The Adventures of Priscilla, Queen of the Desert

For the stage musical of the same name, see Priscilla, Queen of the Desert (musical). For the upcoming Werner Herzog film, see Queen of the Desert (film).
The Adventures of Priscilla, Queen of the Desert

Theatrical release poster
Directed by Stephan Elliott
Produced by
  • Al Clark
  • Michael Hamlyn
Written by Stephan Elliott
Starring
Music by Guy Gross
Cinematography Brian J. Breheny
Edited by Sue Blainey
Production
companies
Distributed by Gramercy Pictures
Release dates
  • 10 August 1994 (1994-08-10) (In United States)
  • 8 September 1994 (1994-09-08) (In Australia)
Running time
 103 minutes[1]
Country Australia
Language English
Budget A$1,884,200
(US$2 million)
Box office $29.7 million

The Adventures of Priscilla, Queen of the Desert is a 1994 Australian comedy-drama film written and directed by Stephan Elliott. The plot follows two drag queens played by Hugo Weaving and Guy Pearce and a transgender woman, played by Terence Stamp, as they journey across the Australian Outback from Sydney to Alice Springs in a tour bus that they have named "Priscilla", along the way encountering various groups and individuals. The film's title is a pun on the fact that in English speaking cultures, "queen" is a slang term for a drag queen or female impersonator.

The film was instrumental in bringing Australian cinema to worldwide attention[2] and for its positive portrayal of LGBT individuals, helping to introduce LGBT themes to a mainstream audience.

The film received predominantly positive reviews and won an Academy Award for Best Costume Design at the 67th Academy Awards. It was screened in the Un Certain Regard section of the 1994 Cannes Film Festival[3] and became a cult classic in both Australia and abroad. Priscilla subsequently provided the basis for a musical, Priscilla Queen of the Desert, which opened in 2006 in Sydney before travelling to New Zealand, the United Kingdom, Canada, and New York City's Broadway.

Plot

Anthony "Tick" Belrose, using the drag pseudonym of Mitzi Del Bra, is a Sydney-based drag queen who accepts an offer to perform his drag act at Lasseter's Hotel Casino Resort managed by his estranged wife named Marion in Alice Springs, a remote town in central Australia. After persuading his friends and fellow performers, Bernadette Bassinger, a recently bereaved transgender woman, and Adam Whitely, a flamboyant and obnoxious younger drag queen who goes under the drag name Felicia Jollygoodfellow, to join him, the three set out for a four-week run at the casino in a large tour bus, which Adam christens "Priscilla, Queen of the Desert".

While on the long journey through remote lands bordering the Simpson Desert, they meet a variety of characters, including a group of friendly Aboriginal Australians for whom they perform, the less accepting attitudes of rural Australia in such towns as Coober Pedy, and are subjected to homophobic abuse, violence, including having their tour bus vandalized with the words "AIDS fuckers go home".

When the tour bus breaks down in the middle of the desert, Adam spends the whole day repainting it lavender to cover up the vandalism. The trio later meet Bob, a middle-aged mechanic from a small outback town who joins them on their journey. Before they arrive at Alice Springs, Tick reveals that Marion is actually his wife, as they never divorced, and that they are actually going there as a favour to her. Continuing their journey, Adam is almost mutilated by a homophobic gang before he is saved by Bob and Bernadette. Adam is shaken and Bernadette comforts him, allowing them to reach an understanding. Likewise, the others come to terms with the secret of Tick's marriage and resolve their differences. Together, they fulfil a long-held dream of Adam's, which, in the original plan, is to climb Uluru in full drag regalia ("A cock in a frock on a rock"), although the location was changed to King's Canyon in the film (see below).

Upon arrival at the hotel, it is revealed that Tick and Marion also have an eight-year-old son, Benjamin, whom Tick has not seen for many years. Tick is nervous about exposing his son to his drag profession and anxious about revealing his homosexuality, though he is surprised to discover that Benjamin already knows and is fully supportive of his father's sexuality and career. By the time their four-week stint at the resort is over, Tick and Adam head back to Sydney, taking Benjamin back with them, so that Tick can get to know his son and Marion can have a long-earned break. However, Bernadette decides to remain at the resort for a while with Bob, who has decided to work at the hotel after the two of them had become close.

Cast

Production

Development

The Adventures of Priscilla, Queen of the Desert had originally been conceived by filmmakers Stephan Elliott and Andrena Finlay, who were at the time in production of a film called Frauds. They initially tried to pitch Priscilla to various financiers at the 1991 Cannes Film Festival, but were unsuccessful,[4] and so instead took the film's concept to PolyGram and, with the backing of the Australian Film Finance Corporation, were able to begin production of the film on a relatively low budget of 2.7 million Australian dollars.

Elliott and the film's producers, Michael Hamlyn and Al Clark, the latter of whom was the husband of Finlay, all agreed to work for $50,000 each, a relatively low fee for filmmakers at the time, while the lack of funding meant that the crew agreed to receive takings of the film's eventual profits in compensation for their low salaries.[5] Due to the involvement of the Australian FFC, only one non-Australian actor was allowed to appear in the film, and Clark initially considered David Bowie, whom he had known back in the 1980s, and later briefly thought of John Hurt, although neither were available.[6]

Casting

In May 1993, after travelling around the Australian Outback searching for appropriate sites to film in, Priscilla's creators attended the Cannes to advertise their project, despite the fact that they had not yet confirmed any actors for the roles. Their primary choice for the role of Bernadette was Tony Curtis, who read and approved of the script, but eventually became unavailable. They then approached John Cleese, who was not interested.

For the part of Tick, they had initially wanted Rupert Everett and for Adam they wanted Jason Donovan.[7] However, at a pre-production casting meeting held at Cannes, Everett and Donovan did not get on well with one another and were found to be openly hostile toward the production staff. In light of this, it was readily agreed that they would not be suitable for the parts[8] and the search for their three leading men would resume. However, Donovan would go on to play Tick in the West End musical adaptation of the film to great acclaim.

After unsuccessfully lobbying Colin Firth to play the role, producers eventually awarded the part to Hugo Weaving. Initially considering Tim Curry for the part of Bernadette, they cast Terence Stamp, who was initially anxious about the role because it was unlike anything that he had performed previously, although he eventually came on board with the concept.[9] Stamp himself suggested Bill Hunter for the role of Bob, who accepted the role without even reading the script or being told anything about the greater concept of the film other than the basic character description, while Australian soap-opera star Guy Pearce was hired at the eleventh hour direct from the Australian soap opera Neighbours to portray the sassy but sprite Adam.[10]

Filming

It is striking what an effect the disguise of drag is having on [the actors'] personalities. It makes Guy [Pearce] flirtatious, combative and loud. It makes Terence [Stamp] withdrawn and watchful ("Hello sailor," he greets me warily with his back to the wall, looking like a fallen woman in a '50s melodrama.) It makes Hugo extraordinarily trashy.

Al Clark[11]

Many scenes, including one where Bernadette encounters a butch, bigoted, Australian woman named Shirley, were filmed at the Outback town of Broken Hill in New South Wales, largely in a hotel known as Mario's Palace, also small scenes filmed in the All Nations Hotel, which Al Clark believed was "drag queen heaven".[12] They also decided to film at Coober Pedy, a rough-and-tumble mining town in Central Australia featured prominently in the film.[13]

Initially, they tried to get permission to film upon the geological formation formerly known as Ayers Rock or "the Rock" (Uluru), but this was rejected by organizations responsible for the monument, such as the Uluru Board of Management, as it would have been in violation of Indigenous Australian religious beliefs.[14] Instead, the scene was filmed in King's Canyon.[15] Dialogue from the scene was rewritten slightly to accommodate the new location.

Post-production

With filming over, the director and producers began editing the footage, repeatedly travelling to both London and to Los Angeles, which had then just been hit by the 1994 Northridge earthquake. On the advice of early viewers, the film was shortened and scenes such as Adam's flashback about his pedophilic uncle were edited down.[16]

Release

Box office

The Adventures of Priscilla, Queen of the Desert took $18,459,245 at the box office in Australia,[17] which is equivalent to $24,888,888 in 2009 dollars.

Being an Australian film, not an American-produced Hollywood blockbuster, Priscilla was released as a minor commercial product in North America and other English-speaking nations.[18]

Director Elliott noted that the audiences viewing the film in Australia, the United States, and France all reacted to it differently, going on to state that "At a screening we had for an Australian audience, they laughed at all the Aussieisms. The Americans laughed too, but at different jokes. There is a line where Tick says, 'Bernadette has left her cake out in the rain...' [The French audience] didn't get it, whereas the Americans laughed for ten minutes."[19] Tom O'Regan, a scholar of film studies, remarked that the film actually carried different meanings for members of different nationalities and subcultural groups, with LGBT Americans believing that the film was "the big one that will bring gay lifestyles into the mainstream", while Australians tended to "embrace it as just another successful Australian film".[20]

Critical reaction

On film review website Rotten Tomatoes, Priscilla has a 93% "fresh" rating based on 30 reviews, with an average rating of 7.1/10; the consensus states: "While its premise is ripe for comedy — and it certainly delivers its fair share of laughs —, Priscilla is also a surprisingly tender and thoughtful road movie with some outstanding performances."[21] Metacritic reports a 68 out of 100 rating, based on 19 critics, indicating "generally favorable reviews".[22]

American film critic Roger Ebert of the Chicago Sun-Times felt that Bernadette was the key part of the film, stating that "the real subject of the movie is not homosexuality, not drag queens, not showbiz, but simply the life of a middle-aged person trapped in a job that has become tiresome."[23] Janet Maslin from The New York Times wrote "The Adventures of Priscilla Queen of the Desert presents a defiant culture clash in generous, warmly entertaining ways."[24] Peter Travers of Rolling Stone commented "In this roaringly comic and powerfully affecting road movie, Terence Stamp gives one of the year’s best performances."[24] Kenneth Turan from the Los Angeles Times wrote "The comic pizazz and bawdy dazzle of this film’s vision of gaudy drag performers trekking across the Australian outback certainly has a boisterous, addictive way about it."[24]

Accolades

Award Category Subject Result
AACTA Award
(1994 AFI Awards)		 Best Film Al Clark Nominated
Michael Hamlyn Nominated
Best Direction Stephan Elliott Nominated
Best Original Screenplay Nominated
Best Actor Terence Stamp Nominated
Hugo Weaving Nominated
Best Cinematography Brian J. Breheny Nominated
Best Original Music Score Guy Gross Nominated
Best Production Design Owen Paterson Won
Best Costume Design Tim Chappel, Lizzy Gardiner Won
Academy Award Best Costume Design Won
BAFTA Awards Best Costume Design Won
Best Original Screenplay Stephan Elliott Nominated
Best Actor Terence Stamp Nominated
Best Production Design Colin Gibson Nominated
Owen Paterson Nominated
Best Makeup and Hair Angela Conte Won
Cassie Hanlon Won
Strykermeyer Won
Best Cinematography Brian J. Breheny Nominated
Chlotrudis Awards Best Movie Won
Best Supporting Actor Terence Stamp Nominated
GLAAD Media Award Outstanding Film – Wide Release Won
Outfest Audience Award for Outstanding Narrative Feature Stephan Elliott Won
Seattle International Film Festival Golden Space Needle Award for Best Film Won
Golden Space Needle Award for Best Actor Terence Stamp Won
Writers Guild of America Best Original Screenplay Stephan Elliott Nominated

The film was ranked at #7 on Logo's 50 Greatest Films with an LGBT theme,[25] and #10 on AfterElton's Fifty Greatest Gay Movies list.[26]

Cultural impact and legacy

A drag queen homage to the film's costumes on Fire Island Pines.

Priscilla, along with other contemporary Australian films Young Einstein (1988), Sweetie (1989), Strictly Ballroom (1992), and Muriel's Wedding (1994), provided Australian cinema with a reputation for "quirkiness", "eccentricity" and "individuality" across the world.[2] Both Priscilla and Muriel's Wedding (which had also featured a soundtrack containing ABBA songs) in particular became cult classics, not only in their native Australia, but also in the United Kingdom, where a wave of Australian influences, such as the soap operas Neighbours and Home and Away, had made their mark in the late 1980s and early 1990s.[27]

In 1995, an American film, To Wong Foo, Thanks for Everything! Julie Newmar, was released, featuring three drag queens who travel across the United States. According to Al Clark, the creators of Priscilla heard about the film while shooting theirs, and "for a moment [were] troubled" until they read the script of To Wong Foo, when they decided that it was sufficiently different from Priscilla to not be a commercial and critical threat.[28] To Wong Foo proved to be critically far less successful than Priscilla, only gaining a 41% fresh score on Rotten Tomatoes.[29] Financially however, To Wong Foo, Thanks for Everything! Julie Newmar did better at the box office making 3 times as much in the U.S. with over 36 million dollars. [30]

During the Closing Ceremony of the 2000 Summer Olympics in Sydney, Priscilla was part of a parade of images of Australian popular culture. A refurbished and decorated 1980 Ford Denning (resembling bus used in the film) featuring a giant steel stiletto heel which extended from and retracted into the roof—inspired by some of the scenes from the film—was paraded around the Olympic Stadium. The bus was also accompanied by several stiletto heels tricycle floats and drag queens donning big wigs as a tribute to the film's international success and the local Sydney gay community.[31][32] The music video for Iggy Azalea's 2013 single "Work" paid homage to scenes from the film.[33]

Racism and sexism controversy

The film has come under criticism for alleged racist and sexist elements, particularly in the portrayal of the Filipina character, Cynthia. Melba Margison of the Centre for Filipino Concerns stated that Cynthia was portrayed as "a gold-digger, a prostitute, an entertainer whose expertise is popping out ping-pong balls from her sex-organ, a manic depressive, loud and vulgar. The worst stereotype of the Filipina." She argued that, by portraying Cynthia in this manner, the filmmakers were "violently kill[ing]" the dignity of Filipina women, something that she feared would lead to "more violence against us".[34] An editor writing in The Age echoed these concerns, highlighting that "It is perhaps a pity that a film with a message of tolerance and acceptance for homosexuals should feel the need of what looks very much to us like a racist and sexist stereotype."[34] Similarly, in his study of bisexuality in cinema, Wayne M. Bryant argued that while it was "an excellent film", The Adventures of Priscilla was marred by "instances of gratuitous sexism".[35]

Producer Clark defended the film against these accusations, arguing that while Cynthia was a stereotype, it was not the purpose of filmmakers to avoid the portrayal of "vulnerable characters" from specific minority backgrounds. He stated that she was "a misfit like the three protagonists are, and just about everybody else in the film is, and her presence is no more a statement about Filipino women than having three drag queens is a statement about Australian men."[34] Tom O'Regan noted that as a result of this controversy, the film gained "an ambiguous reputation."[36]

Soundtrack

The film featured a soundtrack made up of pre-existing "camp classics" (pop music songs that have a particular fanbase in the LGBT community). The original plan by the film's creators was to have a Kylie Minogue song in the finale, although it was later decided that an ABBA song would be more appropriate because its "tacky qualities" were "more timeless".[37] The film itself featured four main songs, which were performed by two or more of the drag queens as a part of their show within the film; "I've Never Been to Me" by Charlene, "I Will Survive" by Gloria Gaynor, "Finally" by CeCe Peniston, and "Mamma Mia" by ABBA. On 23 August 1994, Fontana Island released the soundtrack on CD.

Home media

On 14 November 1995, the film was released on VHS. On 7 October 1997, it was released on DVD with a collectible trivia booklet.

In 2004, a 10th Anniversary Collector's Edition was released on DVD in Australia with the following special features: a feature-length audio commentary with writer/director Stephan Elliott, three deleted scenes, two featurettes: "Behind the Bus: Priscilla with Her Pants Down" and "Ladies Please", cast and crew biographies, the original Australian theatrical trailer, US theatrical and teaser trailers, and a number of hidden features

In 2006, it was re-released on DVD in Australia with the following special features: a feature-length audio commentary with writer/director Elliott, "Birth of a Queen" (featurette), deleted scenes, tidbits from the Set, "The Bus from Blooperville" – Gag reel documentary, a photo gallery, and US theatrical and teaser trailers.

On 5 June 2007, it was re-released in the US as the "Extra Frills Edition" DVD. This edition includes the same special features as the Australian 2006 re-release. On 7 June 2011, it was released for US Blu-ray.

See also

References

  1. ↑ "THE ADVENTURES OF PRISCILLA QUEEN OF THE DESERT (15)". British Board of Film Classification. 9 August 1994. Retrieved 7 September 2014.
  2. 1 2 O'Regan 1996. p. 49.
  3. ↑ "The Adventures of Priscilla, Queen of the Desert". Festival de Cannes. Retrieved 31 August 2009.
  4. ↑ Clark 1994. pp. 05–06.
  5. ↑ Clark 1994. pp. 06–07 and 10.
  6. ↑ Clark 1994. pp. 14–16.
  7. ↑ Clark 1994. pp. 38–41.
  8. ↑ Clark 1994 pp. 52–55.
  9. ↑ Clark 1994. pp. 58–64.
  10. ↑ Clark 1994. pp. 64–65.
  11. ↑ Clark 1994. pp. 73–74.
  12. ↑ Clark 1994. pp. 24–25.
  13. ↑ Clark 1994. p. 31.
  14. ↑ Clark 1994. pp. 13–14.
  15. ↑ Clark 1994. pp. 69–70.
  16. ↑ Clark 1994. pp. 110–111.
  17. ↑ "Australian Films at the Australian Box Office" (PDF). Film Victoria. Retrieved 30 June 2011.
  18. ↑ O'Regan 1996. p. 88.
  19. ↑ Epstein 1994. p. 06.
  20. ↑ O'Regan 1996. p. 55.
  21. ↑ "The Adventures of Priscilla, Queen of the Desert". Rotten Tomatoes. Retrieved 30 June 2011.
  22. ↑ "The Adventures of Priscilla, Queen of the Desert reviews". Metacritic. CBS Interactive. Retrieved 14 November 2015.
  23. ↑ Ebert, Roger (26 August 1994). "The Adventures of Priscilla, Queen of the Desert". Chicago Sun-Times (129). Retrieved 4 May 2011.
  24. 1 2 3 Alexander Ryll (2014). "Essential Gay Themed Films To Watch, The Adventures of Priscilla Queen of the Desert". Gay Essential. Retrieved 22 December 2014.
  25. ↑ Hernandez, Greg (11 August 2006). "Logo List: 50 Greatest LGBT Films". Out in Hollywood (Los Angeles Newspaper Group). Retrieved 30 June 2011.
  26. ↑ Staff (7 September 2008). "The Fifty Greatest Gay Movies!". AfterElton.com. Retrieved 30 June 2011.
  27. ↑ Alwyn 2010. p. 332–333.
  28. ↑ Clark 1994. p. 88.
  29. ↑ "To Wong Foo, Thanks for Everything! Julie Newmar". Rotten Tomatoes. Retrieved 30 June 2011.
  30. ↑ http://www.boxofficemojo.com/movies/?id=towongfoo.htm
  31. ↑ "Shoe bike from Sydney Olympic Games closing ceremony". Powerhouse Museum Collection. Retrieved 30 June 2011.
  32. ↑ "Colin Dent collection". Canberra: National Museum of Australia. Retrieved 8 June 2011.
  33. ↑ Alexis, Nedeska (March 14, 2013). "Iggy Azalea's 'Work' Video Inspired By Outkast". MTV News. Retrieved May 8, 2014.
  34. 1 2 3 Cafarella, The Age, 7 October 1994.
  35. ↑ Bryant 1997. p. 108.
  36. ↑ O'Regan 1996. p. 142.
  37. ↑ Clark 1994. p. 34.
Bibliography
  • Brophy, Philip (2008). Australian Screen Classics: The Adventures of Priscilla, Queen of the Desert. Currency Press. ISBN 978-0-86819-821-7. 
  • Bryant, Wayne M. (1997). Bisexual Characters in Film: From Anaïs to Zee. Binghampton, New York: The Haworth Press. ISBN 978-0-7890-0142-9. 
  • Clark, Al (1994). Making Priscilla. New York and London: Penguin. ISBN 978-0-452-27484-6. 
  • Epstein, Jan (October 1994). "Stephan Elliott". Cinema Papers (101): 04–10. ISSN 0311-3639. 
  • Miller, Helen (1998). "Race, Nationality and Gender in The Adventures of Priscilla: Queen of the Desert". In Asia Pacific Research Group. Gender in Asia: Gender, Culture and Society in the Asia Pacific Subgroup. Rockhampton, Queensland: Central Queensland University. ISBN 978-1-875902-84-2. 
  • O'Regan, Tom (1996). Australian National Cinema. London: Routledge. ISBN 978-0-415-05730-1. 
  • Riggs, Damien W. (2006). Priscilla, (White) Queen of the Desert: Queer Rights/Race Privilege. New York: Peter Lang. ISBN 978-0-8204-8658-1. 
  • Turner, Alwyn W. (2010). Rejoice! Rejoice! Britain in the 1980s. London: Aurum Press. ISBN 978-1-84513-525-6. 
Further reading
  • Padva, Gilad (2000). "Priscilla Fights Back: The Politicization of Camp Subculture". Journal of Communication Inquiry (Thousand Oaks, California: Sage Publications) 24 (2): 216–243. doi:10.1177/0196859900024002007. ISSN 1552-4612. 

External links

  1. REDIRECTTemplate:Metacritic film
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