Larry Norman

For the Canadian canoer, see Larry Norman (canoer).
Larry Norman

Larry Norman in Ohio, October 2001
Background information
Birth name Larry David Norman
Born (1947-04-08)April 8, 1947
Corpus Christi, Texas, United States
Origin San Jose, California, United States
Died February 24, 2008(2008-02-24) (aged 60)
Salem, Oregon, United States
Genres Rock, Christian rock, Jesus music
Years active 1966–2007
Labels
Associated acts People!, Randy Stonehill, Back Country Seven
Website larrynorman.com

Larry David Norman (April 8, 1947 – February 24, 2008)[1][2] was an American musician, singer, songwriter, record label owner, and record producer. He was considered to be one of the pioneers of Christian rock music,[3][4] and released more than 100 albums.

Early life

Larry Norman was born in Corpus Christi, Texas,[5] the oldest son of Joe Hendrex "Joe Billy" Norman (December 9, 1923 – April 28, 1999),[6] and his wife, Margaret Evelyn "Marge" Stout (born in 1925 in Nebraska).[7][8] Joe Norman had served as a sergeant in the US Army Air Corps during World War II[9] and worked at the Southern Pacific Railroad[10] while studying to become a teacher.[11] After Norman's birth, the family joined the Southern Baptist church.[12] In 1950 the family moved to San Francisco, where they attended a Black American Pentecostal church and then a Baptist church, where Norman became a Christian at the age of five.[13][14][15][16][17][18] In 1959, Norman performed on the syndicated television show The Original Amateur Hour.[19]

In 1960, Norman's father began teaching in San José, California; the family lived in nearby Campbell.[20] Norman graduated from Campbell High School in 1965[21][22][23][24] and won an academic scholarship to major in English at San Jose State College.[25] After one semester, Norman "flunked out of college and lost [his] scholarship".[26]

Although Norman was able to play a variety of musical instruments, he never learned to read or write musical notation.[27]

Career

Early bands

While still in high school, Norman formed a group called The Back Country Seven, which included his sister Nancy Jo and friend Gene M. Mason.[20] After graduating, Norman continued performing and opened at local concerts for The Doors and Jimi Hendrix.[4][28]

In 1966 Norman opened a concert for People! at the Asilomar Conference Grounds in Pacific Grove, California. He later became the band's principal songwriter, sharing lead vocals with his Back Country Seven bandmate Gene M. Mason.[29] People! performed about 200 concerts a year,[30] appearing with Van Morrison and Them, The Animals, The Dave Clark Five, Paul Revere & the Raiders, The Doors, The Who, Janis Joplin, Jimi Hendrix, Moby Grape, and San Jose bands Syndicate of Sound and Count Five.[18][31][32] The band's cover of The Zombies' "I Love You" became a hit single, selling over one million copies and reaching No. 1 in several markets.[33] Norman left People! before Capitol released the band's first album in the summer of 1967, but reunited with Mason for concerts in 1980 and 2006.[31] According to rock historian Walter Rasmussen, Pete Townshend once said that The Who's 1969 album Tommy was inspired by the rock opera "Epic" by People!;[34][35] however, Townshend has since denied the connection.[30][36]

Hollywood street ministry

Soon after Norman left People!, he had "a powerful spiritual encounter that threw him into a frenzy of indecision about his life [and] for the first time in his life, he received what he understood to be the Holy Spirit".[37]

In July 1968, following a job offer to write musicals for Capitol Records, Norman moved to Los Angeles, where he "spent time sharing the gospel on the streets".[38][39] As he described in 2006: "I walked up and down Hollywood Boulevard several times a day...witnessing to businessmen and hippies, and to whomever the Spirit led me. I spent all of my Capitol Records' royalties starting a halfway house and buying clothes and food for new converts."[18][40][41] He was initially associated with the First Presbyterian Church of Hollywood,[42] and its Salt Company coffee shop outreach ministry,[40][43] where he explored and pioneered the rock-gospel genre.[41][44]

Musical theater

In 1968 Norman wrote several songs for the rock musicals Alison and Birthday for Shakespeare, both of which were performed in Los Angeles.[45][46][47][48][49][50]

The next year, Norman and his friend Teddy Neeley auditioned for the Los Angeles production of the rock musical Hair and were offered the roles of George Berger and Claude Bukowski, respectively; Neeley accepted, but Norman rejected the role of George, despite his own financial struggles, because "of its glorification of drugs and free sex as the answers to today's problems".[51][52] Also in 1969, Norman wrote a musical called Love on Haight Street and a rock opera called Lion's Breath, which led Capitol to re-sign Norman to record an album, with the promise of complete creative control.[53][54][55]

Recording career

The Simpsons parody comic of Larry Norman

In 1969, Capitol Records released Norman's first solo album, Upon This Rock, now considered to be "the first full-blown Christian rock album".[51][56] Norman was denounced by various television evangelists,[57][58][59] and Capitol deemed the album a commercial flop and dropped Norman from the label.[60] However, his music gained a large following in the emerging countercultural movements.[61] Sales of the album rose following its distribution in Christian bookstores.[62]

By the early 1970s, Norman was performing frequently for large audiences, and appeared at several Christian music festivals,[43][60][63][64][65][66][67] including Explo '72, a six-day Dallas, Texas, event which has been called the "Jesus Woodstock."[68] Norman established a half-way house where he "housed and fed various groups of people, supervised their Bible studies and drove them to church on Fridays and Sundays".[69] He earned $80 per month from Capitol for polishing and refining songs for Capitol artists.[69] In 1970, Norman established a record label, One Way Records. He released two of his own albums Street Level and Bootleg on the label as well as Randy Stonehill's first album, Born Twice.

In 1971, Norman first visited England, where he lived and worked for several years.[15] He recorded two studio albums, Only Visiting This Planet and So Long Ago the Garden, in London's AIR Studios.[70] Released in 1972, Visiting "was meant to reach the flower children disillusioned by the government and the church" with its "abrasive, urban reality of the gospel", and has often been ranked as Norman's best album.[38] The release of Garden in November 1973 was met with controversy in the Christian press, due to the album's cover art and some songs in which Norman took the persona of a backslider.[56][71][72] [73]

In 1974, Norman founded Solid Rock Records to produce records for Christian artists "who didn't want to be consumed by the business of making vinyl pancakes but who wanted to make something 'non-commercial' to the world".[72][74][75][76] Norman produced music on the label for artists including Randy Stonehill, Mark Heard, Tom Howard,[77] and David Edwards.[78] Norman also produced artists who were signed to other labels, including Malcolm and Alwyn, Bobby Emmons and the Crosstones, Lyrix, and James Sundquist.[79][80][81][82][83] Norman signed a deal with ABC Records to distribute Solid Rock's releases, but was later moved to ABC subsidiary Word Records.[16][84] In the same year, Norman founded the Christian artist booking agency Street Level Artists Agency.[72][85][86][87]

In Another Land, the third album in Norman's trilogy and the best-selling album of his career, was released in 1976 by Solid Rock and distributed through Word.[88][89] Soon afterward, Norman recorded the blues-rock concept album Something New under the Son, but it would not be released until 1981.[56][90][91][92] Following clashes with Word over Something New and several other projects, Norman started Phydeaux Records in 1980 to release his albums.[93][94]

In 1978, Norman was injured during a plane landing at Los Angeles International Airport.[16][93] Norman claimed to have suffered mild brain damage due to being hit by parts of the cabin's roof, and that this damage left him unable to complete projects and focus artistically.[16][87][95] William Ayers wrote in 1991: "As family, friends and fans watched, his life spiraled downward. He was unable to record a bonafide album from the time of his airplane accident in 1978 until ... he attempted to release the badly produced Home At Last [recorded in 1986]. He never expected to be healed."[96]

In September 1979, Norman performed his "The Great American Novel", "a Dylanesque protest song", for U.S. president Jimmy Carter and about 1,000 guests at the Old Fashioned Gospel Singin' concert held on the south lawn of the White House.[97]

Following a prolonged dispute with Solid Rock artist Daniel Amos, which ended in estrangement,[98][99][100] Solid Rock's business manager and several Solid Rock musicians organized an intervention with Norman in June 1980, which led him to begin closing the company.[87][101][102] Religious history professor Randall Ballmer attributed the company's demise to "idealism, marital difficulties, and financial naivete -- as well as changing musical tastes."[103]

In late 1980, Norman moved to England and, with his father, founded Phydeaux Records, a company designed to compete with the bootleg market by selling rarities from Norman's own archives.[93][95][104][105][106][107] He signed a distribution deal with British label Chapel Lane and released several albums before returning to the United States in 1985.[104][108][109][110][111][112][113][114] Norman then began work on an anthology project celebrating his career in Christian music, beginning with the album White Blossoms from Black Roots: The History and the Chronology: Volume One;[115][116] however, the project collapsed when the head of the distribution company was arrested for check forgery and the company's merchandise was seized by the FBI.[115][117]

Norman signed to Benson Records in 1986 and recorded the album Home At Last, although the album was not released until 1989 due to legal problems.[118][119] Despite extensive promotion, the album was negatively reviewed, and Norman himself later dismissed the album as "just a collection of tapes I had", although he said separately that he was "extremely happy" with the level of support he'd received from Benson.[95][120][121] In 1989, Norman received the Christian Artists' Society Lifetime Achievement Award.[96][122]

While visiting another musician at the close of a February 1991 tour, Norman received prayer for his long-term health problems from a pastor of London's Elim Way Fellowship.[15][123] Norman maintained that through this prayer God repaired the damage to his brain and he was able to function again.[15][16] That year, he collaborated with his brother Charles on the album Stranded in Babylon, hailed by both critics and fans as one of his best.[16][124][125][126][127] They would reunite for the 2001 album Tourniquet.[128][129]

Norman continued to perform and release albums throughout his later years in order to raise funds for medical expenses stemming from heart problems.[130][131] He gave his last official concert on August 4, 2007, in New York City.

Relationship with the church and Christian music industry

Throughout his career, Norman had a contentious relationship with the wider Christian church and with the Christian music industry. He wrote in September 2007, "I love God and I follow Jesus but I just don't have much affinity for the organized folderol of the churches in the Western World."[132] Norman's music addressed a wide range of social issues, such as politics, free love, the occult, the passive commercialism of wartime journalists, and religious hypocrisy, that were outside the scope of his contemporaries.[133] Defending the confrontational approach of his music, Norman said, "My primary emphasis is not to entertain. But if your art is boring, people will reject your message as well as your art."[134] In the 1980s, he complained that Christian music generally meant "sloppy thinking, dishonest metaphors and bad poetry," and that he had "never been able to get over the shock of how bad the lyrics are."[135]

Norman disapproved of Christian musicians who were unwilling to play in secular venues or to "preach" between songs.[136] He also criticized what he saw as the "commercialization of Christian music in America",[135] including the role of copyrights and licensing.[39]

Influence

In 2008, Christian rock historian John J. Thompson wrote, "It is certainly no overstatement to say that Larry Norman is to Christian music what John Lennon is to rock & roll or Bob Dylan is to folk music."[137] Thompson credited Norman for his impact on the genre as a musician, a producer, and a businessman.[56][138] Steve Camp,[139] Carolyn Arends,[140] Bob Hartman,[141] TobyMac,[142] Mark Salomon,[143] Martyn Joseph,[63] and Steve Scott.[144] Black Francis of the Pixies is also a fan of Norman's work.[3][145][146][147] Over 300 artists have covered songs by Norman.[148]

Awards and honors

Family

Norman married actress and model Pamela Fay Ahlquist in December 1971.[159][160] They separated in 1978 and divorced in September 1980.[161][162]

In April 1982, Norman married Sarah Mae Finch.[135] However, another source indicates this was in April 1984[163] Finch had previously been married to Randy Stonehill from 1975 to 1980.[164] The two had first met at a religious retreat in 1969.[40][165] Their only child, Michael David Fariah Finch Norman, was born in August 1985.[16][166][167][168] The couple divorced in 1995.[169]

In 2008, the Christian magazine World reported that Norman had allegedly fathered a son with an Australian woman during a 1988 tour.[170][171]

Coronary issues and death

In February 1992, Norman suffered a nine-hour heart attack that resulted in permanent heart damage, leading to frequent hospitalizations in the years that followed.[18][167] By early 1995, Norman had been hospitalized thirteen times and had a defibrillator implant, which enabled him to perform occasional small concerts.[15][130]

After a lengthy illness, Norman died on February 24, 2008, at the age of 60 at his home in Salem, Oregon.[172][173][174] The previous day he had posted on his website:

I feel like a prize in a box of Cracker Jacks with God's hand reaching down to pick me up. I have been under medical care for months. My wounds are getting bigger. I have trouble breathing. I am ready to fly home. I won't be here much longer. I can't do anything about it. My heart is too weak. I want to say goodbye to everyone...I want to say I love you. I'd like to push back the darkness with my bravest effort...Goodbye, farewell, we will meet again.[175]

Following a public memorial on March 1 at the Church on the Hill in Turner, Oregon, Norman was buried in Salem's City View Cemetery. His tombstone reads: "Larry Norman / Evangelist Without Portfolio / 1947–2008 / Bloodstained Israelite".[173][176]

Fallen Angel documentary

Fallen Angel: The Outlaw Larry Norman: A Bible Story is a controversial 2008 documentary on Norman's life by filmmaker David Di Sabatino. Fallen Angel includes interviews with several people who had worked with or been close to Norman thirty years earlier, including his first wife and Randy Stonehill, who recorded the film's official soundtrack, Paradise Sky.[177][178][179]

Norman and his second wife had refused to participate or cooperate in the project.[177][180] A cease and desist notice initiated by Norman's family temporarily prevented the film's public screening, and prompted Di Sabatino to file his own lawsuit against Solid Rock in March 2009.[181] Four months later, the case was settled out of court, allowing the film to be shown.[181][182] While interviewing Stonehill, Cross Rhythms' Mike Rimmer said the film portrayed Norman as "Machiavellian, particularly in his dealings with his artists."[180]

Select discography

Since the 1960s, Norman's work has appeared on over 100 albums, compilations, and concert bootlegs. These recordings have been released under various labels and with various artists. Some of his principal albums are:

Autobiography

Notes

  1. Dennis Hevesi, "Larry Norman, Singer of Christian Rock Music, Dies at 60." The New York Times March 4, 2008. Retrieved February 16, 2009.
  2. Turner, Steve (February 27, 2008). "Obituary: Larry Norman". The Guardian. Retrieved June 6, 2011.
  3. 1 2 Sanford, David. "Farewell, Larry Norman." Christianity Today. June 27, 2005. Retrieved December 26, 2007.
  4. 1 2 "This World is not My Home". Wittenburg Door. Retrieved August 13, 2010.
  5. Social Security Death Index: Born: December 9, 1923, Died: April 28, 1999; Name: Joe Hendrex Norman Service Info.: SGT US ARMY AIR CORPS WORLD WAR II Birth Date: December 10, 1923, Death Date: April 28, 1999
  6. Larry Norman, The Long Road Home (Salem, OR: Solid Rock, 2007); Dennis Hevesi, "Larry Norman, Singer of Christian Rock Music, Dies at 60." The New York Times March 4, 2008. Retrieved February 16, 2009.
  7. Quillen, Shay. "Obituary: Father of Christian Rock: Musician Larry Norman, 60." Mercury News February 26, 2008. Retrieved February 15, 2009.
  8. Joe H Norman enlisted on October 24, 1942, at San Antonio, Texas. See National Archives and Records Administration. US World War II Army Enlistment Records, 1938–1946 ; Source Information: National Cemetery Administration. US Veterans Gravesites, ca.1775–2006
  9. "Larry Norman Down Under But Not Out", On Being (1985/1986):4.
  10. Classmates, the letter "N". Lhs68.net. Retrieved on August 13, 2010.
  11. Larry Norman, liner notes, The Cottage Tapes – Book One (1999):8; but cf. "Larry Norman Down Under But Not Out", On Being (1985/1986):4, which suggests it was soon before his birth.
  12. Richard D. Barnet, Bruce Nemerov, and Mayo R. Taylor, The Story Behind the Song: 150 Songs that Chronicle the 20th Century (Greenwood Press, 2004):206.
  13. "Larry Norman Dotcom". Retrieved October 5, 2014.
  14. 1 2 3 4 5 "A Legend Quizzed". Retrieved October 5, 2014.
  15. 1 2 3 4 5 6 7 Rimmer, Mike (February 26, 2008). "Larry Norman – 1947–2008". Cross Rhythms.
  16. Norman, Larry (1979). "Foreword to Contemporary Christian Music".
  17. 1 2 3 4 Norman, Larry (October 11, 2006). "Larry Norman: The Growth Of The Christian Music Industry". Cross Rhythms.
  18. "Larry Norman Down Under But Not Out", On Being (1985/1986).
  19. 1 2 Tokunaga, Paul (February 26, 2008). ""Remembering Larry Norman" (February 26, 2008)". Behindthebooks.ivpress.com. Retrieved September 28, 2011.
  20. "IVP - Behind the Books - Remembering Larry Norman". Retrieved October 5, 2014.
  21. "NamesDatabase: Larry David Norman - Campbell High School (Campbell, California, United States)". Retrieved November 26, 2014.
  22. "Campbell, California: Campbell High School Alumni List at NamesDatabase™". Retrieved November 26, 2014.
  23. "Daniel Amos : Rough TimeLine". Retrieved October 5, 2014.
  24. "Larry Norman Down Under But Not Out", On Being (1985/1986):6.
  25. "Login". Retrieved October 5, 2014.
  26. Larry Norman, "A Special Solid Rock Interview", in The Blue Book (1986):10, released in 1989 with Home At Last album.
  27. Alfonso, Barry "Larry Norman Biography." Musicianguide.com. Retrieved December 27, 2007.
  28. "Vital Statistics" (JPG). Jim Böthel's Unofficial Larry Norman Website. Retrieved 26 November 2014.
  29. 1 2 Larry Norman, "Linear Notes", I Love You Korea, p.2.
  30. 1 2 "People!: Drummer and songwriter Denny Fridkin recounts his life in music". Retrieved October 5, 2014.
  31. Archived March 5, 2012, at the Wayback Machine.
  32. Archived March 1, 2013, at the Wayback Machine.
  33. Powell 2002, p. 633-634.
  34. Wally Rasmussen, liner notes, "About the Author", Larry Norman: White Blossoms From Black Roots (SRD-030) (1988):4.
  35. Archived March 13, 2008, at the Wayback Machine.
  36. Stowe 2011, p. 36-37.
  37. 1 2 "Larry Norman". Retrieved October 5, 2014.
  38. 1 2 "The Briefing". The Briefing. Retrieved October 5, 2014.
  39. 1 2 3 "The Liberator Newspaper Article". Retrieved October 5, 2014.
  40. 1 2 Glenn D. Kittle, The Jesus Kids and their Leaders (Warner Paperback Library, 1972):121.
  41. Betty Luddick, "Jeane Dixon's Crystal Ball Gets a Workout", Los Angeles Times (July 11, 1972):G1.
  42. 1 2 "The Hollywood Free Paper". Retrieved October 5, 2014.
  43. Don Williams, Call to the Streets: The Story of Don Williams (Minneapolis, MN: Augsburg Publishing House, 1972):23.
  44. Elliot Tiegel, "Cap. in New B'way Try via Beechwood", Billboard (November 23, 1968):8.
  45. "Songwriter/Composer: NORMAN LARRY DAVID". Repertoire.bmi.com. Retrieved 26 November 2014.
  46. Norman 1972, p. 9.
  47. 11 songs from Birthday for Shakespeare are included on Norman's 2007 album Motorola Corolla 2
  48. "Review: Motorola Corolla 2 - Larry Norman - Cross Rhythms". Retrieved October 5, 2014.
  49. Norman 1972, p. 10.
  50. 1 2 "Bootleg : A Documentary : Larry Norman" (JPG). Jim Böthel's Unofficial Larry Norman Website. Retrieved 26 November 2014.
  51. "Ted Neeley biography notes". Cindy Verbelun. Retrieved June 7, 2011.
  52. Paul Shaw, "About the Artist", So Long Ago the Garden (30th Anniversary Edition 1973–2003), SRD-006.
  53. "The Mystery Records". Retrieved October 5, 2014.
  54. "About the Artist", Only Visiting This Planet (2004).
  55. 1 2 3 4 Thompson 2000, p. 49-52.
  56. Jason Bivins, Religion of Fear: The Politics of Horror in Conservative Evangelicalism (Oxford University Press, 2008):125.
  57. Eileen Luhr, Witnessing Suburbia: Conservatives and Christian Youth Culture (University of California Press, 2009):47, 51–52
  58. Mathieu Deflem. "Rap, Rock, and Censorship by Mathieu Deflem". Cas.sc.edu. Retrieved March 12, 2011.
  59. 1 2 "Solid Rock Album Discography". Retrieved October 5, 2014.
  60. High Fidelity 20:7–12 (1970):112.
  61. Kenneth G. Bielen, The Lyrics of Civility: Biblical Images and Popular Music Lyrics in American Culture (Routledge, 1999):114.
  62. 1 2 "Larry Norman UK". Retrieved October 5, 2014.
  63. "The Hollywood Free Paper". Retrieved October 5, 2014.
  64. "The Hollywood Free Paper". Retrieved October 5, 2014.
  65. Greg Robison, Christian Rock Festivals (New York: Rosen, 2009).
  66. "The Hollywood Free Paper". Hoolwoodfreepaper.org. Retrieved November 26, 2014.
  67. "Religion: The Jesus Woodstock". TIME.com. June 26, 1972. Retrieved October 5, 2014.
  68. 1 2 Larry Norman, "The White Cottage", liner notes, And the Rampions Run Wild: The Cottage Tapes – Book Two (2000 CD).
  69. http://web.archive.org/web/20110717144225/http://www.larrynorman.uk.com/inuk.html. Archived from the original on July 17, 2011. Retrieved May 4, 2010. Missing or empty |title= (help)
  70. Steve Turner, "Paradise: Home-made and Heaven", ThirdWay (March 10, 1977):9.
  71. 1 2 3 "Larry Norman's snakeskin boots - Tales from the Microbial Laboratory". Retrieved October 5, 2014.
  72. Andrew Beaujon, "God Only Knows", Spin (May 2008):120.
  73. Howard and Streck 2004, p. 163.
  74. "Shopping Mall". Larry Norman UK. Retrieved February 5, 2014.
  75. "Larry Norman Dies at 60". Christianmusic.about.com. Retrieved February 5, 2014.
  76. "Tom Howard: From Jesus music pioneer to behind-the-scenes virtuoso". Retrieved October 5, 2014.
  77. Mark Allan Powell, "David Edwards", Encyclopedia of Contemporary Christian Music (Peabody, MA: Hendrickson, 2002):292.
  78. "Folk Concert", Tri City Herald [Pasco, Kennewick, Richland, WA] (September 16, 1977):14.
  79. http://web.archive.org/web/20110716135332/http://superstore.wnd.com/store/item.asp?ITEM_ID=3281. Archived from the original on July 16, 2011. Retrieved May 6, 2010. Missing or empty |title= (help)
  80. "Lamb & Lion Album Discography". Retrieved October 5, 2014.
  81. "Freedom Flight : Album cover" (JPG). 1.bp.blogspot.com. Retrieved 26 November 2014.
  82. Archived December 11, 2013, at the Wayback Machine.
  83. "Larry Norman UK - Bio". Retrieved October 5, 2014.
  84. Norman, Larry (1980). "New Music Interview 1980 Part 2".
  85. Archived October 6, 2014, at the Wayback Machine.
  86. 1 2 3 "Larry Norman: The David Di Sabatino's Fallen Angel documentary". Retrieved October 5, 2014.
  87. Norman, Larry (1980). "New Music Interview 1980 Part 3".
  88. "In Another Land". Retrieved October 5, 2014.
  89. Some sources indicate the album was recorded in 1977. See "Solid Rock/Phydeaux: Music for the Minority" (1981); the original cover has "1977" written on it.
  90. Archived July 29, 2013, at the Wayback Machine.
  91. "Something New Under The Son". Retrieved October 5, 2014.
  92. 1 2 3 Archived October 8, 2014, at the Wayback Machine.
  93. "The FULL VOG Interview". Retrieved October 5, 2014.
  94. 1 2 3 Larry Norman, "A Special Solid Rock Interview", in Norman 1989, p. 10.
  95. 1 2 3 Ayers, William Ayers. "Historical Chrono-Spective." 1991 CD booklet of the European version of Stranded In Babylon.
  96. "White House Hosts Gospel Sing", Logansport Pharos-Tribune (September 10, 1979):20;
  97. "DanielAmos.com : Terry Scott Taylor : The HRS Interview Part One". Retrieved October 5, 2014.
  98. "Timeline:1978
  99. "Daniel Amos : TimeLine 1978". Danielamos.com. Retrieved October 5, 2014.
  100. "Angel tells tragic tale of Larry Norman". Canadianchristianity.com. Retrieved October 5, 2014.
  101. "Audio sample" (MP3). Weebly.com. Retrieved 26 November 2014.
  102. Randall Herbert Balmer, ed. "Larry (David) Norman". Encyclopedia of Evangelicalism. (Westminster John Knox Press, 2002):411
  103. 1 2 "Back to California : Larry Norman" (JPG). Jim Böthel's Unofficial Larry Norman Website. Retrieved 26 November 2014.
  104. "Larry Norman (part 1)". Onlyvisiting.com. Retrieved October 5, 2014.
  105. Larry Norman, "The Germans", (June 18, 2007).
  106. "The Israel Tapes". Jim Böthel's Unofficial Larry Norman Website. Retrieved February 5, 2014.
  107. "Larry Norman UK". Larry Norman UK. Retrieved March 12, 2011.
  108. "Larry Norman And His Friends On Tour". Jim Böthel's Unofficial Larry Norman Website. Retrieved October 5, 2014.
  109. "The Story Of The Tune". Jim Böthel's Unofficial Larry Norman Website. Retrieved October 5, 2014.
  110. "The Story Of The Tune: Cover". Onlyvisiting.com. Retrieved October 5, 2014.
  111. "Come As A Child". Jim Böthel's Unofficial Larry Norman Website. Retrieved October 5, 2014.
  112. "Stop This Flight". Jim Böthel's Unofficial Larry Norman Website. Retrieved October 5, 2014.
  113. "Quiet Night". Jim Böthel's Unofficial Larry Norman Website. Retrieved October 5, 2014.
  114. 1 2 Linear Notes, White Blossoms From Black Roots (1997).
  115. "Solid Rock News". Larrynorman.com. Retrieved October 5, 2014.
  116. "White Blossoms From Black Roots". Jim Böthel's Unofficial Larry Norman Website. Retrieved October 5, 2014.
  117. Moira McCormack, "Benson Records: Economy and Specialization Fuel Strong Return to Major Label Status", Billboard (October 11, 1986):G-10.
  118. Norman 1989, p. 20.
  119. Matthew Dickerson, "Home At Last", in Norman 1989, p. 16.
  120. Norman, Larry (1993). "Cross Rhythms Interview 1993". Cross Rhythms.
  121. 1 2 "Christian Artists' Conference, Estes Park, 1989", in Larry Norman, Blue Book, 15.
  122. History | River Church. Riverchurch.publishpath.com (September 10, 2008). Retrieved August 13, 2010.
  123. "Stranded In Babylon". Jim Böthel's Unofficial Larry Norman Website. Retrieved October 5, 2014.
  124. "Review: Stranded In Babylon - Larry Norman - Cross Rhythms". Crossrhythms.co.uk. Retrieved October 5, 2014.
  125. Archived July 28, 2013, at the Wayback Machine.
  126. "Larry Norman UK - Shopping Mall". Larrynorman.uk.com. Retrieved October 5, 2014.
  127. "Larry Norman Tourniquet pre-release review copy album front and back". The Albino Brothers. Retrieved June 7, 2011.
  128. "Tourniquet". Jim Böthel's Unofficial Larry Norman Website. Retrieved October 5, 2014.
  129. 1 2 "Phydeaux News 1". Onlyvisiting.com. Retrieved October 5, 2014.
  130. "Review: Agitator: The Essential - Larry Norman - Cross Rhythms". Crossrhythms.co.uk. Retrieved October 5, 2014.
  131. Larry Norman, "Why Should the Devil Have All the Good Music?", Linear Notes, Rebel Poet, Jukebox Balladeer: The Anthology (September 2007).
  132. Hagestadt, André Archived October 6, 2014, at the Wayback Machine.
  133. Larry Norman, quoted in Marlene D. LeFever, Creative Teaching Methods (David C. Cook, 1996):21.
  134. 1 2 3 Norman, Larry. "Strait Interview 1984".
  135. Archived July 30, 2013, at the Wayback Machine.
  136. "Christian Music, Christ, Community - CCMMagazine.com". Ccmmagazine.com. Retrieved October 5, 2014.
  137. "Paul Colman". Paulcolman.com. Retrieved October 5, 2014.
  138. "CAMPONTHIS: LARRY NORMAN HOME WITH THE LORD..."for me to live is Christ and die is gain"". Stevenjcamp.blogspot.com. Retrieved October 5, 2014.
  139. "Bananas with Larry Norman - conversantlife.com". Conversantlife.com. Retrieved October 5, 2014.
  140. Tori Taff, 100 Greatest Songs of Christian Music: The Stories Behind the Music That Changed Our Lives Forever, (Integrity Publishers, 2006):#75.
  141. "Larry Norman (1947–2008)", Billboard (March 8, 2008):8.
  142. Mark Salomon, Simplicity (Relevant Media Group, 2005):42–43.
  143. "Larry Norman and Steve Scott - Larry Norman". Larrynorman.activeboard.com. Retrieved October 5, 2014.
  144. Frank 2006, p. 83-84.
  145. Frank 2006, p. 84.
  146. Frank 2006, p. 99-100.
  147. Larry Norman: The Gospel Music Hall of Fame Biography, reproduced by KNET radio.
  148. Marc Eliot and Mike Appel, Down Thunder Road: The Making of Bruce Springsteen (Simon & Schuster, 1993):101.
  149. "Jesus and Larry and Me". Wittenburgdoor.com. Retrieved October 5, 2014.
  150. "Elvis, Albertina and Larry Among Chosen People In Gospel Music Hall of Fame". BMI.com. Retrieved November 26, 2014.
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References

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