Vachaspati (raga)
Carnatic music |
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Vachaspati (pronounced VÄchaspati, meaning Lord of speech) is a rÄgam in Carnatic music (musical scale of South Indian classical music). It is the 64th melakarta rÄgam in the 72 melakarta rÄgam system of Carnatic music. It is known as BhushÄvati according to the Muthuswami Dikshitar school.[1][2] It was borrowed into Hindustani music, like many other Carnatic rÄgams.[1][3]
Structure and Lakshana

It is the 4th rÄgam in the 11th chakra Rudra. The mnemonic name is Rudra-Bhu. The mnemonic phrase is sa ri gu mi pa dhi ni.[2] Its Ärohaṇa-avarohaṇa structure (ascending and descending scale) is as follows (see swaras in Carnatic music for details on below notation and terms):
- Ärohaṇa: S R2 G3 M2 P D2 N2 S
- avarohaṇa: S N2 D2 P M2 G3 R2 S
This scales uses the notes chathusruthi rishabham, antara gandharam, prati madhyamam, chathusruthi dhaivatham and kaisiki nishadham. It is a sampoorna rÄgam - a rÄgam that has all seven swaras (notes). It is the prati madhyamam equivalent of Harikambhoji, which is the 28th melakarta scale.
Janya rÄgams
It has many janya rÄgams (derived scales) associated with it, out of which Bhooshavali and Saraswathi are popular. See List of janya rÄgams for all scales associated with Vachaspati.
Popular compositions
Vachaspati is close to Kalyani (which is 65th melakarta) and differs only in the nishÄdham. Still, this rÄgam does not have many compositions. At the same time many composers have used this rÄgam for composing 1 song each.
Popular compositions in this rÄgam are
- Pahi Jaga janani by Swathi thirunal
- Kantajoodumi by Thyagaraja
- Paraatparaa by Papanasam Sivan
- Sahasrakara mandithe by Muthiah Bhagavatar
- Ennaadu ni kripa by Patnam Subramania Iyer.
Related rÄgams
This section covers the theoretical and scientific aspect of this rÄgam.
Vachaspati's notes when shifted using Graha bhedam, yields 3 other major melakarta rÄgams, namely, Charukesi, Gourimanohari and Natakapriya. Graha bhedam is the step taken in keeping the relative note frequencies same, while shifting the Shadjam to the next note in the rÄgam. For further details and an illustration refer Graha bhedam of Vachaspati.
Vachaspati corresponds to the Acoustic scale in Western music.
References
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