sahu is not like them, he is in fact quite the opposite — greed-less kind soul. Everyone around the forest knows him; inhabitants, businessmen, landlord, almost everyone transacts with him — there is no estimation of his wealth. But he is a very simple and ego less person, who does not have any issue with wearing dusty clothes and having a meal of simple sattu beside a stub or by the street.
Matuknath Pnaare
Matuknath Pnaare is a descendant of an educated Brahmin family, who used to teach in a tol or a small primary school in his village. Once the school closed down, he wandered in search of a job and landed in the office of Satyacharan one day. He thinks — if the manager favors him then there would be an opportunity of earning. There could be no arrangements made for him in the office as he knew nothing about the work, but he stayed there for a few days. Satyacharan also did not object in that, because may be he liked this simple, almost callous ever happy man somewhat.
Jugalprasad
Jugalprasad is one of the mystic characters of the novel. He is an ardent lover of Nature. He has a goal of beautifying the forest until his death.
Kunta
Kunta is a holly sati as drawn by the author. She was daughter of a Baiji. But later she was married by a Rajput. Soon after her marriage she lost her husband.She was then captured by Rasbihari Singh,who wanted to marry her. Kunta escaped from Rasbihari's hand and started life in great hardship. Later she was graced by Satya and got some land in free. At the end of the story, she was found crying as Satya left for ever.
Venkateshwar Prasad
Venkateswar was a local poet and lived with his wife at the vicinity of the forest. Once he invited Satya to listen his poems. Though Satya did not enjoy the poems, still he pressed Venkateswar for his hearty effort.
Manchi
Manchi is a young Gangota (aq tribe caste) girl, unfortunately married to an old Sardar, Naxedi. She has got a tremendous life in her which attracted Satya. She gossiped with Satya several times and started thinking that Bengali people (Satya) are very good writers. She asked Satya to write about Their fallacy of poverty and untouchability. She had great interest in cheap fancy commodities. One day she was found to be missing. Satya suspected that anyone tempted her by fancy things and took her to tea estate to employ her as a female-labour. Later Naxedi and his first wife along with their daughters (Suratia) got some land from Satya and escaped their vagabound life
Raja Dobru Panna and Princess Bhanumati
Raja Doboru Panna is truly a raja (king) of few Santals. He is an old man who lost all of his royal powers after independence. Still his personality takes after a king. Satya pays him a visit and Doboru invites him cardially. After few months of this visit, the news of Doboru's death comes to Satya. Later on, Satya goes to Santal Pargana(residence of Doboru). Jagaru Panna is the son of Doboru who has no such influence on the plot. But Bhanumati, grand daughter of Doboru had a friendly relationship with Satya. At the fag end of the novel, when Satya is about to leave the forest for ever, he goes to visit Bhanumati for the last time. We find much to our exclaim that on his return Satya thinks If I could marry Bhanumati and build a happy nest for us.. Bhanu would speak out of some imaginative giant, and I would be her listener..but that is a dream and dream can never be true....
Rashbehari Singh
Rasbehari is one of the most cruel zaminders who ruled poor tribes by his weapon and manpower. He has no such clash with Satya though he joins to Chote Singh and Nandlal Ojha Golaoala to drive out the honest manager Satya by influencing higher authority. Even he invites Satya in a ceremony of Holy to show off his power. He once captured Kunta in order to marry her. He can be considered as the perfect villain of the novel.
Nandalal Ojha
Nandalal Ojha is one of the few bad men in the novel. He knows how to cajole people to his own advantage. Those who does not make him happy becomes his enemy. He is really a dangerous person.
Publishing
Aranyak used to be published serially in a monthly magazine titled Prabasi. It was first published as a book by Katyayani Book Stall. Presently the edition available is the one published by Mitra & Ghosh Publishers Pvt. Ltd. It was first published in May, 1976 and the present paperback classic edition is the 24th print which is dated January,2010. This edition was edited by Shri Taradas Bandyopadhdhay.
Translations
This book has been translated in to Sinhala language by Chintha Lakshimini as Aranakata Pem Banda (අරණකට පෙම් බැඳ).[3]
References
- ↑ Edmund Burke; Kenneth Pomeranz (8 April 2009). The Environment and World History. University of California Press. pp. 254–. ISBN 978-0-520-25687-3. Retrieved 5 July 2012.
- ↑ Kuśa Satyendra (1 January 2000). Dictionary Of Hindu Literature. Sarup & Sons. pp. 20–. ISBN 978-81-7625-159-4. Retrieved 5 July 2012.
- ↑ "Aranakata Pem Banda". Retrieved 9 March 2014.
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