Church of St. Mary the Virgin (Manhattan)

Church of St. Mary the Virgin Complex

(2008)
Location 133-145 W. 46th St. & 136-144 W. 47th St.
Manhattan, New York City
Coordinates: 40°45′30″N 73°59′1″W / 40.75833°N 73.98361°W / 40.75833; -73.98361
Built 1894-95
Architect Napoleon LeBrun & Sons, Pierre Le Brun, architect-in-charge[1]
Architectural style French Gothic
NRHP Reference # 90000606[2]
Significant dates
Added to NRHP April 16, 1990
Designated NYCL December 19, 1989

The Church of Saint Mary the Virgin, fondly called "Smoky Mary's" because of the use of incense in the services,[3] is an Episcopal Anglo-Catholic church which is part of the Episcopal Diocese of New York of the Episcopal Church in the United States of America. The church complex is located in the heart of Times Square at 133-145 West 46th Street, with other buildings of the complex at 136-144 West 47th Street,[4] both between Sixth and Seventh Avenues in the borough of Manhattan in New York City.

The church, which has been called "one of the finest Gothic-inspired designs of New York's late 19th century",[4] was designated a New York City landmark in 1989,[1] and was added to the National Register of Historic Places in 1990.[2]

History

The Society of the Free Church of Saint Mary the Virgin in the New York City was incorporated on December 3, 1868. The Rev. Thomas McKee Brown wanted to build a church in New York City dedicated to expressing the full witness of Catholic thought in ritual and teaching within the Episcopal Church. A year after his ordination, Father Brown brought his plan to Bishop Potter, who suggested that a church was needed near Longacre Square – which was renamed Times Square in 1905 – on the west side of what is now Midtown. John Jacob Astor gave three lots on West 45th Street between Seventh and Eighth Avenues, "stipulating that the Church should be free, and positively orthodox in management and working."

On April 6, 1868, the cornerstone was laid for the first church, located at 228 West 45th Street, which is today the site of the Booth Theatre. The rector and trustees named the church for the Blessed Virgin Mary. The first church was designed by William Hallet, and was dedicated on December 8, 1870, the Feast of the Conception of the Blessed Virgin Mary. Bishop Potter was unable to officiate at the service, but his place was taken by the Rt. Rev. Horatio Southgate, the Episcopal Church's former missionary bishop to the Ottoman Empire.

After the Episcopalians left the church on West 45th Street, it became the Lutheran Church of the Redeemer and then Fifth Church of Christ, Scientist.[3]

The interior of the church

New church

By 1890, the congregation had outgrown the church on West 45th Street. In 1892 the late Miss Sara L. Cooke, a member of the parish, left the church a legacy which eventually amounted to $700,000, in addition to real estate. Father Brown and the other trustees decided to use this legacy to fund a new church on an eight-lot parcel running through from 46th to 47th Streets. The new complex was to include a rectory at the 47th Street end of the lot, a clergy house for curates and assistants and a mission house for the sisters. The style would be French Gothic of the 13th- and 14th- centuries,[4] with a church seating 800 people.

Erecting this building was a challenge to the architectural firm of Napoleon LeBrun & Sons, with Pierre LeBrun as the lead designer, because of its size and the location. The Le Brun firm had experience working with steel framing, which is buried within the walls, making it the first church in the world built on a concealed steel skeleton,[5] "redefining the conventional methods of church construction."[4] The facade of the church is clad in limestone,[1] while the other buildings in the complex are brick-faced.[1]

The cornerstone for the new church was laid on December 8, 1894, and the church was dedicated in 1895. The completed church was 60 feet (18 m) wide and 180 feet (55 m) long, and the nave was 80 feet (24 m) from floor to ceiling and 46 feet (14 m) wide. The chancel, at the north end of the building, was 48 feet (15 m) deep, terminating with the marble high altar moved from the former church. Complementing Le Brun's design were many sculptural decorations by J. Massey Rhind.[1]

Today

Today, Saint Mary's is known for its solemn liturgies and choral and organ music. Solemn High Mass and Solemn Evensong and Benediction are celebrated on Sundays, and Mass is offered daily. Because of the copious use of incense, the church is sometimes fondly referred to as "Smokey Mary's". In 1996-97, the interior of the church was restored by J. Lawrence Jones & Associates, resulting in vivid colors, including cobalt blue vaulting with gold stars.[3]

Music

The choir of the Church of Saint Mary the Virgin is a professional ensemble that sings music for the liturgy. At each Solemn Mass, the plainchant is sung in the original Latin. The choir's repertoire of Masses and motets stretches from the Middle Ages to works by living composers.

A number of musicians have served as organist and music director at the parish, among them McNeil Robinson, Kyler Brown, Christopher Babcock, Robert McCormack, James Kennerley, and Simon Whalley.

The church as seen from below

See also

References

Notes

  1. 1 2 3 4 5 New York City Landmarks Preservation Commission; Postal, Matthew A. (ed. and text); Dolkart, Andrew S. (text). (2009) Guide to New York City Landmarks (4th ed.) New York: John Wiley & Sons. ISBN 978-0-470-28963-1, p.96
  2. 1 2 Staff (2009-03-13). "National Register Information System". National Register of Historic Places. National Park Service.
  3. 1 2 3 Dunlap, David W. (2004) From Abyssinian to Zion. New York: Columbia University Press. ISBN 0-231-12543-7, p.228
  4. 1 2 3 4 Savage, Charles; Pierson, Marjorie (ed.) "Free Church of Saint-Mary-the-Virgin Designation Report" New York City Landmarks Preservation Commission (December 19, 1989)
  5. ↑ White, Norval & Willensky, Elliot with Leadon, Fran (2010). AIA Guide to New York City (5th ed.). New York: Oxford University Press. ISBN 9780195383867., p.300

External links

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