Metafont

Metafont
Developer(s) Donald Knuth
Stable release 2.7182818 / January 2014 (2014-01)
Operating system Cross-platform
Type Computer language
License Permissive

Metafont is a description language used to define vector fonts. It is also the name of the interpreter that executes Metafont code, generating the bitmap fonts that can be embedded into e.g. PostScript. Metafont was devised by Donald Knuth as a counterpart to his TeX typesetting system.

One of the characteristics of Metafont is that all of the shapes of the glyphs are defined with geometrical equations. In particular, one can define a given point to be the intersection of a line segment and a Bézier cubic.

Mode of operation

Unlike more common outline font formats (such as TrueType or PostScript Type 1), a Metafont font is primarily made up of strokes with finite-width "pens", along with filled regions. Thus, rather than describing the outline of the glyph directly, a Metafont file describes the pen paths. Some simpler Metafont fonts, such as the calligraphic mathematics fonts in the Computer Modern family, use a single pen stroke with a relatively large pen to define each visual "stroke" of the glyphs. More complex fonts such as the Roman text fonts in the Computer Modern family use a small pen to trace around the outline of the visual "strokes", which are then filled; the result is much like an outline font, but with slightly softened corners defined by the pen shape.

Since the font shapes are defined by equations rather than directly coded numbers, it is possible to treat parameters such as aspect ratio, font slant, stroke width, serif size, and so forth as input parameters in each glyph definition (which then define not a single font, but a meta-font). Thus, by changing the value of one of these parameters at one location in the Metafont file, one can produce a consistent change throughout the entire font. Computer Modern Roman illustrates many uses of this feature; a typical TeX installation includes a number of versions of the font in sizes from 5pt to 17pt, with the stroke widths the same in all sizes (rather than increasing as the font is scaled up) and aspect ratios widening in the smaller sizes for increased legibility. In addition, the Computer Modern typewriter and sans-serif fonts are defined using essentially the same Metafont file as the Roman font, but with different global parameters.

Curves in Metafont are defined as cubic splines rather than quadratic, for greater versatility at the cost of more complex arithmetic.[1]

Metafont can render any kind of graphical output, not just glyphs. However, MetaPost and Asymptote are preferred for mathematical illustrations. Metafont is most commonly invoked without a direct request from the user. DVI files can only contain references to typefaces, rather than the sets of raster or vector glyphs that other formats like PostScript allow. Consequently, the glyphs in the typefaces need to be accessed whenever a request is made to view, print or convert a DVI file. Most TeX distributions are configured so that any fonts not currently available at the required resolution are generated by calls to Metafont. The fonts are then stored for later reuse.

Metafont can also be run interactively, and has commands for displaying on the screen the images it produces. Knuth has said that he uses Metafont as a kind of desk calculator for solving complicated equations, though he now uses MetaPost for mathematical illustrations.

Producing PostScript Type 1 fonts

There are several tools for converting Metafont programs to PostScript Type 1 fonts. Most make use of MetaPost's ability to convert a subset of Metafont's language into EPS outlines, which can subsequently be converted to PostScript Type 1 fonts. Generating vector outlines of pen strokes directly in Metafont is nontrivial, as the bitmapped strokes are generated by rasterization rather than actual outlines.

The common approach to generate Type 1 fonts with pen strokes remains to generate a high-resolution bitmap and then using an autotracer, implemented by packages such as mftrace[6] and TeXtrace[7]

Use

While well-known font designers, such as Hermann Zapf, have collaborated with Knuth to create new fonts using Metafont, the system has not been widely adopted by professional type designers. Knuth attributes this to the fact that "asking an artist to become enough of a mathematician to understand how to write a font with 60 parameters is too much."[8]

The Metafont system allows fonts to be processed in unusual ways; in 1982 Knuth showed how it could be used to morph fonts, with a serif font slowly transitioning into a sans-serif design over the course of a text.[9]

History

Donald Knuth started work on font creation software in 1977, and produced the first version of Metafont in 1979. Due to shortcomings in the original Metafont language, Knuth developed an entirely new Metafont system in 1984, and it is this revised system that is used today; Metafont has a versioning system similar to that of TeX, where the number asymptotically approaches e with each revision.[10]

Example

The following example creates a closed beanlike shape for the character "B" of a font:

%file name: beta.mf
%mode_setup;
% Define a beanlike shape for the character B
beginchar("B",11pt#,11pt#,0);
  % Setup coordinates as an equation system
  y1=y2=y3=0;
  y4=y5=y6=h;
  x1=x4=0;
  x2=x5=w;
  x3=x6=2*w;

  % Define pen
  pickup pencircle xscaled 0.2w yscaled 0.04w rotated 45;

  % Draw the character curve
  draw z1..z3..z6{z2-z6}..z5..{z4-z2}z4..cycle;
endchar;

end

This yields the following glyph:

The above example will be processed with a command line such as:[11]

mf '\mode=ljfour; mode_setup; input beta.mf'; gftopk beta.600gf beta.600pk

Then it can be used in a LaTeX file such as[12] (all files should dwell in the same directory or the TeX system should be informed about them using appropriate methods):

\documentclass{article}

\newfont{\letterbeta}{beta}
\newcommand{\otherbeta}{{\letterbeta B}}

\begin{document}
Let’s try having a strange \otherbeta\ here.
\end{document}

Notes

  1. ↑ Knuth, Donald (January 25, 2000). Interview: Donald E. Knuth. Interview with Advogato. Retrieved January 13, 2016. ...the mathematics is really simple for a quadratic. The corresponding thing for a cubic is six times as complicated...
  2. ↑ "CTAN: tex-archive/fonts/utilities/metatype1".
  3. ↑ "CTAN: tex-archive/support/mf2pt1".
  4. ↑ R. J. Kinch, "MetaFog: converting Metafont shapes to contours", TUGboat 16(3), 233–43 (1995)
  5. ↑ K. Píška, 2004
  6. ↑ mftrace - a small Python program that lets you trace a TeX bitmap font into a PFA or PFB font (A PostScript Type1 Scalable Font) or TTF (TrueType) font. It is licensed under the GNU GPL. Created by Han-Wen Nienhuys. Versions prior to 1.0.5 were called `pktrace'.
  7. ↑ TeXtrace - a collection of scripts for UNIX that convert any TeX font into a Type1 .pfb outline font immediately suitable for use with dvips, pdftex, acroread (and any many other programs). Created by Peter Szabo.
  8. ↑ CSTUG, Charles University, Prague, March 1996, Questions and Answers with Prof. Donald E. Knuth, reproduced in TUGboat 17 (4) (1996), 355–67. Citation is from page 361. Available online at http://www.tug.org/TUGboat/Articles/tb17-4/tb53knuc.pdf
  9. ↑ Knuth, Donald (1982). "The Concept of a Meta-Font" (PDF). Visible Language 16 (1): 3–27. Retrieved 25 September 2015.
  10. ↑ "Knuth: Computers and Typesetting".
  11. ↑ Christophe Grandsir. "METAFONT Tutorial".
  12. ↑ Christophe Grandsir. "METAFONT Tutorial".

References

External links

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