SÅrin
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The sÅrin (相輪 lit. alternate rings) is the vertical shaft (finial) which tops a Japanese pagoda, whether made of stone or wood.[1][note 1] The sÅrin of a wooden pagoda is usually made of bronze and can be over 10 meters tall.[2] That of a stone pagoda is also of stone and less than a meter long. The sÅrin is divided in several sections possessing a symbolic meaning and, as a whole, in turn itself represents a pagoda.[3]
Although quintessentially Buddhist, in Japan pagodas and their sÅrin can be found both at Buddhist temples and Shinto shrines. This is because until the Kami and Buddhas Separation Act of 1868 a Shinto shrine was normally also a Buddhist temple and vice versa. Itsukushima Shrine for example has one.[4]
Support system
The sÅrin is supported by a long shaft, often obtained by joining two or even three shorter ones, that runs to the base of the edifice. Although it is often believed that the pillar at the core of a Japanese pagoda is a device to strengthen it against earthquakes, its sole purpose is to support the long and heavy bronze sÅrin.[5] In many cases the central shaft doesn't reach the ground, but has its base somewhere above it within the pagoda, where it is supported by beam or other means. At NikkÅ TÅshÅgÅ« (1818), for example, it is suspended with chains from the fourth floor. From its base exits a long tenon which, penetrating a mortise in a base stone (心礎 shinso), prevents it from oscillating. This structure was adopted not as a measure against earthquakes but because, with aging, the wood of the pagoda, whose grain is mostly horizontal, tends to shrink more than that of the vertical shaft, causing the opening of a gap between the two at the roof.[5] From the gap rain would enter, causing rot.
In other cases, this was done to allow the opening of a room at the ground floor and therefore create some usable space. (Early wooden pagodas had no usable space.)[6]
Structure
Wooden pagodas
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The sÅrin of a wooden pagoda is usually made of bronze and is divided in several segments called (from top to bottom):
- The Jewel or gem (å®ç hÅju or hÅshu), a spherical or tear-shaped object, shapes sacred to Buddhism. Believed to repel evil and fulfill wishes, it can be also found on top of pyramidal temple roofs, of stone lanterns or of tall poles. It can have flames, in which case it is called kaen hÅju (ç«ç‚Žå®ç , flaming gem).[7] Those made before the Momoyama period tend to be rounder.
- The dragon vehicle (竜車 ryÅ«sha), the piece immediately below the hÅju
- The water flame (水煙 suien, lit. "water smoke"), consisting of four decorative sheets of metal set at 90° to each other and installed over the top of the main pillar of a pagoda.[8]
- The fÅ«taku (風é¸, lit. "wind bell"), small bells attached to the edges of a sÅrin's rings or of the suien.[2]
- The nine rings (ä¹è¼ª kurin), the largest component of the sÅrin. In spite of their name, there can sometimes be only eight or even seven of them.[9]
- The ukebana (å—花・請花, lit. "receiving flower"), a circle of upturned lotus petals, usually eight in number. There can also be another circle of petals facing down.[10]
- The inverted bowl (ä¼é‰¢ fukubachi), which sits between the ukebana and the rÅban.
- The base or dew basin (露盤 roban, lit. "external bow"l), on which rests the entire finial. Because it covers the top of the roof in order to prevent leaks, it normally has as many sides as the roof itself (four, six or eight).[11]
Stone pagodas
The most important stone pagoda having a finial is the hÅkyÅintÅ. Usually made in stone and occasionally metal or wood, hÅkyÅintÅ started to be made in their present form during the Kamakura period. Like a gorintÅ, they are divided in five main sections, of which the sÅrin is the uppermost.[12] Its components are, from the top down:[13]
- HÅju
- Ukebana
- Kurin
- Ukebana
- RÅban.
The sÅrin sits on the kasa (ç¬ , umbrella) or yane (å±‹æ ¹, roof), a stepped pyramid with four wings at the corners called mimikazari (耳飾) or sumikazari (隅飾).[13]
SÅrintÅ
The sÅrintÅ (相輪橖) is a type of small pagoda consisting just of a pole and a sÅrin.
Notes
- ↑ Pagodas can be made of wood or stone, and the two types are very different. Stone pagodas like the hÅkyÅintÅ are always small compared to wooden ones (usually below three meters), and offer little or no usable space inside. For details, see the article TÅ
References
- ↑ Parent, Mary Neighbour. Japanese Architecture and Art Net Users System. Sourin, retrieved on June 7, 2011
- 1 2 "JūyŠBunkazai" (in Japanese). City of Sennan (Osaka) Web Site. Retrieved 10 June 2011.
- ↑ Hamashima, Masashi (1999). Jisha Kenchiku no KanshÅ Kiso Chishiki (in Japanese). Tokyo: ShibundÅ. p. 224.
- ↑ Hamashima, Masashi (1999). Jisha Kenchiku no KanshÅ Kiso Chishiki (in Japanese). Tokyo: ShibundÅ. p. 88.
- 1 2 Hamashima, Masashi (1999). Jisha Kenchiku no KanshÅ Kiso Chishiki (in Japanese). Tokyo: ShibundÅ. p. 79.
- ↑ Fujita Masaya, Koga ShÅ«saku, ed. (April 10, 1990). Nihon Kenchiku-shi (in Japanese) (September 30, 2008 ed.). ShÅwa-dÅ. pp. 79–81. ISBN 4-8122-9805-9.
- ↑ Parent, Mary Neighbour. Japanese Architecture and Art Net Users System. HÅju, retrieved on June 7, 2011
- ↑ Parent, Mary Neighbour. Japanese Architecture and Art Net Users System. Suien, retrieved on June 7, 2011
- ↑ Parent, Mary Neighbour. Japanese Architecture and Art Net Users System. Kurin, retrieved on June 7, 2011
- ↑ Parent, Mary Neighbour. Japanese Architecture and Art Net Users System. Ukebana, retrieved on June 8, 2011
- ↑ Parent, Mary Neighbour. Japanese Architecture and Art Net Users System. Roban, retrieved on June 8, 2011
- ↑ Parent, Mary Neighbour. Japanese Architecture and Art Net Users System. Houkyouintou, retrieved on June 10, 2011
- 1 2 ShinkÅ no Katachi - HÅkyÅintÅ, Yatsushiro Municipal Museum, accessed on June 10, 2011 (Japanese)
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