Jan and Jędrzej Śniadecki Street in Bydgoszcz

Jan and Jędrzej Śniadecki Street
Bydgoszcz
Ulica Jana i Jędrzeja Śniadeckich

View of the street

Location of Śniadecki Street
Former name(s) Elisabethstraße, Dr Goebbels straße
Namesake Jan and Jędrzej Śniadecki
Owner City of Bydgoszcz
Length 800 m (2,600 ft)
Area Downtown district
Location Bydgoszcz
Wikimedia Commons has media related to Śniadecki Street in Bydgoszcz.

Śniadecki Street is one of the most important streets of downtown Bydgoszcz, with an important mercantile concentration.

Location

Śniadecki Street is oriented east-west and provides a link between Gdańska Street, Bydgoszcz in the east and Dworcowa Street in Bydgoszcz to the west. It crosses an important city plaza, Piastowski Square (Polish: Plac Piastowski).

The presence of the hotel Brda practically closes the western tip of Śniadeckich Street to traffic with a final very narrow section.

Naming

Through history, this street had the following names:[1]

Current patrons of the street are brothers Śniadecki: Jan an astronomer, and Jędrzej a doctor, biologist and chemist. They were born in Żnin and both taught at professors Stefan Batory University of Vilnius in the end of 18th century and beginning of 19th century.

History

The street in 1905

The street was defined in the mid-19th century. As a consequence of the set up in 1851, of the railway station (Polish: Bydgoszcz Główna) in the north-west of Bydgoszcz, an intensive urban development happened in order to connect this area with the historical heart of the city, Gdańska Street. It is the same process that led to the development of nearby Dworcowa Street. At that time, the street was named Elisabethstraße, along with Elisabethmarkt (now Piastkowski Plac) the plaza it crossed to the north, in honor of Elisabeth Ludovika of Bavaria, wife of the reigning the King of Prussia Frederick William IV of Prussia.

Elisabethstraße on a 1876 map






On this axis have been erected also religious edifices, such as in 1910-1913 the Church of the Sacred Heart of Jesus on Elisabethmarkt, or the Church of the Resurrection in Elisabethstraße.

The importance of this avenue slowly decreased with the growing role that took Dworcowa Street, parallel to the south, but broader and larger, which had been used since 1888 by a newly built streetcar.

Main places and buildings

Marian Rejewski Square, at crossing with Gdańska Street

2005

This small green area has been named after Marian Rejewski, a eminent mathematician born in Bromberg on August 16, 1905. In 2005, Bydgoszcz municipality unveiled a memorial by Michał Kubiak[2] in this square to celebrate the centennial of Rejewski's birth. It resembles the Alan Turing Memorial in Manchester unveiled in 2001.



Villa Aronsohn, Śniadeckich Street N°1

Registered on Kuyavian-Pomeranian Voivodeship heritage list, N°601416-Reg.A/889, June 15, 1993[3]

1866

Neo-renaissance

Lewin Louis Aronsohn was a famous banker, Jewish active member, politician and philanthropist. A recent restoration occurred in January 2016.[4]



Moritz Ephraim tenement, Śniadecki Street N°2

1905, by Fritz Weidner[5]

German historicism

The tenement has been delivered on August 25, 1905,[5] to Moritz Ephraim,[6] a rentier. The address was then Elisabethstraße 56. Architectural characteristics of the facade are very similar to his house at Gdańska Street N°34 that he realized the following year (1906).

This building housed from 1910 Pianoforte-Magazin, the show-room of Bruno Sommerfeld, an eminent piano-maker from 1905 to the start of WWII. His first workshop was at N°22, but at his climax, Sommerfeld industry was the largest factory of pianos and wholesale in Poland (1920-1939).[7]

The side house on the right, now gone, located at the crossing with Gdańska Street, was the birthplace of artist Walter Leistikow.[8]



Tenement at N°3

Registered on Kuyavian-Pomeranian Voivodeship heritage list, N°601419, Reg.A/1098/1-2, April 4, 1994[3]

1873

Eclecticism

The facade boasts consoles or pediments on top of each windows. A continuous frieze adorned the top of the elevation, running also along the slight avant-corps on the right side. The ensemble comprises also a small building on the other side of the gate.



Tenement at N°4.[9]

1891-1893, by Fritz Weidner

Eclecticism-Neo-baroque

One of the most beautifully restored house in 2009. The address at its inception was then Elisabethstraße 55.[10] In 1900, it was the property of Max Zweininger running a famous hat manufactory in Bromberg[11][12] in Focha street N°2.



Albert Jahnte tenement, Śniadecki Street N°6

1892-1893,[10] by Karl Bergner

Eclecticism-Neo-Gothic

The architectural style of the facade is pretty similar to the adjacent one at N°4. The first landlord was a merchand, Albert Jahnte. The address of the house was then Elisabethstraße 54.[10]



Tenement at N°7

1887[13]

Eclecticism-Neo-Renaissance

The elevation is rather simple with regards to architectural details: long vertical lines are contested by a long horizontal frieze at the top and simplistic pediments at windows, as weel as a slight avant-corps to highlight the gate. The first landlord was a Georg Frehntag. The address of the house was then Elisabethstraße 5.[13]



Tenement at N°8

1888[13]

Eclecticism-Neo-baroque

The frontage onto the street may seem rather limited, the house area however is more than 310 m2.[14] Wrought-iron works worth noticing are, on top of the gable and around the balcony crowning the avant-corps. The site has been vacant till 1887: the landlord was the owner of tenement at N°6, Albert Jahnte. The address of the plot was then Elisabethstraße 53.[13] Since May 18, 2014, the building houses a temple of The Church of Jesus Christ of Latter-day Saints.[15]



Karl Bergner tenement, Śniadeckich Street N°10

Registered on Kuyavian-Pomeranian Voivodeship heritage list, N°601420, Reg. A/1065, June 28, 1995[3]

1895-1897, by Karl Bergner

Eclecticism-Neo-Gothic

The architect Karl Bergner moved there after completion of the building at Elisabethstraße 52a, leaving his previous realization he was living in with his family[16] in Gdańska Street.

Elements worth noticing are the adorned gate, the ground floor loggia topped by a terrace and the majestically decored bartizan crowned by a finial.



August Freitwald tenement, Śniadecki Street N°12

1892-1893, by Karl Bergner

Eclecticism-Neo-Renaissance

August Freitwald, a master shoemaker, lived there, then Elisabethstraße 52.[17] He owned this tenement along with building on the left, now N°14 and 16.[18]

In the 1920s, the tenement was inhabited by displaced Poles that left former eastern territories as a consequence of the Peace of Riga: nobles, doctors, officers. Among them were Wiktor and Anna von Helmersen: she set up a Charity kitchen (borderland cuisine) for these refugees, changed in 1927 to Kitchen for the indigent (Polish: Kuchnia dla niezamożnej inteligencji). Premises were first located at Pomorska Street N°5, then moved to Cieszkowski Street N°17.[19]



Tenement at N°18, crossing with Pomorska Street

1893

Eclecticism-Neo-Renaissance

August Freitwald, a master shoemaker, owned this building which address was then Elisabethstraße 51[20] until 1910.[21]

The architecture reflects main features of end of 19th century Eclecticism, so present in the streets of Bydgoszcz (e.g. Dworcowa Street, Gdańska Street). One can notice a lot of motifs adorning windows, those on the first floor are topped with triangular pediments containing angel faces. Corbels are present on the second floor and at the top of the facade, supporting the roof.



Tenement at N°20,, crossing with Pomorska Street

1891[22]

Eclecticism-Neo-Renaissance

August Freitwald, a master shoemaker owned this building which address was then Elisabethstraße 49a.[22]

The architecture of N°20 mirrors somehow the one of the tenement across the street at N°18: main differences are located on the corner with a grand pediment crowning the top and a large bay window-balcony over the main entry. The topping pediment has a globe with the house completion date.



Wilhelm Wict tenement, Śniadecki Street N°22

1896[23]

Eclecticism

Wilhelm Wict, a railway official, owned this building which address was then Elisabethstraße 47a.[23] In the courtyard of this building, Bruno Sommerfeld, an eminent piano-maker till the start of WWII, opened in 1905 a locksmith's shop which soon became a shop (German: Reparaturwerkstatt) repairing keyboards . In 1910 he opened at Śniadecki Street N°2 his first show-room, and, with his growing success, he opened other locations in Bydgoszcz (Jagiellońska st. N°92 as main factory and Willi Jahne's shop at Gdańska st. N°42), as well as branch offices in Warsaw, Poznan, Katowice, Lodz and Gdansk.[7]

The facade of this building is quite different from its neighbouring, due to its specific features: three wrought-iron balconies, two horseshoe arches gable balancing the facade ensemble and a large top-round stylized portal. Few ornaments enrich the elevation, except two cartouches below first floor windows, displaying rosettes and vegetal motifs.



Tenement at N°23

Modern architecture

Almost nothing remains from the original 19th century building located at this place, Elisabethstraße 10. Apart from a tenement, there was from 1910 on a Protestant house of prayer, run by sextons (German: küster).[24] After the WWII, and till mid-1970s,[25] cinema Griffin (Polish: Gryf) filled the premises.[26] After, it was a soldier's entertainment house[27] before becoming the seat of a bank at the end of the 1970s.[28]

Tenement at N°25

1911, by Georg Baesler[29]

Eclecticism-Historicism

At the time of its erection, buidlging's address was Elisabethstraße 10.[30]

The facade boasts elements of various architectural styles: bay windows, balconies, cartouches with ornaments, steep gables on both sides and dormers. Beside this tenement, the small single-storey house with a gable roof on the right dates back from the days when construction of the district started (1880s).[29]



Carl Mauwe Tenement, Śniadecki Street 29

November 22, 1902, by Fritz Weidner[31]

Secession

The building at Elisabethstraße 13/14 was commissioned by Carl Mauwe, a photograph.[32]

The elevation displays Art Nouveau characteristics cherished by Fritz Weidner: asymmetrical composition (bay window vs balconies or dissymmetrical wings), wavy lines, decorative motifs. Worth mentionning are the portal with stylized woman figure, floral decor, a putti scenery and the wattle and daub roof top crowned with a finial.



Tenement at N°30

1889-1890, by Józef Święcicki[33]

Historicism- Forms of Northern Mannerism

William Wick, a railway official, ordered this building to Józef Święcicki in then Elisabethstraße. In 1897, ground floor space has been re-arranged to house a commercial activity.[33]

Facade architecture is noticeable by its bossages, ballusters on first level windows, which are topped by heavy corbels crowned by triangular pediments. The second floor is more simple, with decorative motifs on top of overtures, whereas third level displays ornaments. All windows are flanked with rectangular fake-columns.



Polish Catholic Church of the Resurrection, Śniadecki Street 36

1864-1892, by Józef Święcicki[33]

Historicism- Forms of Neo-Gothic

The Polish Catholic Church of the Resurrection is a temple following Old Catholic Church beliefs, gathering approximately 300 families. The church was built in 1864 as a house of prayer for New Apostolic Church: it was the first religious building constructed in what is now downtown. The designer of the building is not known. In 1892 the church was expanded with side chapels. Until 1945 it served the New Apostolic Church German-speaking religious community. In 1946 the municipal authorities allocated the temple to the Polish Catholic Church (Polish: Kościół Polskokatolicki w Rzeczypospolitej Polskiej), parish in Bydgoszcz which existed since 1925, but had no official location. In the 1950s, a modernization work has been carried out, especially to the external facade of the church, between 1978 and 1979 a renovation of interiors happened. In 1982, a new rectory has been built beside the church.

The church is oriented to the north, presenting its main elevation to Śniadeckich street. Next to typical Gothic forms[34] are also Italian architectural features: rosette windows,friezes running under cornices and a gable facade. The external decoration is balanced and unsophisticated. Interiors comprise a matroneum and a wooden ceiling. Medieval style of the temple boasts buttresses, pointed windows, an entrance portal, pinnacles and cross-ribbed vaults chancel. Noteworthy are the Tudor-type arches of the nave.[35]



Albert Voigt tenement, Śniadecki Street N°38

1893, by Józef Święcicki[36]

Historicism- Forms of Northern Mannerism

Albert Voigt, a railway clerk, ordered this building to Józef Święcicki in then Elisabethstraße 43b.[36] During WWII, this house has been used by Kazimierz Leski and Jan Szczurek-Cergowski to command the western area of Polish Home Army (Polish: Armia Krajowa). A memorial plaque has been placed on the facade in 1992.

The elevation is remarkable with its bossages, ballusters on first level windows, which are topped by heavy corbels crowned with triangular and arched pediments. The second floor is more simple, with decorative motifs and corbels on top of windows. A slight avant-corps underlines the gate and windows topping it.



Max Schmidt tenement, Śniadecki Street N°42

1882-1883, by Józef Święcicki[37]

Neo-Renaissance

The building, then at Elisabethstraße 42a, was a commission from Max Schmidt, a teacher. It is the first realization of Józef Święcicki together with his stepfather, Anton Hoffman, a master bricklayer.[38] It stands at the intersection with Henryk Sienkiewicz street.

Recently renovated, the elevation boasts neo-Renaissance forms inspired by the Italian Cinquecento: bossages and simplicity of motifs renders perfectly the symmetry of this house. In the corner giving onto both streets, a remarkable bay window on two levels, flanked at each floor by lean columns emphasizes this portion of the facade. In his next realizations, Józef Święcicki will elaborate further on his architectural style, adding more details and features, like building at Tenement at Freedom Square 1 (1896) or at Stary Port N°1/3 (1893-1905).[39]



Tenement at N°45

Registered on Kuyavian-Pomeranian Voivodeship heritage list, N°A/1658, May 23, 2014[40]

1896-1897[40]

Eclecticism

The building strikes by its original shape and its rich architectural decoration. The facade is assymmetrical, the only bay window is unbalanced, with quarter circle wrought-iron balconies flanking its left side. Both balconies have a bear cub holding a shield that stands in the corner: it is a reminder of the past activity of a metal craftwork company in the district.[41]

A elaborate frieze runs between first and second level, and two windows are topped with triangular pediments: the one on the right side is adorned with a bas-relief of bearded male head with a hat. On the top of the facade stands a sundial, neighboured by two finials. At street level, one can notice the grand portal, crowned by a mask of a beast.



Tenement at N°49

1911-1912

Art Nouveau-Modern architecture

The tenement stands in the corner with Jan Matejko Street. In Bromberg'time, address was Elisabethstraße 28.[42] In 1915, a pharmacian, Kazimir Nowicki, lived in this house.[42] The building houses today the Honorary Consul of the Federal Republic of Germany in Bydgoszcz[43]

The tenement stands out of the local urban environment with its lean and high features. Due to its late inception (1910s), the building has been erected according to late Art Nouveau canons, thus it cathes the eye among late 19th century edifices. The house architecture is underlined on the one hand by long vertical lines without any ornament (art), broken up on the first floor by horizontal bossages, and on the other hand by two massive bay windows and a modest bartizan.



Piastkowski Square

This vast piazza, used to be named Elisabethmarkt, dates back to the creation of Śniadecki Street, at the end of the 19th century. It has kept its original functions, albeit its name changed, as a marketplace. The grand building towering above the surroundings of the square is the neo-baroque Church of the Sacred Heart of Jesus, Polish: Kościół Najświętszego Serca Pana Jezusa w Bydgoszczy.



Hotel Brda

This building, though located in Dworcowa Street, closed Śniadecki Street axis by narrowing its northern tip. The hotel was opened on August 29, 1972. The site has always been a location for such activity, with previous "Heise’s Hotel" (1889), "Hotel zur Neue Stadt" (1891) or "Hotel Nowe Miasto" (1920-1922).






Panorama of frontages at N°2 (right), N°4 (center) and N°6 (left)

See also

External links

Bibliography

References

  1. Czachorowski Antoni red.: Atlas historyczny miast polskich, Tom II Kujawy. Zeszyt I Bydgoszcz, Uniwersytet Mikołaja Kopernika Toruń 1997
  2. "Around the City Centre". visitbydgoszcz. Bydgoskie Centrum Informacji. 2014. Retrieved 3 January 2016.
  3. 1 2 3 zabytek-kujawsko-pomorskie-data dostępu=28.02.2014
  4. "Dawna willa Aronsohna już w pełni blasku". Wyborcza.pl. Wyborcza Bydgoszcz. 4 January 2016. Retrieved 6 January 2016.
  5. 1 2 Poglądy artystyczne i twórczość bydgoskiego architekta Fritza Weidnera cz. I., Jastrzębska-Puzowska Iwona (1998). Pracownia Dokumentacji i Popularyzacji Zabytków Wojewódzkiego Ośrodka Kultury w Bydgoszczy, ed. Materiały do Dziejów Kultury i Sztuki Bydgoszczy i Regionu. zeszyt 3. (in Polish). pp. 44–55.
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  40. 1 2 Powiatowy Program Opieki nad Zabytkami 2013-2016
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  43. "Consulate of Germany in Bydgoszcz, Poland". EmbassyPages.com. EmbassyPages. 2016. Retrieved 10 January 2016.

Coordinates: 53°07′48″N 18°00′07″E / 53.1299°N 18.0019°E / 53.1299; 18.0019

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