Androgyny

For other uses, see Androgyny (disambiguation).

Androgyny is the combination of masculine and feminine characteristics. Gender ambiguity may be found in fashion, gender identity, sexual identity, or sexual lifestyle. It can also refer to one's singing or speaking voice.[1]

Etymology

Androgyny as a noun came into use c.1850, nominalizing the adjective androgynous. The adjective use dates from the early 17th century and is itself derived from the older French (14th Century) and English (c.1550) term androgyne. The terms are ultimately derived from Ancient Greek: ἀνδρόγυνος, from ἀνήρ, stem ἀνδρ- (anér, andr-, meaning man) and γυνή (gunē, gyné, meaning woman) through the Latin: androgynus, [2] The older word form androgyne is still in use as noun with an overlapping set of meanings.

History

Androgyny among humans – physical, psychological, and cultural – are attested to from earliest history and across world cultures. The ancient Greek myth of Hermaphroditus and Salmacis, two divinities who fused into a single immortal – provided a frame of reference used in Western culture for centuries.

Androgyny and homosexuality are seen in Plato’s Symposium in a myth that Aristophanes tells the audience.[3] People used to be spherical creatures, with two bodies attached back to back who cartwheeled around. There were three sexes: the male-male people who descended from the sun, the female-female people who descended from the earth, and the male-female people who came from the moon. This last pairing represented the androgynous couple. These sphere people tried to take over the gods and failed. Zeus then decided to cut them in half and had Apollo stitch them back together leaving the navel as a reminder to not defy the gods again. If they did, he would cleave them in two again to hop around on one leg. Plato states in this work that homosexuality is not shameful. This is one of the earlier written references to androgyny. Other early references to androgyny include astronomy, where androgyn was a name given to planets that were sometimes warm and sometimes cold.[4]

Philosophers such as Philo of Alexandria and early Christian leaders such as Origen, Gregory of Nyssa, continued to promote the idea of androgyny as human’s original and perfect state during late antiquity.”[5] In medieval Europe, the concept of androgyny played an important role in both Christian theological debate and Alchemical theory. Influential Theologians such as John of Damascus and John Scottus Eriugena continued to promote the pre-fall androgyny proposed by the early church fathers, while other clergy expounded and debated the proper view and treatment of contemporary “hermaphrodites.”[6]

Western Esotericism’s embrace of androgyny continued into the modern period. A 1550 anthology of Alchemical thought De Alchemia included the influential Rosary of the Philosophers, which depicts the sacred marriage of the masculine principle (Sol) with the feminine principle (Luna) producing the “Divine Androgyne,” a representation of Alchemical Hermetic beliefs in dualism, transformation, and the transcendental perfection of the union of opposites. [7] The symbolism and meaning of androgyny was a central preoccupation of the German mystic Jakob Böhme and the Swedish philosopher Emanuel Swedenborg. The philosophical concept of the “Universal Androgyne” (or “Universal Hermaphrodite”) – a perfect merging of the sexes that predated the current corrupted world and/or was the utopia of the next – also played a central rile in Rosicrucian doctrine[8] and in philosophical traditions such as Swedenborgianism and Theosophy. Twentieth Century Architect Claude Fayette Bragdon expressed the concept mathematically as a magic square, using it as building block in many of his most noted buildings.[9]

Symbols and Iconography

The Caduceus

In the ancient and medieval worlds, androgyny and hermaphrodites were represented in art by the caduceus, a wand of transformative power in ancient Greco-Roman mythology. The caduceus was created by Tiresias and represents his transformation into a woman by Juno in punishment for striking at mating snakes. The caduceus was later carried by Hermes/Mercury and was the basis for the astronomical symbol for the planet Mercury and the botanical sign for hermaphrodite. That sign is now sometimes used for transgender people.

Another common androgyny icon in the medieval and early modern period was the Rebis, a conjoined male and female figure, often with solar and lunar motifs. Still another symbol was what is today called sun cross, which united the cross (or saltire) symbol for male with the circle for female. [10] This sign is now the astronomical symbol for the planet Earth.[11]

Mercury symbol derived from the Caduceus
A Rebis from 1617
"Rose and Cross" Androgyne symbol
Alternate "rose and cross" version

Gender identity

For humans, androgyne (/ˈændrədʒaɪn/ AN-drə-jyn) in terms of gender identity is a person who does not fit neatly into the typical masculine and feminine gender roles of their society. Androgynes may also use the term "ambigender" or "polygender" to describe themselves. Many androgynes identify as being mentally between woman and man. They may identify as "non-gender", "gender-neutral", "agender", "between genders", "genderqueer", "non-binary", "multigender", "intergendered", "pangender" or "gender fluid".[12] however these terms are slightly different in definition. A person who is androgynous may engage freely in what is seen as masculine or feminine behaviors as well as tasks. They have a balanced identity that includes the virtues of both genders and may disassociate the task with what gender it may be socially assigned to.[13] People who are androgynous disregard what traits are culturally constructed specifically for males and females within a specific society, and rather focus on what behavior is most effective within the situational circumstance.[13]

Bem Sex-Role Inventory

The Bem Sex-Role Inventory (BSRI) was constructed by the early leading proponent of androgyny, Sandra Bem (1977).[14] The BSRI is one of the most widely used gender measures. Based on an individual's responses to the items in the BSRI, they are classified as having one of four gender role orientations: masculine, feminine, androgynous, or undifferentiated. Bem understood that both masculine and feminine characteristics could be expressed by anyone and it would determine those gender role orientations.[15]

An androgynous person is a female or male who has a high degree of both feminine (expressive) and masculine (instrumental) traits. A feminine individual is ranked high on feminine (expressive) traits and ranked low on masculine (instrumental) traits. A masculine individual is ranked high on instrumental traits and ranked low on expressive traits. An undifferentiated person is low on both feminine and masculine traits.[14]

Gender and behavior

Lesbians, who do not define themselves as butch or femme, may identify with various other labels including "androgynous" or "andro" for short. A few other examples include "lipstick lesbian", "tomboy", and "tom suay", which is Thai for 'beautiful butch'. Some lesbians reject gender performativity labels altogether and resent their imposition by others. Note that androgynous and butch are often considered equivalent definitions, though less so in the butch/femme scene.

The recently coined word genderqueer is often used to refer to androgyny, but the terms "genderqueer" and "androgyny" (or "androgynous") are neither equivalent nor interchangeable. "Genderqueer" is not specific to androgynes. It does not denote gender identity and may refer to any person, cisgender or transgender, whose behavior falls outside conventional gender norms. Furthermore, "genderqueer", by virtue of its ties with queer culture, carries sociopolitical connotations that androgyny does not carry. For these reasons, some androgynes may find the label "genderqueer" inaccurate, inapplicable, or offensive. "Androgneity" is a viable alternative to "androgyny" for differentiating internal (psychological) factors from external (visual) factors.[16]

Terms such as "bisexual", "heterosexual", and homosexual have less meaning for androgynes who do not identify as men or women to begin with. Infrequently the words gynephilia and androphilia are used, and some describe themselves as androsexual. These words refer to the gender of the person someone is attracted to, but do not imply any particular gender on the part of the person who is feeling the attraction.

Louise Brooks exemplified the flapper. Flappers challenged traditional gender roles, had boyish hair cuts and androgynous figures.[17]

According to Sandra Bem, androgynous men and women are more flexible and more mentally healthy than either masculine or feminine individuals; undifferentiated individuals are less competent.[14] More recent research has debunked this idea, at least to some extent, and Bem herself has found weaknesses in her original pioneering work. Now she prefers to work with gender schema theory.

To a degree, context influences which gender role is most adaptive. In close relationships, a feminine or androgynous gender role may be more desirable because of the expressive nature of close relationships. However, a masculine or androgynous gender role may be more desirable in academic and work settings because of the demands for action and assertiveness.

One study found that masculine and androgynous individuals had higher expectations for being able to control the outcomes of their academic efforts than feminine or undifferentiated individuals.[18]

Culture

To say that a culture or relationship is androgynous is to say that it lacks rigid gender roles and that the people involved display characteristics or partake in activities traditionally associated with the other sex. The term "androgynous" is often used to refer to a person whose look or build make determining their gender difficult, but is generally not used to describe actual intersexuality, transgender or two-spirit people. Occasionally, people who do not actually define themselves as androgynes adapt their physical appearance to look androgynous. This outward androgyny has been used as a fashion statement and some of the milder forms (women wearing men's trousers/men wearing skirts, for example) are not perceived as transgender behavior.

Physical traits

A statuette of Aphroditus in the anasyromenos pose. The ancient Greeks and Romans believed the pose had apotropaic magical power.

Androgynous traits are those that either have no gender value or have some aspects generally attributed to the opposite gender. Physical androgyny. Some intersex and non-intersex people may exhibit androgynous physical traits. This is distinct from androgyny, which concerns personal and social anomalies in gender, and is also distinct from psychological androgyny, which is a matter of gender identity.[12]

Alternatives

An alternative to androgyny is gender-role transcendence: the view that individual competence should be conceptualized on a personal basis rather than on the basis of masculinity, femininity, or androgyny.[19]

In agenderism, the division of people into women and men (in the psychical sense), is considered erroneous and artificial.[20]

Contemporary trends

Jennifer Miller, bearded woman

Androgyny has been gaining more prominence in popular culture in the early 21st century.[21] Both fashion industries[22] and pop culture have accepted and even popularised the "androgynous" look, with several current pop stars being hailed as creative trendsetters.

The rise of the metrosexual in the first decade of the 2000s has also been described as a related phenomenon associated with this trend. Traditional gender stereotypes have been challenged and reset in recent years dating back to the 1960s, the hippie movement and flower power. Artists in film such as Leonardo DiCaprio sported the "skinny" look in the 1990s, a departure from traditional masculinity which resulted in a fad known as "Leo Mania."[23] This trend came long after musical superstars such as David Bowie, Boy George, Prince, and Annie Lennox challenged the norms in the 1970s and had elaborate cross gender wardrobes by the 1980s. Musical stars such as Marilyn Manson and the band Placebo have used clothing and makeup to create an androgyny culture throughout the 1990s and the first decade of the 2000s.[24] Manson even appeared genderless in the album cover for Mechanical Animals, showing breasts and no reproductive organs.

South Korean pop star G-Dragon is often noted for his androgynous looks[25][26]

One of the earliest celebrities to challenge gender stereotypes was Elvis Presley in the 1950s, whose wardrobe and use of makeup (particularly eye makeup) incited traditionalists to riot. Presley inspired extraordinary artists such as the Beatles (starting with long hair and progressing to full-fledged androgynous dress in life and on stage), the Rolling Stones (particularly Mick Jagger who strongly worked the androgyny angle) during the 1960s. Many other musicians challenged gender stereotypes such as, Jimi Hendrix who wore women's shirts, scarves, high-heeled boots, and was famously shy and soft-spoken in interviews. In the 1970s John Travolta made skintight male fashion disco de rigueur. Led Zeppelin's Robert Plant combined a somewhat effeminate physical appearance with a high pitched, flamboyant vocal range coupled with a distinctly masculine sexuality. With this new fashion, celebrities have influenced other males to have an increasing interest in traditional female interests like clothing, fashion accessories, hairstyles, manicures, spa treatments and so on.[27][28] These trends have arguably gone on to reshape fashion, clothing houses, including Top Man, and designer labels. There has been an increase in sales in relevant "androgynous" merchandise.[29][30]

While the 1990s unrolled and fashion developed an affinity for unisex clothes there was a rise of designers who favored that look, like Helmut Lang, Giorgio Armani and Pierre Cardin, the trends in fashion hit the public mainstream in the 2000s (decade) that featured men sporting different hair styles: longer hair, hairdyes, hair highlights. Men in catalogues started wearing jewellery, make up, visual kei, designer stubble. These styles have become a significant mainstream trend of the 21st century, both in the western world and in Asia.[31] Japanese and Korean cultures have featured the androgynous look as a positive attribute in society, as depicted in both K-pop, J-pop,[32] in anime and manga,[33] as well as the fashion industry.[34]

See also

References

  1. ↑ 蘇打綠 sodagreen -【The Lonely Goatherd+山頂黑狗兄】Official Music Video
  2. ↑ "Online Etymology Dictionary: androgynous". Retrieved 13 July 2013.
  3. ↑ The Symposium: and, The Phaedrus; Plato's erotic dialogues. Translated and with introduction and commentaries by William S. Cobb. Albany: State University of New York Press. 1993. ISBN 978-0-7914-1617-4.
  4. ↑ "Androgyn". University of Michigan Library. Retrieved 1 April 2015.
  5. ↑ van der Lugt, Maaike, “Sex Difference in Medieval Theology and Canon Law,” Medieval Feminist Forum (University of Iowa) vol. 46 no. 1 (2010): 101–121
  6. ↑ van der Lugt, Maaike, “Sex Difference in Medieval Theology and Canon Law,” Medieval Feminist Forum (University of Iowa) vol. 46 no. 1 (2010): 101–121
  7. ↑ Dennis William Hauck, The Complete Idiot’s Guide to Alchemy (New York: Penguin, 2008), 241
  8. ↑ William Wallace Atkinson, The Secret Doctrines of the Rosicrucians (London: L.N. Fowler & Co., 1918), 52-61.
  9. ↑ Ellis, Eugenia Victoria (June 2004). “Geomantic Mathematical (re)Creation: Magic Squares and Claude Bragdon's Theosophic Architecture”. Nexus V: Architecture and Mathematics: 79-92.
  10. ↑ William Wallace Atkinson, The Secret Doctrines of the Rosicrucians (London: L.N. Fowler & Co., 1918), 53-54.
  11. ↑ http://solarsystem.nasa.gov/galleries/solar-system-symbols|accessed February 23, 2016
  12. 1 2 "Definition of androgynous: Dictionary and Thesaurus". Retrieved 13 July 2013.
  13. 1 2 Woodhill, Brenda; Samuels, Curtis (2004). "DESIRABLE AND UNDESIRABLE ANDROGYNY: A PRESCRIPTION FOR THE TWENTY-FIRST CENTURY". Journal of Gender Studies.
  14. 1 2 3 Santrock, J. W. (2008). A Topical Approach to Life-Span Development. New York, NY: The McGraw-Hill Companies. 007760637X
  15. ↑ DeFrancisco, Victoria L. (2014). Gender in Communication. SAGE Publications. p. 11. ISBN 978-1-4522-2009-3.
  16. ↑ "Psychological Androgyny -- A Personal Take". Retrieved 13 July 2014.
  17. ↑ New world coming: the 1920s and the making of modern America. New York: Scribner, 2003, p. 253, ISBN 978-0-684-85295-9.
  18. ↑ Choi, N. (2004). Sex role group differences in specific, academic, and general self-efficacy. Journal of Psychology, 138, 149–159.
  19. ↑ Pleck, J. H. (1995). The gender-role strain paradigm. In R. F. Levant & W. S. Pollack (Ed.s), A new psychology of men. New York: Basic Books.
  20. ↑ Butler, Judith P. (1993). Bodies that Matter: On the Discursive Limits of 'Sex'. New York: Routledge. pp. 2–3. Retrieved 12 Oct 2014.
  21. ↑ "Androgyny becoming global?". uniorb.com. Archived from the original on 26 December 2010. Retrieved 17 December 2010.
  22. ↑ Wendlandt, Astrid. "Androgynous look back for spring". Reuters. Retrieved 17 December 2010.
  23. ↑ Peter Hartlaub (February 24, 2005). "The teenage fans from 'Titanic' days jump ship as Leonardo DiCaprio moves on". sfgate.com. Retrieved 17 December 2010.
  24. ↑ Cavendish, Marshall (2010). Sex and Society, Vol 1. Paul Bernabeo. p. 69.
  25. ↑ "Move over, Psy! Here comes G-Dragon style". The Independent. 2014-08-17. Retrieved 2015-04-05.
  26. ↑ "K-pop: a beginner's guide". The Guardian. 2014-03-03. Retrieved 2015-04-05.
  27. ↑ "8 Men Who Make Androgynous Work". Madame Noire. Retrieved 13 July 2013.
  28. ↑ "Fashion News: Androgynous Models". FashionTV. Retrieved 13 July 2013.
  29. ↑ Nisha Kundnani (14 November 2007). "Dressing up, the androgynous way". Hindustan Times. Retrieved 17 December 2010.
  30. ↑ Claire Belle Lewis (2009-09-10). "Girls Who Like Boys: How To Get The Androgynous Look". Whisper Magazine. Retrieved 17 December 2010.
  31. ↑ "Androgynous look catches on". The Himalayan Times. September 13–16, 2010. Retrieved 17 December 2010.
  32. ↑ "Harajuku Girls Harajuku Clothes And Harajuku Gothic fashion Secrets". Tokyo Top Guide. Retrieved 17 December 2010.
  33. ↑ "Profile of Kagerou". jpopasia.com. Retrieved 17 December 2010.
  34. ↑ Webb, Martin (13 November 2005). "Japan Fashion Week in Tokyo 2005. A stitch in time?". The Japan Times. Retrieved 17 December 2010.

External links

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