Ching Shih

Ching Shih

Madame Ching or Ching Shih (1775–1844)[1] (simplified Chinese: 郑氏; traditional Chinese: 鄭氏; pinyin: Zhèng Shì; Cantonese: Jihng Sih; "widow of Zheng"), also known as Cheng I Sao (simplified Chinese: 郑一嫂; traditional Chinese: 鄭一嫂; pinyin: Zhèng Yī Sǎo; Cantonese: Jihng Yāt Sóu; "wife of Zheng Yi"), was a prominent pirate in middle Qing China, who terrorized the China Sea in the early 19th century. She commanded over 300 junks manned by 20,000 to 40,000 pirates[2] — men, women, and even children. She entered into conflict with the existing empires of the time, such as the British, Portuguese and the Qing dynasty. She was one of the few pirate captains to retire from piracy.

Ching Shih has been featured in numerous books, novels, video games, and films in Asia.

Early life

She was born Shi Xianggu (Chinese: 石香姑; Jyutping: sek6 heong1 gu1, IPA: [sɛk˨ hœŋ˥ ku˥]) in 1775 in Guangdong. She was a Cantonese prostitute who worked in a small brothel in Guangzhou,[3] but was captured by pirates. In 1801, she married Cheng I, a notorious pirate. The name she is best remembered by simply means "Cheng's widow".

Marriage to Cheng I

Cheng I belonged to a family of successful pirates who traced their criminal origins back to the mid-seventeenth century. Following his marriage to Ching Shih, "who participated fully in her husband’s piracy",[4] Cheng I used military assertion and his reputation to gather a coalition of competing Cantonese pirate fleets into an alliance. By 1804, this coalition was a formidable force, and one of the most powerful pirate fleets in all of China; by this time they were known as the Red Flag Fleet.[5]

Ascension to leadership

On 16 November 1807, Cheng I died in Vietnam.[6] Ching Shih immediately began maneuvering her way into his leadership position. She started to cultivate personal relationships to get rivals to recognize her status and solidify her authority. In order to stop her rivals before open conflict erupted, she sought the support of the most powerful members of her husband's family: his nephew Cheng Pao-yang and his cousin’s son Cheng Ch’i. Then she drew on the coalition formed by her husband by building upon some of the fleet captains’ existing loyalties to her husband and making herself essential to the remaining captains.[5]

Since Ching Shih would have such a large force at her command, she knew she needed someone to assist her in managing the Red Flag Fleet's day-to-day operations, but remain loyal to her and be accepted by the low-level pirates. She believed there was only one man for the job, Cheung Po Tsai.[7]

Relationship with Cheung Po Tsai

Cheung Po Tsai was the son of a fisherman and had been impressed into piracy at age 15, when he was captured by Cheng I. Cheung rose rapidly through the ranks and was eventually adopted by Cheng I.[8]

As soon as Ching Shih chose Cheung, she acted quickly to solidify the partnership with intimacy. The two became lovers within weeks and eventually married.[8] Ching Shih gave birth to a son at the age of 38 with Cheung. Cheung Po Tsai died at 36, causes unknown.

The code

Once she held the fleet’s leadership position, Ching Shih started the task of uniting the fleet by issuing a code of laws.[9] The Neumann translation of The History of Pirates Who Infested the China Sea claims that it was Cheung Pao Tsai that issued the code.[10] Yuan Yung-lun says that Cheung issued his own code of three regulations, called san-t’iao, for his own fleet, but these are not known to exist in a written form.[11] The code was very strict and according to Richard Glasspoole, strictly enforced.[12]

First, anyone giving their own orders (ones that did not come down from Ching Shih) or disobeying those of a superior were beheaded on the spot.

Second, no one was to steal from the public fund or any villagers that supplied the pirates.[13]

Third, all goods taken as booty had to be presented for group inspection. The booty was registered by a purser and then distributed by the fleet leader. The original seizer received twenty percent and the rest was placed into the public fund.

Fourth, actual money was turned over to the squadron leader, who only gave a small amount back to the seizer, so the rest could be used to purchase supplies for unsuccessful ships.[6][14] According to Philip Maughan, the punishment for a first-time offense of withholding booty was severe whipping of the back. Large amounts of withheld treasure or subsequent offenses carried the death penalty.[14]

Ching Shih's code had special rules for female captives. Standard practice was to release women, but J.L. Turner witnessed differently. Usually the pirates made their most beautiful captives their concubines or wives. If a pirate took a wife he had to be faithful to her.[15] The ones deemed unattractive were released and any remaining were ransomed. Pirates that raped female captives were put to death, but if pirates had consensual sex with captives, the pirate was beheaded and the woman he was with had cannonballs attached to her legs and was thrown over the side of the boat.[11][14][15]

Violations of other parts of the code were punished with flogging, clapping in irons, or quartering. Deserters or those who had left without official permission had their ears chopped off, and then were paraded around their squadron. Glasspoole concluded that the code "gave rise to a force that was intrepid in attack, desperate in defense, and unyielding even when outnumbered."[12]

Career

The fleet under her command established hegemony over many coastal villages, in some cases even imposing levies and taxes on settlements. According to Robert Antony, Ching Shih "robbed towns, markets, and villages, from Macau to Canton."[16]

The Red Flag Fleet under Ching Shih's rule could not be defeated — not by Qing dynasty Chinese officials, not by the Portuguese navy, and not by the British. But in 1810, amnesty was offered to all pirates, and Ching Shih took advantage of it.[17] She ended her career that year, accepting an amnesty offer from the Chinese government. She kept her loot, and opened a gambling house.[18]

She died in 1844, at the age of 69.[18]

Cultural references

A semi-fictionalized account of Ching Shih's piracy appeared in Jorge Luis Borges's short story The Widow Ching, Lady Pirate (part of A Universal History of Infamy, first edited in 1954), where she is described as "a lady pirate who operated in Asian waters, all the way from the Yellow Sea to the rivers of the Annam coast", and who, after surrendering to the imperial forces, is pardoned and allowed to live the rest of her life as an opium smuggler. Borges acknowledged the 1932 book The History of Piracy, by Philip Gosse (grandson of the naturalist Philip Henry Gosse), as the source of the tale.[19]

In 2003, Ermanno Olmi made a film, Singing Behind Screens, loosely based on Borges's retelling, though rights problems prevented the Argentine writer from appearing in the credits.[20][21]

Afterlife, a 2006 OEL graphic novel, depicts Ching Shih as a guardian who fights demons to protect the denizens of the underworld.

In The Wake of the Lorelei Lee, book eight of L.A. Meyer's Bloody Jack series, Jacky is captured by Ching Shih and so impresses her that the pirate bestows her with a tattoo of a dragon on the back of her neck to indicate she is under Shih's protection.

In 2007, in the third film in the Pirates of the Caribbean franchise, Ching Shih was portrayed as the powerful pirate Mistress Ching, one of the nine Pirate Lords.

Puppetmongers Theatre of Toronto, Canada, mounted two different productions based on Ching Shih's life. The first was a co-production with the Center for Puppetry Arts in Atlanta, directed by Jon Ludwig in 2000, and the second version, directed by Mark Cassidy played at Toronto's Tarragon Theatre Extra Space in 2002.

In the 1990s, the Treasure Island Hotel and Casino in Las Vegas, NV had a Chinese restaurant named after Ching Shih (Madame Ching's). It is no longer in business.

In the 2015 Hong Kong television drama Captain of Destiny, Maggie Shiu plays a character who is based on Ching Shih.

Red Flag, a limited series which centers on Ching Shih, starring Maggie Q and Francois Arnaud, is scheduled to start filming in the fall of 2015 in Malaysia.[22]

References

  1. ↑ Murray, Dian,(1987), Pirates of the South China Coast, 1790-1810, pg65, Stanford University Press, ISBN 0-8047-1376-6
  2. ↑ Murray, Dian,(1987), Pirates of the South China Coast, 1790-1810, pg 71,Stanford University Press, ISBN 0-8047-1376-6
  3. ↑ Lily Xiao Hong Lee, A. D. Stefanowska, Clara Wing-chung Ho - 2003 - 387 pages
  4. ↑ Murray, Dian,(1987), Pirates of the South China Coast, 1790-1810, pg71, Stanford University Press, ISBN 0-8047-1376-6
  5. 1 2 Murray, Dian, (1987), Pirates of the South China Coast, 1790-1810, pg 71, Stanford University Press, ISBN 0-8047-1376-6
  6. 1 2 Yuan Yung-lun, Ching hai-fen chi(Record of the Pacification of the Pirates)
  7. ↑ Murray, Dian, (1987) Pirates of the South China Coast, 1790-1810, pg 71, Stanford University Press, ISBN 0-8047-1376-6
  8. 1 2 Lu K’un, Ch’eng, Kwang-tung hai-fang hui-lan (An Examination of Kwangtung’s Sea Defense)
  9. ↑ Maughan, Philip, “An Account of the Ladrones Who Infested the Coast of China”, pg28
  10. ↑ Murray, Dian, Pennell, Bandits at Sea : A Pirates Reader, Ch13: “Cheng I Sao in Fact and Fiction”, pg260
  11. 1 2 Yuan Yung-lun, Ching hai-fen chi(Record of the Pacification of the Pirates)
  12. 1 2 Glasspoole, Richard, “Substance”, pg 44-45
  13. ↑ Yuan Yung-lun, Ching hai-fen chi (Record of the Pacification of the Pirates)
  14. 1 2 3 Maughan, Philip, “An Account of the Ladrones Who Infested the Coast of China”, pg29
  15. 1 2 Turner, J, “Account of the Captivity of J. J. Turner, Chief Mate of the Ship Tay, Amongst the Ladrones”, pg71
  16. ↑ Antony, Robert. Like Froth Floating on the Sea: The world of pirates and seafarers in Late Imperial South China, Berkeley: University of California Press, 2003.
  17. ↑ Andrea J. Buchanan, Miriam Peskowitz - 2007 - 279 page
  18. 1 2 Koerth, Maggie (2007-08-28). "Most successful pirate was beautiful and tough". CNN. Retrieved 2007-08-28.
  19. ↑ Borges, Jorge Luis. A Universal History of Infamy. Dutton, 1972.
  20. ↑ Cantando dietro i paraventi at the Internet Movie Database
  21. ↑ Weissberg, Jay (23 October 2003). "Singing Behind Screens". Variety.
  22. ↑ Deadline Hollywood, 28 March 2014
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