List of compositions by Franz Liszt (S.351–S.999)

Franz Liszt, after a painting of 1856, by Wilhelm von Kaulbach.

This is a list of paraphrases and arranged works by Franz Liszt, based on the catalogue of Humphrey Searle – The Music of Liszt, 1966; and on the additions by Sharon Winklhofer and Leslie Howard.

The catalogue up to S.350 is generally confined to the fully original works; the paraphrases and arrangements are generally covered in numbers S.351–999. However, a number of entries in the first half are in fact arrangements of other composers' works (see Franz Liszt's treatments of the works of other composers for more details), and the latter half includes most of Liszt's arrangements of his own original works.

Arrangements, transcriptions, fantasies, etc.

Orchestral works

Hans von Bülow

• S.351, Mazurka Fantasie, Op. 13 (1865)

Peter Cornelius

• S.352, Second Overture to The Barber of Baghdad [completed from Cornelius's sketches] (1877)

Béni Egressy and Ferenc Erkel

• S.353, Szózat und Hymnus (1873)

Liszt

• S.354, Deux légendes (1863)
• S.355, Vexilla regis prodeunt (1864)
• S.356, Festvorspiel (1857)
• S.357, Huldigungsmarsch [first/second version] (1853, 1857)
• S.358, Vom Fels zum Meer. Deutscher Siegesmarsch (1860)
• S.359, 6 Rapsodies hongroises (Hungarian Rhapsodies) (?)
• S.360, A la chapelle Sixtine (Liszt, Allegri & Mozart) [orchestral arrangement of S461, based on Mozart's Ave verum corpus and Allegri's Misere] (1862)
• S.361, Pio IX. Der Papsthymnus (ca. 1863)
• S.362, Benedictus and Offertorium from the Hungarian Coronation Mass [from S11] (1875)

Franz Schubert

• S.363, 4 Marches [from Opp. 40, 54, 121] (1859–60)

Juliusz Zarębski

• S.364, Danses galiciennes (1881)

Pianoforte and orchestra

Liszt

• S.365, Grand solo de concert [prepared by Leslie Howard] (1850)
• S.365a, Concerto pathétique (No. 4) in E minor [Liszt, Reuss version] (1885–86)
• S.365b, Hexaméron, Morceau de concert [orchestration completed by Leslie Howard] (ca. 1839)

Schubert

• S.366, Wanderer-Fantasie (Fantasia in C major, Op. 15) (1851)

Weber

• S.367, Polonaise brillante, Op. 72 (1849)
• S.367a, Konzertstuck in Fm, Op.79

Songs with orchestra

Korbay

• S.368, 2 Songs (Le Matin by Bizet and Gebet by Geibel) (1883)

Liszt

• S.369, Die Lorelei (Heine) (1860)
• S.370, Mignons Lied (Kennst du das Land?) (Goethe) (1860)
• S.371, Die Vätergruft (Uhland) (1886)
• S.372, Songs from Schillers Wilhelm Tell (ca. 1855)
• S.373, Jeanne d'Arc au bûcher (Dumas) [first/second version] (1858, 1874)
• S.374, Die drei Zigeuner (Lenau) (1860)

Schubert

• S.375, 6 Songs (1860)
• S.376, Die Allmacht (1871)

Zichy

• S.377, Der Zaubersee. Ballad (Zichy) (1884)

Chamber music

Liszt

• S.377a, La notte (Odes funèbre No. 2) (1864–66)
• S.378, Angelus! - Priere aux anges gardiens [first/second version] (1877, 1880)
• S.379, Rapsodie hongroise No. 9 (Pester Karneval) (?)
• S.379a, Rapsodie hongroise No. 12 (1850–59)
• S.379b, Puszta-Wehmut (A Puszta Keserve) (ca. 1871)
• S.380, O du mein holder Abendstern from Tannhäuser (Wagner) (1852)
• S.381, Benedictus and Offertorium from the Hungarian Coronation Mass [from S11] (1862)
• S.381a, Ungarns Gott. A magyarok Istene (Petőfi) (1882)
• S.382, Die Zelle im Nonnenwerth (ca. 1880-86)
• S.383, Die drei Zigeuner (Lenau) (1864)

Pianoforte solo

Paraphrases, operatic transcriptions, etc.

Ábrányi

• S.383a, Elaboration on Virág dal (1881)

Alyabyev

• S.384, Mazurka pour piano composée par un amateur de St. Petersbourg (1863)
• S.384a, Variations on Tiszántúli szép leány [anonymous, not by Liszt?] (1846)

Auber

• S.385, Grande Fantaisie sur la Tyrolienne de l'opéra La Fiancée [first/second/third version] (1829, 1835, 1842)
• S.385a, Tyrolean Melody (b. 1856)
• S.386, Tarantelle di bravura d'après la Tarantelle de La Muette de Portici [original/Sophie Menter version] (1846, 1869)
• S.387, Three Pieces on themes by Auber [with intro piece] (a. 1846)
• S.387a, Piece on an unknown theme (1847)

Beethoven

• S.388, Capriccio alla turca sur des motifs de Beethoven (Ruines d'Athènes) (1846)
• S.388a, Marche turque des Ruines d'Athènes (1846)
• S.388b, Fantasie über Beethoven's Ruinen von Athen [first version] (1837)
• S.389, Fantasie über Beethoven's Ruinen von Athen [second version] (1852)
• S.389a, Cadenza to the first movement of Beethoven's Piano Concerto No. 3 (1879)

Bellini

• S.390, Réminiscences des Puritains [first/second version] (1836, 1837)
• S.391, I Puritani. Introduction and Polonaise (1840)
• S.392, Hexaméron, Morceau de Concert (1837)
• S.393, Fantaisie sur des motifs favoris de l'opéra La Sonnambula [first/second/third version] (1839, 1840–41, 1874)
• S.394, Réminiscences de Norma (1841–43)

Berlioz

• S.395, L'idée fixe: Andate amoroso [first/second version] (1833 or 1846?, 1865)
• S.396, Bénédiction et Serment de Benvenuto Cellini (1852)

Donizetti, Gaetano

• S.397, Réminiscences de Lucia di Lammermoor (1839)
• S.398, Marche funèbre et Cavatine de Lucie de Lammermoor (1839)
• S.399, Nuit d'Été à Pausilippe [3 pieces] (1839)
• S.399a, Lucrezia Borgia - Grande fantaisie [first version of S400ii] (1840)
• S.400, Réminiscences de Lucrezia Borgia [first/second version] 1840
• S.401, Valse a capriccio sur deux motifs de Lucrezia et Parisina [first version of S214/3] (1841)
• S.402, Marche funèbre de Dom Sébastien (1844)

Donizetti, Giuseppe

• S.403, Marche pour le Sultan Abdul Medjid-Khan [first/simplified version] (1847, 1848)

Duke Ernst

• S.404, Halloh! Jagdchor und Steyrer from the opera Tony (1849)

Erkel, Franz

• S.405, Schwanengesang and March from Hunyadi Laszlo (1847)

Festetics

• S.405a, Pásztor Lakodalmus Variations - Mélodies hongroises [elaboration by Liszt] (1858)

Glinka

• S.406, Tscherkessenmarsch from Ruslan i Lyudmila [first/second version] (1843, 1875)

Gounod

• S.407, Valse de l'opéra Faust (b. 1861)
• S.408, Les Sabéennes. Berceuse de l'opéra La Reine de Saba (1861)
• S.409, Les Adieux. Rêverie sur un motif de l'opéra Romeo et Juliette (1867)

Halévy

• S.409a, Réminiscences de La Juive (1835)

Mendelssohn

• S.410, Hochzeitsmarsch und Elfenreigen aus dem Sommernachtstraum (1847–50)

Mercadante

• S.411, Soirée italienne. Six amusements (1838)

Meyerbeer

• S.412, Réminiscences des Huguenots - Grande fantaisie dramatique [first/second version] (1836, 1842)
• S.412a, Réminiscences de Robert le Diable - Cavatine (1846?)
• S.413, Réminiscences de Robert le Diable - Valse infernale (1840)
• S.414, Illustrations du Prophète [4 pieces, 4th=S624] 1849-50
• S.415, Illustrations de l'Africaine [2 pieces] 1865
• S.416, Le Moine (1841)

Mosonyi, Michael

• S.417, Fantaisie sur l'opéra hongrois Szép Ilonka (1865)

Mozart

• S.418, Réminiscences de Don Juan (1841)

Pacini

• S.419, Divertissement sur la cavatine "I tuoi frequenti palpiti" (1835)

Paganini

• S.420, Grande Fantaisie de bravoure sur La Clochette (1832–34)

Raff

• S.421, Andante Finale and March from the opera König Alfred [2 pieces] (1853)

Rossini

• S.421a, Introduction et variations from "Siège de Corinth" [introduction only] (1839?)
• S.422, Première grande fantaisie (Soirées musicales) [first/second version] (1836)
• S.422i, La serenate e l'orgia - Première grande fantaisie (Soirées musicales) [first version] (1836)
• S.423, Deuxième grande fantaisie (Soirées musicales) (1836)
• S.424, Soirées musicales [12 pieces] (1837)

Schubert

	Soirées de Vienne, S. 427 (1852) Performed by Randolph Hokanson
Problems playing this file? See media help.

• S.425, Mélodies hongroises [3 pieces] (1839–40)
• S.425a, Mélodies hongroises [revised versions] (1846)
• S.426, Schubert's Marches [3 pieces] (1846)
• S.426a, Marche militaire (ca. 1870)
• S.427, Soirées de Vienne [9 pieces] (1852)

Sorriano

• S.428, Feuille morte. Elégie d'après Sorriano (1844–45)

Tchaikovsky

• S.429, Polonaise from Eugene Onegin (1879)

Végh, Janos

• S.430, Valse de concert (1882–83)

Verdi

• S.431, Salve Maria de Jérusalem [first/second version] (1848, 1882)
• S.431a, Ernani - Première paraphrase de concert (1847)
• S.432, Ernani - Paraphrase de concert (No. 2) [first/second version] (b. 1849, 1860)
• S.433, Miserere du Trovatore (1860)
• S.434, Rigoletto Paraphrase de Concert (Concert Paraphrase on Rigoletto) (1859)
• S.435, Don Carlos Coro e Marcia funebre (1867–68)
• S.436, Aida Danza sacra e duetto finale (1877)
• S.437, Agnus Dei (from Requiem; 1877)
• S.438, Réminiscences de Boccanegra (1882)

Wagner

• S.439, Phantasiestück über Motive aus Rienzi (1859)
• S.440, Spinnerlied aus Der fliegende Holländer (1860)
• S.441, Ballade aus Der fliegende Holländer (1872)
• S.442, Ouvertüre zu R. Wagners Tannhäuser (1848)
• S.443, Pilgerchor aus Tannhäuser [first/second version] (1861, 1885)
• S.444, O du mein holder Abendstern aus Tannhäuser (1848)
• S.445, Zwei stücke aus Tannhäuser und Lohengrin (1852)
• S.446, Aus Lohengrin [3 pieces] (1854)
• S.447, Isoldens Liebestod aus Tristan und Isolde [first/revised version] (1867, 1875)
• S.448, Am stillen Herd aus Die Meistersinger (1871)
• S.449, Walhall aus Der Ring des Nibelungen (1875)
• S.450, Feierlicher Marsch zum heiligen Graal aus Parsifal (1882)

Weber

• S.451, Freischütz-Fantasie (1840–41)
• S.452, Leyer und Schwert [4 pieces] (1848)
• S.453, Einsam bin ich, nicht alleine, from Preciosa (1848)
• S.454, Schlummerlied mit Arabesken (1848)
• S.455, Polonaise brillante (1851)

Zichy, Count Géza

• S.456, Valse d'Adele (1877)

Unknown

• S.458, Fantasy on Il Giuramento (Mercadante) (1838?)
• S.460, Kavallerie-Geschwindmarsch [anonymous] (?)

Partitions de piano, transcriptions, etc.

Allegri and Mozart

• S.461, A la chapelle Sixtine [first/second version] (1862, ?)
• S.461a, Ave verum corpus, Kv618 (1862)

Bach

• S.462, Sechs Praeludien und Fugen für Orgel [6 pieces] (1850)
• S.463, Organ Fantasy and Fugue in G minor [first/second version] (1860, set for pianoforte 1869)

Beethoven

• S.463a, Symphonie No.5 [first version] (1837)
• S.463b, Symphonie No.6 [first version] (1837)
• S.463c, Symphonie No.6 [second version. Alternative 5th movement] (1863–64)
• S.463d, Symphonie No.7 [first version] (1837)
• S.463e, Marche funèbre [Beethoven's Eroica Symphony, first version] (1843)
• S.464, Symphonies de Beethoven [9 pieces] (1863–64)
• S.465, Grand Septuor, Op. 20 (1841)
• S.466, Adelaïde [third version] (1847)
• S.466a, Adelaïde [first version] (1839)
• S.466b, Adelaïde [second version] (1840)
• S.467, Sechs Geistlicher Lieder (Gellert) [6 pieces] (1840)
• S.468, Sechs Lieder von Goethe [6 pieces] (b. 1849)
• S.469, An die ferne Geliebte - Liederkreis [6 pieces] (1849)

Berlioz

• S.470, Symphonie Fantastique (1833)
• S.471, Overture from Les francs-juges (1833)
• S.472, Harold en Italie (with viola) (1837)
• S.473, Marche des pèlerins from Harold en Italie [first/second version] (1837?, 1862)
• S.474, Ouverture Le Roi Lear (1837)
• S.475, Valse des Sylphes de la Damnation de Faust (1860)

Bulhakov

• S.478, Russischer Galopp [first/second version] (1843, 1843)

von Bülow

• S.479, Dante's Sonnett - Tanto gentile e tanto onesta (1874)

Chopin

• S.480, Six Chants polonais, Op. 74 [6 pieces] (1847–60)

Conradi

• S.481, Zigeunerpolka (1847?)

Cui

• S.482, Tarantella (1885)

Dargomyzhsky

• S.483, Tarantella (1879)

David, Ferdinand

• S.484, Bunte Reihe, Op. 30 [24 pieces] (1850)

Dessauer

• S.485, Drei Lieder (1846)

Ernst, Duke

• S.485b, Die Gräberinsel (1842)

Egressy and Erkel

• S.486, Szózat und Hymnus (1873)

Festetics

• S.487, Spanisches Ständchen 1846

Franz

• S.488, Er ist gekommen in Sturm und Regen 1848
• S.489, Zwölf Lieder [12 pieces] (1848)

Goldschmidt

• S.490, Liebesszene und Fortunas Kugel (1880)

Gounod

• S.491, Hymne à Sainte Cécile (1866)

Herbeck

• S.492, Tanzmomente [8 pieces] (1869)

Hummel

• S.493, Grosses Septett, Op. 74 (1848)

Lassen

• S.494, Löse, Himmel, meine Seele [first/second version] (1861, 1872)
• S.495, Ich weil' in tiefer Einsamkeit (1872)
• S.496, Hebbel's Nibelungen & Goethe's Faust [4 pieces] (1878–79)
• S.497, Symphonisches Zwischenspiel ('Über allen Zauber Liebe') (ca. 1882-83)

Lessmann

• S.498, Drei Lieder ('Tannhäuser') (1882?)

Liszt

• S.498a, Drei Stücke aus der heilige Elisabeth (1857–62)
• S.498b, Zwei Orchesterstücke aus Christus (1862–66)
• S.498c, San Francesco - Preludio (1862–66)
• S.499, Cantico del Sol di San Francesco d'Assisi (1881)
• S.499a, San Francesco - Preludio per il Cantico del Sol (1880)
• S.500, Excelsior! - Preludio (1875)
• S.501, Benedictus und Offertorium (Missa Coronationalis) (1867)
• S.502, Weihnachtslied II (1864)
• S.503, Slavimo Slavno Slaveni! (1863)
• S.504, Ave Maria II (in D) [first/second version in D flat] (1870, 1873)
• S.504a, Via Crucis [15 pieces] (1878–79)
• S.504b, Choräle [11 pieces] (1878–79)
• S.505, Zum Haus des Herrn (In domum Domini ibimus) (1884)
• S.506, Ave maris stella (1868)
• S.507, Klavierstück aus der Bonn Beethoven-Cantata (?)
• S.507a, Schnitterchor (Pastorale - Schnitterchor aus Prometheus) (1850)
• S.508, Pastorale. Schnitterchor aus dem Entfesselten Prometheus (1861)
• S.509, Gaudeamus igitur - Humoreske (1870)
• S.510, Marche héroïque (?)
• S.511, Geharnischte Lieder [3 pieces] (1861)
• S.511a, Les préludes (Poème symphonique No. 3) [arranged by Karl Klauser, revised by Liszt] (1863) ^[1][2]
• S.511b, Orpheus (Poème symphonique No. 4) [arranged by Fredrich Spiro, revised by Liszt] (1879) ^[3]
• S.511c, Mazeppa (Poème symphonique No. 6) [arranged by Theodor Forchhammer, revised by Liszt] (1870–79) ^[3]
• S.511d, Festklänge (Poème symphonique No. 7) [arranged by Ludwig Stark, revised by Liszt] (1870–79) ^[3]
• S.511e, Hungaria (Poème symphonique No. 9) [arranged by Fredrich Spiro, revised by Liszt] (1872) ^[3]
• S.512, Von der Wiege bis zum Grabe (Poème symphonique No. 13) (1881)
• S.513, Gretchen aus Faust-Simpfonie (b 1867 )
• S.513a, Der nächtliche Zug (?)
• S.514, Erster Mephisto-Walzer (Mephisto Waltz No. 1, Der Tanz in der Dorfschenke) [original version] (1859–62)
• S.514a, Erster Mephisto-Walzer (Mephisto Waltz No. 1) [with later additions] (1859–62)
• S.515, Zweiter Mephisto-Walzer (Mephisto Waltz No. 2) (1881)
• S.516, Les Morts (Ode Funèbre No. 1) (1860)
• S.516a, La notte (Ode Funèbre No. 2) (ca. 1864)
• S.517, Le Triomphe funèbre du Tasse (Odes Funèbre No. 3) (1866)
• S.518, Salve Polonia (a. 1863)
• S.519, Deux Polonaises de St Stanislaus (1870–79)
• S.520, Künstlerfestzug [first/second version] (1857–60, 1883)
• S.521, Festmarsch zur Goethejubiläumsfeier [first/second version] (1857, 1872)
• S.522, Festmarsch nach motiven von E.H.z.S.-C.-G (1857)
• S.523, Ungarischer Marsch zur Krönungsfeier in Ofen-Pest (1870)
• S.524, Ungarischer Sturmmarsch [first/second version] (?, 1875)
• S.524a, Concerto sans Orchestra (1839-1857)
• S.525, Totentanz. Paraphrase on Dies Irae (1860–65)
• S.526, Epithalam zu Eduard Reményis Vermählungsfeier (?)
• S.527, Romance oubliée (?)
• S.527bis, Romance oubliée [short draft] (1880)
• S.529, Fantasie und Fuge über das Thema BACH [first/second version] (1856, 1870)
• S.530, L'Hymne du Pape. Inno del Papa. Der Papsthymnus (1864)
• S.531, Buch der Lieder I [6 pieces] (?)
• S.532, Die Lorelei (Heine) [second version] (1861)
• S.533, Il m'aimait tant (Delphine Gay) (1842)
• S.534, Die Zelle in Nonnenwerth (Felix Lichnowski) [first/second/fourth version] (1842, 1860, 1880)
• S.535, Comment, disaient-ils [Buch der Lieder II] (1845?)
• S.536, O quand je dors [Buch der Lieder II] (1847?)
• S.537, Enfant, si j'étais roi [Buch der Lieder II] (1847?)
• S.538, S'il est un charmant gazon [Buch der Lieder II] (1847?)
• S.539, La tombe et la rose [Buch der Lieder II] (1847?)
• S.540, Gastibelza [Buch der Lieder II] (1847?)
• S.541, Liebesträume. Drei Notturnos (ca. 1850)
• S.542, Weimars Volkslied [first/second version] (1857, ?)
• S.542a, Ich liebe dich (?)
• S.542b, Fanfare zur Enthüllung des Carl-Augusts Monument (?)
• S.543, Ungarns Gott. A magyarok Istene (Petőfi) [original/(S543bis)left-hand version] (1881)
• S.544, Ungarisches Königslied. Magyar Király-dal (Ábrányi) (1883)
• S.545, Ave Maria IV (1881)
• S.546, Der blinde Sänger (Alexei Tolstoy) [solo version] (1878)
• S.546a, O Roma nobilis (1879)

Mendelssohn

• S.547, Sieben Lieder (from Opp. 19, 34, 47) [7 pieces] (1840)
• S.548, Wasserfahrt and Der Jäger Abschied (from Op. 50) [2 pieces] (1848)

Meyerbeer

• S.549, Festmarsch zu Schillers 100-Jähriger Geburtsfeier (?)

Mozart

• S.550, Zwei Transcriptionen über Themen aus Mozart's Requiem, K.626 [2 pieces] (1862)

Pezzini

• S.551, Una stella amica. Mazurka (?)

Raff

• S.551a, Einleitung und Coda zu Raffs Walzer in Des-dur (opus 54/1) (1880)

Rossini

• S.552, Ouverture de l'opéra Guillaume Tell (1838)
• S.552a, Caritas [La charité, first version] (1847)
• S.552b, La caritá [La charité, simplified version] (1847)
• S.553, Deux Transcriptions [2 pieces] (1847)

Rubinstein

• S.554, Zwei Lieder [2 pieces] (1880)
• S.554a, Einleitung und Coda sur des notes fausses (1880)

Saint-Saëns

• S.555, Danse macabre, Op. 40 (1876)

Schubert

• S.556, Die Rose [first/intermediate/second version] (1832, ca. 1837, 1838)
• S.557, Lob der Tränen (1837)
• S.557a, Erlkönig [first version] (?)
• S.557b, Meeresstille [first version] (?)
• S.557b/bis, Meeresstille [first version, ossia] (?)
• S.557c, Frühlingsglaube [first version] (?)
• S.557d, Ave Maria (Ellens dritter Gesang) [first version] (?)
• S.558, 12 Lieder (1837–38)
• S.558bis, 12 Lieder [revised versions of Nos. 3, 4, 7, 8, 9, 11] (ca. 1839)
• S.559, Der Gondelfahrer, Op. 28 (1838)
• S.559a, Sérénade [Ständchen, first version] (1837)
• S.560, Schwanengesang [14 pieces] (1838–39)
• S.560bis, Schwanengesang [14 pieces, alternative versions] (ca. 1839)
• S.561, Winterreise [12 pieces] (1839)
• S.561, Winterreise [alternative versions of Nos. 2, 3, 7, 10,] (ca. 1839)
• S.562, Geistliche Lieder [4 pieces] (1841)
• S.563, Six mélodies célèbres [6 pieces, 1st by Weyrauch] (1844)
• S.564, Die Forelle [second version] (1846)
• S.565, Six Mélodies favorites de La belle meunière [6 pieces] (1846)
• S.565bis, Müllerlieder [6 pieces, revised versions] (ca. 1879)
• S.565a, Wandererfantasie (Grosse Fantasie in C-dur) (ca. 1868)
• S.565b, Schubert's Impromptus [2 pieces, Op. 90/2-3] (ca. 1868)

Schumann

• S.566, Widmung, Liebeslied (1848)
• S.566a, Widmung, Liebeslied [sketch of a more literal transcription] (1848)
• S.567, An den Sonnenschein, Rotes Röslein (1861)
• S.568, Frühlingsnacht (Überm Garten durch die Lüfte) (1872)
• S.569, Zehn Lieder von Robert und Clara Schumann [10 pieces] (1872)
• S.570, Provençalisches Minnelied (1881)

Smetana

• S.570a, Einleitung und Coda zu Smetanas Polka (de salon, opus 7/1) (1880)

Spohr

• S.571, Die Rose aus Zemire und Azor (1876)

Tausig

• S.571a, Einleitung und Schlußtakte zu Tausigs dritter Valse-Caprice (1880)

Szabady and Massenet

• S.572, Revive Szegedin (1879)

Széchényi, Count Imre

• S.573, Bevezetés és magyar indulò (1872)

Tirindelli

• S.573a, Seconda mazurka variata (1880)

Weber

• S.574, Ouverture Oberon (1846?)
• S.575, Ouverture Der Freischütz (1840–41)
• S.576, Jubelouverture (1846)
• S.576a, Konzertstück in F minor, Op. 79 (ca. 1868)

Wielhorsky, Count Michael

• S.577, Lyubila ya [first/second version] (1843, ?)

Pianoforte duet

Field

• S.577a, 11 Nocturnes (Nos. 1-9, 14, 18 and Nocturne Pastorale in E) (?)

Liszt

• S.578, 4 Pieces from St. Elisabeth (1862)
• S.579, Christus Oratorio 4th and 5th section (?)
• S.580, Excelsior! - Preludio (?)
• S.581, Benedictus and Offertorium from the Hungarian Coronation Mass (1869)
• S.582, O Lamm Gottes, unschuldig (1878–79)
• S.583, Via Crucis (?)
• S.584, Festkantate zur Enthüllung des Beethoven-Denkmals in Bonn (1845)
• S.585, Pastorale. Schnitterchor aus dem Entfesselten Prometheus (1861)
• S.586, Gaudeamus igitur. Humoreske (1870)
• S.587, Marche héroique (?)
• S.588, Weimars Volkslied (Cornelius) (1857)
• S.589, Ce qu'on entend sur la montagne (Poème symphonique No. 1) (1874)
• S.590, Tasso, Lamento e Trionfo (Poème symphonique No. 2) (1858)
• S.591, Les Préludes (Poème symphonique No. 3) (ca. 1858)
• S.592, Orpheus (Poème symphonique No. 4) (ca. 1858)
• S.593, Prometheus (Poème symphonique No. 5) (1858)
• S.594, Mazeppa (Poème symphonique No. 6) (1874)
• S.595, Festklänge (Poème symphonique No. 7) (1854–61)
• S.596, Hungaria (Poème symphonique No. 9) (1874?)
• S.569a, Héroïde funèbre (Poème symphonique No. 8) (ca. 1877)
• S.596b, Hunnenschlacht (Poème symphonique No. 11) (ca. 1877)
• S.596c, Die Ideale (Poème symphonique No. 12) (ca. 1874-77)
• S.597, Hamlet (Poème symphonique No. 10) (1874)
• S.598, Von der Wiege bis zum Grabe (Poème symphonique No. 13) (From the Cradle to the Grave) (1881)
• S.599, Two episodes from Lenau's Faust (1861–62)
• S.600, Mephisto Waltz No. 2 (1881)
• S.601, Les Morts (Ode Funébre No. 1) (1866)
• S.602, La Notte (Ode Funébre No. 2) (1866)
• S.603, Le Triomphe Funèbre du Tasse (Ode Funébre No. 3) (1866?)
• S.604, Salve Polonia (1863)
• S.605, Künstlerfestzug zur Schillerfeier (1859)
• S.606, Festmarsch zur Goethejubiläumsfeier (ca. 1858)
• S.607, Festmarsch nach Motiven von E.H. zu S.-C.-G. (ca. 1859)
• S.608, Rákóczy March (1870)
• S.609, Ungarischer Marsch zur Krönungsfeier in Ofen-Pest (1870)
• S.610, Ungarischer Sturmmarsch (1875)
• S.611, Epithalam (1872)
• S.612, Elégie (1874)
• S.613, Weihnachtsbaum (1876)
• S.614, Dem Andenken Petőfis (Petőfi Szellemének) (1877)
• S.615, Grande Valse di Bravura (1836)
• S.616, Grand Galop Chromatique (1838)
• S.617, Csárdás macabre (1882)
• S.618, Csárdás obstiné (ca. 1884)
• S.618a, Vom Fels zum Meer. Deutscher Siegesmarsch (?)
• S.619, Bülow-Marsch (ca. 1883)
• S.619a, Festpolonaise (1876) ^[4]
• S.620, Hussitenlied (Melody by J.Krov) (1840)
• S.621, 6 Hungarian Rhapsodies [from the orchestral version, S359] (1874)
• S.622, Rapsodie hongroise No. 16 (1882)
• S.623, Rapsodie hongroise No. 18 (1885)
• S.623a, Rapsodie hongroise No. 19 (ca. 1885)
• S.624, Fantasy and Fugue on the chorale Ad nos, ad salutarem undam (1850)
• S.625, L'Hymne du Pape (Der Papsthymnus) (1865)
• S.626, Ungarisches Königslied. Magyar Király-dal (Ábrányi) (1883)
• S.627, Fantaisie sur des motifs de l'opéra La Sonnambula (Bellini) (1852)
• S.628, Bénédiction et serment (Berlioz's 'Benvenuto Cellini') (1852)
• S.628a, Marche et cavatine (Donizetti's Lucia) (?)
• S.628b, Szózat und Hymnus (Egressy and Erkel) (1873)
• S.629, Tscherkessenmarsch (Glinka's Ruslan i Lyudmila) (1843)
• S.630, Réminiscences de Robert le Diable - Valse infernale (Meyerbeer) (1841–43)
• S.631, Andante finale und Marsch (Raff's 'König Alfred') (1853)
• S.632, 4 Marches (Schubert) (1879)
• S.633, A la chapelle Sixtine (Allegri Mozart) (1865)
• S.634, Grand Septuor Op. 20 (Beethoven) (1841)

Mozart

• S.634a, Adagio from Mozart's Die Zauberflöte (1875-81?)

Two pianofortes

Liszt

• S.635, Ce qu'on entend sur la montagne (Poème symphonique No. 1) (ca. 1854-57)
• S.636, Tasso, Lamento e Trionfo (Poème symphonique No. 2) (ca. 1857)
• S.637, Les Préludes (Poème symphonique No. 3) (ca. 1854-56)
• S.638, Orpheus (Poème symphonique No. 4) (ca. 1854-56)
• S.639, Prometheus (Poème symphonique No. 5) (1855–56)
• S.640, Mazeppa (Poème symphonique No. 6) (1855)
• S.641, Festklänge (Poème symphonique No. 7) (ca. 1853-56)
• S.642, Héroide Funèbre (Poème symphonique No. 8) (ca. 1854-56)
• S.643, Hungaria (Poème symphonique No. 9) (ca. 1854-61)
• S.644, Hamlet (Poème symphonique No. 10) (ca. 1858-61)
• S.645, Hunnenschlacht (Poème symphonique No. 11) (1857)
• S.646, Die Ideale (Poème symphonique No. 12) (1857–58)
• S.647, A Faust Symphony, in three character pictures (1856)
• S.648, A Symphony to Dante's Devina Commedia (ca. 1856-59)
• S.649, Fantasie über Beethovens Ruinen von Athen (1865)
• S.650, Piano Concerto No. 1 in E flat major (1853)
• S.651, Piano Concerto No. 2 in A major (1859)
• S.652, Totentanz. Paraphrase on Dies Irae (1859)
• S.653, Wandererfantasie (Schubert) (a. 1859)
• S.654, Hexaméron, Morceau de Concert (1837)
• S.655, Réminiscences de Norma (Bellini) (1841)
• S.656, Réminiscences de Don Juan (Mozart) (1841)
• S.657, Symphony No. 9 (Beethoven) (1851)
• S.657a/1, Piano Concerto No. 3 (Beethoven) (1878)
• S.657a/2, Piano Concerto No. 4 (Beethoven) (1878)
• S.657a/3, Piano Concerto No. 5 (Beethoven) (1878)
• S.657b, Bülow-Marsch [2-pianos, 8-hands] (1884)

Organ

Allegri and Mozart

• S.658, Évocation à la Chapelle Sixtine (1862)

Arcadelt

• S.659, Ave Maria (1862)

Bach

• S.660, Einleitung und Fuge aus der Motette Ich hatte viel Bekümmernis und Andante Aus tiefer Not [2 pieces] (1860)
• S.661, Adagio from Bach Violin Sonata No. 4 (BWV1017) (1864)

Chopin

• S.662, 2 Préludes from Op. 28 (Nos. 4, 9) (1863)

Lassus

• S.663, Regina coeli laetare (1865)

Liszt

• S.664, Tu es Petrus from Christus (1867)
• S.665, San Francesco (1880)
• S.666, Excelsior! - Preludio (?)
• S.667, Offertorium from the Hungarian Coronation Mass (1867)
• S.668, Slavimo Slavno Slaveni (1863)
• S.669, Zwei Kirchenhymnen [2 pieces] (1877)
• S.670, Rosario [3 pieces] (1879)
• S.671, Zum Haus des Herrn (In domum Domini ibimus) (1884)
• S.672, Weimars Volkslied (Cornelius) (1865)
• S.672a, Orpheus (Poème symphonique no 4) (after 1860)
• S.672b, Einleitung, Fuge & Magnificat aus der Symphonie zu Dante (1860)
• S.673, Weinen, Klagen' Variationen (1863)
• S.674, Ungarns Gott. A magyarok Istene (Petőfi) (1882)
• S.674a, O sacrum convivium [2 versions] (?)

Nicolai

• S.675, Kirchliche Festoverture (1852)

Wagner

• S.676, Pilgerchor from Wagner's Tannhäuser (1860)

Organ with other instruments

• S.677, Hosannah from Cantico del sol di San Francesco d'Assisi (for organ and bass trombone) (1862)
• S.678, Offertorium and Benedictus from the Hungarian Coronation Mass (1869)
• S.679, Aria 'Cujus animam' from Rossini's Stabat Mater (for organ and trombone) (?)

Recitations

Draeseke

• S.686, Helges Treue (Draeseke) (1860)

Appendix

Unfinished works

• S.687, Sardanapale (Byron) [opera, partly sketched, 111 pages] (?)
• S.688, Oratorio - Die Legende vom heiligen Stanislaus [sacred choral] (1873–85)
• S.688a, St Stanislaus fragment [solo piano, Library of Congress] (1880–86)
• S.689, Singe, wem Gesang gegeben [secular choral] (1847)
• S.690, Revolutionary Symphony [unfinished, revised 1848] (1830)
• S.691, De Profundis [piano and orchestra, De Profundis - Psaume instrumental] (1834?)
• S.692, Violin Concerto [only sketched] (1860)
• S.692a, The Four Seasons String quartet (Vivaldi) (1880?)
• S.692b, Anfang einer jugendsonate [solo piano] (1825)
• S.692c, Allegro maestoso [solo piano] (1826)
• S.692d, Rákóczi-Marsch [solo piano, first version, simplified, unfinished] (1839)
• S.692e, Winzerchor (Prometheus) [solo piano] (1850)
• S.693, Deux marches dans le genre hongrois [solo piano, 2 pieces] (1840?)
• S.693a, Zwei Stücke aus der heilige Elisabeth [solo piano] (1862)
• S.694, Fantasie über englische Themen [solo piano] (1840?)
• S.695, Morceau en fa majeur [solo piano] (1843?)
• S.695a, Litanie de Marie [solo piano] (1847)
• S.695b, Zigeuner-Epos [solo piano, 11 pieces] (ca. 1848)
• S.696, Mephisto Waltz No.4 (1884)
• S.697, Fantasie über Themen aus Figaro und Don Giovanni (Mozart) [solo piano arrangement] (1842)
• S.698, La Mandragore - Ballade de l'opéra Jean de Nivelle de L. Delibes [solo piano arrangement] (a. 1880)
• S.699, La Notte (Odes Funèbre no. 2) [solo piano arrangement] (1864–66)
• S.700, Grand Fantaisie (Variations) sur des thèmes de Paganini [first/second version; completed by Mezö] (1845)
• S.700a, Variations sur Le Carnaval de Venise (Paganini) [solo piano arrangement] (?)
• S.701, Den Felsengipfel stieg ich einst hinan [song] (?)
• S.701a, Allegro di bravura [orchestra, arrangement] (ca. 1830)
• S.701b, Marie-Poème [solo piano] (1837)
• S.701c, Andante sensibilissimo [solo piano] (1880–86)
• S.701d, Melodie in Dorische Tonart [solo piano] (1860)
• S.701e, Dante fragment [solo piano] (1839)
• S.701f, Glasgow fragment [solo piano] (?)
• S.701g, Polnisch - sketch [solo piano] (1870–79)
• S.701h/1, Operatic aria - and sketched variation [solo piano] (?)
• S.701h/2, Valse infernale (Meyerbeer) - theme [solo piano arrangement] (?)
• S.701j, Harmonie nach Rossini's Carità (La charité) [solo piano arrangement] (1847)
• S.701k, Korrekturblatt (to an earlier version of La lugubre gondola) [solo piano] (1882)

Doubtful or lost

Sacred choral works

• S.702, Tantum Ergo (1822)
• S.703, Psalm 2 (1851)
• S.704, Requiem on the death of Emperor Maximilian of Mexico (?)
• S.705, The Creation (?)
• S.706, Benedictus [doubtful] (?)
• S.707, Excelsior [arrangement, doubtful] (?)

Secular choral works

• S.708, Rinaldo [doubtful] (ca. 1848)

Orchestral works

• S.709, Salve Polonia [rediscovered, renumbered as S113] (1863)
• S.710, Funeral March (?)
• S.711, Csárdás macabre [arrangement] (?)
• S.712, Romance oubliée [arrangement] (?)

Piano and orchestra

• S.713/1, Piano Concerto in A minor (1825?)
• S.713/2, Piano Concerto (1825?)
• S.714, Piano Concerto in the Hungarian style [by Sophie Menter, renumbered as S126a] (1885)
• S.715, Piano Concerto in the Italian style (?)
• S.716, Grande fantaisie symphonique [orchestral] (?)

Chamber music

• S.717, Trio (1825)
• S.718, Quintet (1825)
• S.719, The Four Seasons String Quartet (Vivaldi) [rediscovered, renumbered as S692a]
• S.720, Allegro moderato (?)
• S.721, Prelude (?)
• S.722, La notte (Odes funèbre no.2) [rediscovered, renumbered as S377a] (1864–66)
• S.723, Tristia [arrangement, from Vallée d'Obermann S160/6] (1880–86 ?)
• S.723a, Postlude on theme from Orpheus [arrangement] (?)

Pianoforte solo

• S.724 - Rondo and Fantasy (1824)
• S.725 - 3 Sonatas (1825)
• S.726 - Study (?)
• S.726a - Valse (?)
• S.727 - Prélude omnitonique [rediscovered, renumbered as 166e] (1844)
• S.728 - Fünf Klavierstücke, S.192 (Liszt, Franz)|Sospiri! (Fünf Klavierstücke) [rediscovered, renumbered as 192/5] (1879)
• S.729 - Tantum Ergo [rediscovered, renumbered as 42] (1869)
• S.730 - Dem Andenken Petőfis (Petőfi Szellemének) [rediscovered, renumbered as 195] (1877)
• S.731 - Valse élégiaque [alternative name for Valse oubliée No.1, 251/1; rediscovered and renumbered as 251/1] (1881)
• S.732 (formerly) - Valses oubliées, S.215 (Liszt, Franz)|Valse oubliée No. 4 [rediscovered, renumbered as 215/4] (1883–84)
• S.733 - Marche hongroise (in E flat minor) [rediscovered, renumbered as 233b] (1844)
• S.734 - Ländler [rediscovered, renumbered as 211a] (1879)
• S.735 - Air cosaque [rediscovered, renumbered as 249c] (1879)
• S.736 - Kerepsi csárdás (?)
• S.737 - 3 morceaux en style de danse ancien hongrois (?)
• S.738 - Spanish folksong arrangement (?)

Arrangements

• S.739, Corolian Overture (Beethoven) (?)
• S.740, Egmont Overture (Beethoven) (?)
• S.741, Le carnaval romain - Overture (Berlioz) (?)
• S.742, Duettino (Donizetti) (?)
• S.743, Soldiers Chorus from Gounod's Faust (?)
• S.743a, Fantasia on themes from Halévy's Guitarero (b. 1841)
• S.744, Paraphrase on Act 4 of Kullak's Dom Sebastien (?)
• S.745, Funeral March (?)
• S.746, Andante Maestoso (?)
• S.747, Poco adagio (from Missa Solemnis) (?)
• S.748, Overture to Mozarts "Die Zauberflöte" (?)
• S.749, Preussischer Armeemarsch (Radovsky) (?)
• S.750, Siege de Corynthe, Introduction (?)
• S.751, Maometto e Mose, Fantasia on themes by Rossini (?)
• S.752, Gelb rollt (Rubinstein) (?)
• S.753, Alfonso und Estrella, Act 1 (Schubert) (?)
• S.754, Seconda mazurka variata (Tirindelli) [rediscovered, renumbered as S573a] (1880)

Pianoforte duet

• S.755, Sonata (?)

Two pianofortes

• S.756, Mosonyis Grabgeleit (?)
• S.757, La triomphe funébre du Tasse (?)

Organ

• S.758, The Organ (Herder) (?)
• S.759, Consolation [arrangement] (?)
• S.760, Cantico del sol di St. Francesco [arrangement] (?)
• S.761, Marche funèbre (Chopin) [arrangement] (?)

Songs

• S.762, Air de Chateaubriand (?)
• S.763, Strophes de Herlossohn (?)
• S.764, Kränze pour chant (?)
• S.765, Glöcken (Müller) (?)
• S.765a, L'aube naît (Hugo) (1842?)
• S.766, Der Papsthymnus (?)
• S.767, Excelsior (?)

Recitations

• S.768, Der ewige jude (Schubart) (?)

Supplement

• S.990, Fantasy and Fugue on the chorale "Ad nos, ad salutarem undam" (played by Liszt to Walter Bache) [solo piano, arrangement] (b. 1862)
• S.991, Waltz in A major [chamber, arrangement] (?)
• S.993, Wartburg Lieder (Scheffel) [orchestral, arrangement] (?)
• S.994, Grand solo caractéristique à propos d'une chansonette de Panseron [solo piano, arrangement] (1830–32)
• S.995, Variations de bravoure sur des thémes de Paganini [unfinished] (1845)
• S.996, Stabat Mater [solo piano] (1870–79 ?)
• S.997, 5 Variationen über Romanze aus 'Joseph' (Méhul) (by Franz Xaver Mozart, attributed to Liszt) (ca. 1834)
• S.998, Adagio in C [solo piano] (1841)
• S.999, Andante Maestoso [organ] (?)

Notes and references

1. "Hyperion, Liszt Piano Music, Vol 38 (Sleeve notes)". Retrieved 2007-12-16.
2. Liszt, Franz. Letters of Franz Liszt, Volume 2. Letter No. 20: Dr. Franz Brendel. September 7th, 1863
3. "Hyperion, Liszt Piano Music, Vol 56 (Sleeve notes)". Retrieved 2007-12-16.
4. "Festpolonaise (Duet version) Entry". Allmusic. Retrieved 2008-01-01.

External links

• List of works - The Danish Franz Liszt Project