Geoffrey Unsworth

Geoffrey Unsworth
Born Geoffrey Gilyard Unsworth
(1914-05-26)26 May 1914
Atherton, Lancashire, England, United Kingdom
Died 28 October 1978(1978-10-28) (aged 64)
Paris, France
Nationality British
Occupation Cinematographers
Years active 1939-1978

Geoffrey Gilyard Unsworth, OBE, BSC (26 May 1914 – 28 October 1978) was a British cinematographer who worked on nearly 90 feature films spanning over more than 40 years.

After working as a camera operator on films for Michael Powell and Emeric Pressburger, Unsworth made his debut as cinematographer on the documentary feature The People's Land in 1941.

Awards won by Unsworth

His film work brought him an impressive array of awards, including five British Society of Cinematographers awards, three BAFTAS and two Academy Awards. Unsworth was especially in demand as cinematographer in two very different genres, period pieces and science fiction. Among the highlights of his career, he collaborated with Stanley Kubrick on the visually innovative 2001: A Space Odyssey and Bob Fosse's dark musical exploration of the end of Weimar Germany, Cabaret. On a lighter film, such as Murder on the Orient Express his lighting and use of diffusion capture the danger and romance of the train while graceful integration of camera movement and optical effects contributes to the realism of the set while controlling the claustrophobia of the setting.

Superman

Unsworth's work reached its widest audience with one of his final projects, Richard Donner's Superman in 1978. Here he was responsible for integrating the work of a who's-who of cinematographers and visual effects designers (including Zoran Perisic, an animation stand crew member from 2001, who extended Kubrick's front projection technique for Superman), with the plausibility and sense of grandeur befitting a (mostly) reverent take on a superhero. The style he developed alongside director Donner was essentially that of a science-fiction period film; the glamorous, often highly diffused cinematography observed a panoply of images of Americana, suggesting an epic timeframe for the film's scenes, a mythic America somewhere between the 1930s of the original comics and the 1970s. The style of the sequences that did not involve extensive science-fiction elements had to match scenes displaying Superman's extraordinary powers.

Unsworth was not named in the Special Achievement in Visual Effects Academy Award the film received, but instead as Director of Photography, and without a separate credit for special effects work he would not have been eligible. Donner expressed great disgust that the Academy of Motion Picture Arts and Sciences did not recognise Unsworth with an Academy Award nomination for Best Achievement in Cinematography in 1979.

Death and legacy

Unsworth died of a heart attack in France at the age of 64 while filming Roman Polanski's Tess in 1978. He had won an Academy Award for Cabaret in 1972, and he was posthumously nominated and awarded his second Oscar for Tess, along with Ghislain Cloquet. Cloquet alone was nominated, again successfully, for the César Award for Cinematography.[1]

Both Superman and The First Great Train Robbery were dedicated to Unsworth's memory. As alluded to in the Superman dedication, Unsworth was an Officer of the Order of the British Empire.

He was also admired for his charming manner at work. For instance, Margot Kidder was flattered when he arranged lighting for her shots and insisted on concentration by saying, "Quiet, I'm lighting the Lady."[2] His wife, Maggie Unsworth, worked in the British film industry, often as a script/continuity supervisor.

Selected filmography

References

  1. ↑ César website search result
  2. ↑ Superman – The Movie (Four-Disc Special Edition): Disc 3, "Making Superman: Filming the Legend"

External links

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