Everybody Loves You Now
| "Everybody Loves You Now" | |
|---|---|
| Single by Billy Joel | |
| from the album Cold Spring Harbor | |
| A-side | "She's Got a Way" |
| Released | 1972 |
| Format | 7" |
| Recorded | July 1971 at Record Plant Studios, Los Angeles, CA |
| Genre | Rock |
| Length | 3:00 |
| Label |
Family Productions U.S. Philips U.K. |
| Writer(s) | Billy Joel |
| Producer(s) | Artie Ripp |
"Everybody Loves You Now" is a song written by Billy Joel. It was first released on his 1971 debut album Cold Spring Harbor and was also released as a b-side to his singles "She's Got a Way" and "Tomorrow Is Today." A live version was included on the 1982 live album Songs in the Attic.
Lyrics and music
The lyrics to "Everybody Loves You Now" describe a spoiled woman who thinks she is better than everyone now that has become famous.[1][2] She now considers herself too good to return to her hometown of Cold Spring Harbor, Long Island.[1] Joel took the title for his debut album from this line of the song.[3] Despite her haughtiness, the singer desires her as does everyone else.[1] The singer warns her that even though now she can take her attention for granted, since everyone wants her, eventually they will stop caring about her and she will be lonely.[1] Joel biographer Fred Schruers describes the song as "both a rebuke and confession of tangled desire."[4]
Ken Bielen describes "Everybody Loves You Now" as a "an acoustic guitar-based shuffle."[1] Joel plays piano on the song.[1][4] Bielen describes Joel's piano playing as "upbeat" and Schruers describes him as playing "hammering, almost barrelhouse chords.[1][4]
Joel has described "Everybody Loves You Now" as a "zinger" that "balanced out" the corniness of "She's Got a Way," saying that "I can be venomous but I could also be a mush."[5]
Joel originally included "Everybody Loves You Now" on a five song demo tape that also included other songs that would appear on Cold Spring Harbor such as "She's Got a Way" and "Tomorrow Is Today" which Joel made in an unsuccessful attempt to secure his first solo recording contract with Paramount Records.[3]
Live versions
Allmusic critic Stephen Thomas Erlewine described the live version included on Songs in the Attic as hitting harder than the studio version.[6] Joel has said that at the time he had reinterpreted the song as "a macho rationale for being rejected. Her? Leave me? She must be a self-possessed bitch! Anyway, everybody didn't really love her. I just thought that they did."[4] A 16 mm black and white promotional video was made of "Everybody Loves You Now" being performed live at a small club in support of Songs in the Attic.[1][7]
Joel has often played the song live before and since. For example, he played it at the Gaslight au Go Go in 1971 and at Carnegie Hall in 1973.[8][9] He played it as the 2006 shows at Madison Square Garden and the song was included on the resulting album 12 Gardens Live.[10] This version incorporates a Hammond B-3 organ, which according to Bielen adds "soulful fullness."[1] Joel also included it in his set for the final concert at Shea Stadium in July 2008, and it was included on the resulting album Live at Shea Stadium: The Concert.[11]
Critical reception
As early as 1974, Billboard Magazine critic Jim Melanson described "Everybody Loves You Now" as one of the songs that had brought Joel to national attention.[9] Allmusic critic Stephen Thomas Erlewine described the studio version as being "bitterly cynical" and rated it as one of Joel's "finest songs."[12] Joel biographer Hank Bordowitz called it a "remarkable composition that, while not great, at least indicate[d] a rising talent."[3] Billboard Magazine's Roy Waddell similarly described it as a "chestnut" that didn't get its "proper due" until the live version was released on Songs in the Attic.[13] Music critic Mark Bego praises Joel's "keyboard dexterity" and the drumming on the song, saying that it "perfectly confronts the ironic duality of a life in show business."[2] According to Rolling Stone Album Guide critic Paul Evans, "Everybody Loves You Now" was a precursor for the sarcasm Joel would incorporate in his songs throughout his career.[14]
References
- 1 2 3 4 5 6 7 8 9 Bielen, Ken (2011). The Words and Music of Billy Joel. ABC-CLIO. pp. 21, 105, 116. ISBN 9780313380167.
- 1 2 Bego, Mark (2007). Billy Joel: The Biography. Thunder's Mouth Press. p. 58. ISBN 9781560259893.
- 1 2 3 Bordowitz, Hank (2006). Billy Joel: The Life & Times of an Angry Young Man. Billboard Books. pp. 41, 51, 53. ISBN 9780823082483.
- 1 2 3 4 Schruers, Fred (2014). Billy Joel: The Definitive Biography. Crown Archetype. pp. 80–81, 348. ISBN 9780804140201.
- ↑ Campbell, Mary; Associated Press (1981). "Billy Joel Records Early Songs". Retrieved 2016-04-11.
- ↑ Erlewine, Stephen Thomas. "Songs in the Attic". Allmusic. Retrieved 2016-04-10.
- ↑ Darling, Cary (September 19, 1981). "Music Monitor". Billboard Magazine. p. 53. Retrieved 2016-04-11.
- ↑ Glassenberg, Bob (December 4, 1971). "Talent in Action". Billboard Magazine. p. 16. Retrieved 2016-04-11.
- 1 2 Melanson, Jim (June 15, 1974). "Talent in Action". Billboard Magazine. p. 16. Retrieved 2016-04-11.
- ↑ Erlewine, Stephen Thomas. "12 Gardens Live". Allmusic. Retrieved 2010-04-11.
- ↑ Erlewine, Stephen Thomas. "Live at Shea Stadium: The Concert". Allmusic. Retrieved 2010-04-11.
- ↑ Erlewine, Stephen Thomas. "Cold Spring Harbor". Allmusic. Retrieved 2016-04-10.
- ↑ Waddell, Roy (May 9, 2009). "The Legend of Billy the Kid". Billboard Magazine. p. 32. Retrieved 2016-04-10.
- ↑ Evans, Paul (2004). Brackett, Nathan & Hoard, Christian, ed. The Rolling Stone Album Guide (4th ed.). Fireside. p. 434. ISBN 0743201698.
