Oliver & Company

Oliver & Company

Original theatrical release poster
Directed by George Scribner
Screenplay by
Story by
Based on Oliver Twist 
by Charles Dickens
Starring
Music by J.A.C. Redford
Production
company
Distributed by Buena Vista Pictures Distribution
Release dates
  • November 18, 1988 (1988-11-18)
Running time
 73 minutes
Country United States
Language English
Box office $74.2 million[1]

Oliver & Company is a 1988 American animated musical buddy comedy film produced by Walt Disney Feature Animation and released on November 18, 1988 by Walt Disney Pictures. The 27th film in the Walt Disney Animated Classics series, the film is inspired by the classic Charles Dickens novel Oliver Twist, which has been adapted many other times for the screen. In the film, Oliver is a homeless kitten who joins a gang of dogs to survive in the streets. Among other changes, the setting of the film was relocated from 19th century London to late 1980s New York City, Fagin's gang is made up of dogs (one of which is Dodger), and Sykes is a loan shark.

Oliver & Company began production around 1987 as Oliver and the Dodger. The film was re-released in the United States, Canada, and the UK on March 29, 1996. It was then released to video later that same year, and again in 2002 and 2009 on DVD. The film was released on Blu-ray Disc in 2013, commemorating its 25th Anniversary.

Plot

On Fifth Avenue, an orphaned kitten named Oliver is left abandoned after his fellow orphaned kittens are adopted by passersby. Wandering the streets by himself in search of someone to adopt him, he meets a laid-back dog named Dodger who assists him in stealing food from a hot dog vendor named Louie. Dodger then flees the scene without sharing his bounty with Oliver. Oliver follows Dodger all throughout the streets until he eventually arrives at the barge of his owner, a pickpocket named Fagin, along with his meal, to give to his friends: Tito the chihuahua, Einstein the Great Dane, Rita the Afghan Hound, and Francis the bulldog. Oliver sneaks inside, located below the docks, and is discovered by the dogs. After a moment of confusion, he is then received with a warm welcome. Fagin comes in and explains that he is running out of time to repay the money he borrowed from Sykes, a ruthless shipyard agent and loan shark. Sykes tells Fagin it must be paid in three days, or else. Sykes' dobermans, Roscoe and DeSoto, attack Oliver but he is defended by Fagin's dogs. Immediately thereafter, a depressed Fagin returns to the barge, lamenting that he only has three days to find the money. After the dogs cheer him up, he is introduced to Oliver, and, considering that they all need help, accepts him into the gang.

The next day, Fagin and his dogs, now including Oliver, hit the streets to sell some shoddy goods and perhaps steal money. Oliver and Tito attempt to sabotage a limousine but the plan fails when Oliver accidentally starts it, electrocuting Tito, and he is caught and taken home by its passenger, Jennifer "Jenny" Foxworth, and her butler, Winston. Her parents are out of town and she adopts Oliver out of loneliness. Georgette, her pompous and pampered poodle, is enraged and jealous of his presence and wants him removed from the household. Dodger and the others manage to steal him from the Foxworth family and bring him back to the barge. He explains that he was treated kindly and did not want to leave, much to the shock of Dodger who feels that he is being ungrateful, but allows him the opportunity to leave. However, Fagin arrives, concocts a plan to ransom him, and sends Jenny a ransom note. She discovers it and sets out to get him back. Meanwhile, Fagin tells Sykes of his plan, who says he is proud of him for "starting to think big".

Later, Jenny meets up with Fagin, who is surprised that the "very rich pet owner" is only a little girl. Bothered by his conscience after seeing her distraught over losing Oliver, he returns him freely. Just then, Sykes comes out of the shadows and kidnaps her, intending to ransom her and declaring Fagin's debt paid.

Dodger rallies Oliver and the other dogs to rescue Jenny from Sykes, but are confronted by Sykes, Roscoe, and DeSoto after they free her. Fagin saves them with his scooter and a chase ensues into the subway tunnels. Jenny is pushed onto the hood of Sykes's car, where she holds onto the hood ornament, and Oliver and Dodger attempt a rescue. Roscoe and DeSoto fall off the car in the struggle and land on the subway's third rail, which electrocutes them. Tito takes control of Fagin's scooter as Fagin manages to retrieve Jenny, and Tito drives it up the side of the Brooklyn Bridge as Sykes' car drives straight into the path of an oncoming train, killing him and throwing him and his car into the Hudson River. Dodger and Oliver manage to survive the collision and are reunited with Jenny and the others. Later, she celebrates her birthday with the animals, Fagin, and Winston. That same day, Winston receives a phone call from her parents in Rome saying that they will be back tomorrow. Oliver opts to stay with her but he promises to remain in contact with Dodger and the gang.

Cast and characters

Production

After the release of The Black Cauldron in 1985, Michael Eisner and Jeffrey Katzenberg invited the animators to pitch potential ideas for upcoming animated features, infamously called the "Gong Show". After Ron Clements and John Musker suggested The Little Mermaid and Treasure Island in Space, animator Pete Young suggested, "Oliver Twist with dogs". Originally intending to produce a live-action adaptation of the musical Oliver! at Paramount Pictures, Katzenberg approved the pitch.[3] Under the working title of Oliver and the Dodger,[4][5] the film was originally much darker and grittier with the film opening with Sykes's two Dobermans murdering Oliver's parents, setting the story to focus on Oliver exacting his revenge as detailed in a draft dated on March 30, 1987.[6] George Scribner and Richard Rich were announced as the directors of the project, while Pete Young was appointed as story supervisor,[7] though Rich left about six months into production, leaving Scribner as the sole director.[8] In this adaptation, Scribner turned Oliver into a naïve kitten, Dodger and the gang into dogs, and Fagin into a human, and encouraged the film to be more street smart.[6] Furthermore, Scribner borrowed a technique from Lady and the Tramp by blocking out the scenes on real streets, and then photographing them with cameras mounted eighteen inches off the ground. In this way, the animators would use the photos as templates to provide a real dog's-eye view of the action.[9] As work continued on Oliver, Roy E. Disney came up with an idea that Fagin would attempt to steal a rare panda from the city zoo. However, the writers would have problems with the idea,[4] and the panda sub-plot was eventually dropped when Scribner suggested to have Fagin hold Oliver for ransom because he was a valuable, rare Asian cat.[10][11]

For the film, Disney invested $15 million into a long-term computer system called Computer Animation Production System, otherwise known as CAPS. Unlike The Black Cauldron and The Great Mouse Detective which used computer imagery for special sequences, eleven minutes of Oliver & Company were computer-generated such as the skyscrapers, the taxi cabs, trains, Fagin's scooter-cart, and the climactic subway chase.[12] Meanwhile, the traditional animation was handled by the next generation of Disney animators, including supervising animators Glen Keane, Ruben A. Aquino, Mike Gabriel, Hendel Butoy, and Mark Henn as the "Nine Old Men" had retired in the early 1980s.[12] Throughout two and a half years of production, six supervising animators and a team of over 300 artists and technicians worked on the film.[13] Skidmore, Owings & Merrill was the database for the New York City skyline.

Casting

Because personalities are considered the greatest strength of Disney animated films, the filmmakers sought believable voices to match the movement of the animation.[12] For this film, the filmmakers cast fellow New York natives including Bette Midler for Georgette, Sheryl Lee Ralph for Rita, and Roscoe Lee Browne for Francis.[12] Comedian Cheech Marin was cast as the chihuahua Tito. Because energy proved to be the key to Tito's personality, Marin claimed "I was encouraged to ad-lib, but I'd say I just gave about 75% of the lines as they were written. The natural energy of a Chihuahua played right into that feeling. George [Scribner] was very encouraging as a director: He kept the energy level high at the recording sessions."[14] Pop singer Billy Joel was recommended for the voice of Dodger by Scribner because of his "New York street-smart, savoir-faire attitude", and auditioned for the role by telephone after being given dialogue. Additionally, Joel confirmed he did the role because it was a Disney movie, and admitted that "I had just had a little girl. It's a great way to do something that my little girl could see that she could relate to right away."[15]

Music

Oliver & Company

CD cover for the 1996 re-release of the Oliver & Company soundtrack (an alternative cover was used in the United Kingdom).
Soundtrack album by Various artists
Released 1988
Genre Pop rock, blues rock
Label Walt Disney

The soundtrack contains the instrumental score by J. A. C. Redford under the supervision of Carole Childs, while Jeffrey Katzenberg had the idea to bring in big-name singer/songwriters, each of whom would contribute a song into the film including Billy Joel, Barry Manilow, and Huey Lewis. At his suggestion of his friend David Geffen, Katzenberg brought in lyricist Howard Ashman, who composed the song "Once Upon a Time in New York City".[16] Musical composer J.A.C. Redford was brought to compose the score who had a working relationship with Disney music executive Chris Montan on the series St. Elsewhere.[17] Ashman, who, with Alan Menken, would write the songs for the next three Disney films. Billy Joel, in addition to voicing Dodger, performed the character's song in the film.

The track list below represents the 1996 re-release of the soundtrack. The original 1988 release featured the same songs, but with the instrumental cues placed in between the songs in the order in which they appeared in the film. Using the numbering system in the list below, the order the tracks on the 1988 release would be: 1, 2, 6, 7, 3, 4, 5, 8, 9, 10, and 11. The reprise of "Why Should I Worry?", performed by the entire cast, remains unreleased on CD.

Track listing
  1. "Once Upon a Time in New York City" - Huey Lewis; written by Barry Mann and Howard Ashman
  2. "Why Should I Worry?" - Billy Joel; written by Dan Hartman and Charlie Midnight
  3. "Streets of Gold" - Ruth Pointer ; written by Dean Pitchford and Tom Snow
  4. "Perfect Isn't Easy" - Bette Midler ; written by Barry Manilow, Jack Feldman, and Bruce Sussman
  5. "Good Company" - Myhanh Tran ; written by Ron Rocha and Robert Minkoff
  6. "Sykes" (score)
  7. "Bedtime Story" (score)
  8. "The Rescue" (score)
  9. "Pursuit Through the Subway" (score)
  10. "Buscando Guayaba" - Rubén Blades
  11. "End Title" (instrumental)

Release

Marketing

The film was the first Disney animated one to include real world advertised products. More than 30 company logos and brand names were shown in it, including Kodak, Dr. Scholls, Sony, Diet Coke, Tab, McDonald's, Yamaha, Ryder, and USA Today.[18] However, the filmmakers commented on ABC's The Wonderful World of Disney that this was for realism, was not paid product placement, and that it would not be New York City without advertising.[19] Instead, Katzenberg urged the marketing campaign to focus on the classic Dickens novel and the pop score,[16] and promotional tie-ins included Sears, which produced and manufactured products with themes inspired from it, and McDonald's which sold Christmas musical ornaments based on Oliver and Dodger, and small finger puppets based on the characters in a Happy Meal.[19][20] For its theatrical re-release in 1996, it was accompanied with a promotional campaign by Burger King.[21]

In the United Kingdom, the film was not distributed by Buena Vista International, but by Warner Bros.[22] Buena Vista International did however release it on home video.

Home media

Despite its financial success at the box office, the film was not released on home video despite being one of the most requested Disney ones.[23] After its theatrical re-release, it was released on VHS on September 25, 1996 for a limited time.[24] It was later released on DVD on May 14, 2002. A 20th Anniversary Edition DVD was released on February 3, 2009, and a 25th Anniversary Edition Blu-ray was released on August 6, 2013.

Reception

Box office

Opening on the same weekend as Don Bluth's The Land Before Time, which debuted at number-one grossing $7.5 million, Oliver & Company opened at fourth, grossing $4 million.[25] Nevertheless, it out-grossed The Land Before Time with domestic gross estimates of $53 million compared to $46 million of the latter.[26] Its success prompted Disney's senior vice-president of animation, Peter Schneider, to announce the company's plans to release animated features annually.[4] On March 29, 1996, Disney re-released it in direct competition with All Dogs Go to Heaven 2,[27] grossing $4.5 million in its opening weekend.[28] In its total box office lifetime, it made a total domestic gross of $74 million at the U.S. box office.[29]

Critical reception

Despite its success at the box office, the film was met with mixed reviews from critics. Rotten Tomatoes reported that 44% of critics gave the film positive reviews based on 36 reviews with an average rating of 5.4/10. Its consensus states that "it is a decidedly lesser effort in the Disney canon, with lackluster songs, stiff animation, and a thoroughly predictable plot."[30]

On the television program, Siskel & Ebert, Gene Siskel gave the film a thumbs down. Siskel stated: "When you measure this film to the company's legacy of classics, it doesn't match up" as he complained "the story is too fragmented…because Oliver’s story gets too sidetracked from the story in the film that gets convoluted, too calculated for the Bette Midler, Billy Joel crowd as well as little kids." Roger Ebert gave the film a "marginal thumbs up" as he described the film as "harmless, inoffensive".[31] Animation historian Charles Solomon wrote a favorable reviewing concluding that the film "offers virtually ideal family holiday fare. The cartoon action will delight young children, while older ones, who usually reject animation as "kid stuff," will enjoy the rock songs and hip characters, especially the brash Tito."[32] Writing for People, Peter Travers opined in his review, "Too slight to rank with such Disney groundbreakers as Pinocchio and Fantasia, the film is more on the good-fun level of The Lady and the Tramp and 101 Dalmatians. But why kick? With its captivating characters, sprightly songs and zap-happy animation, it adds up to a tip-top frolic."[33] Desson Howe of The Washington Post noted that it "retrieves some of the old Disney charm with tail-wagging energy and five catchy songs". Likewise, fellow Washington Post film critic Rita Kempley praised the songs and animation, and called it "happy adaptation of the Victorian classic."[34]

Barry Walters, reviewing for The San Francisco Examiner, panned the film "as a rather shabby transitional work, one that lacks the sophistication of today's 'toons and doesn't hold up to the Disney classics of yesteryear."[35] The staff of Halliwell's Film Guide called it "episodic" and "short on charm". "Only now and then", they added, "it provides glimpses of stylish animation".[22] The Ren & Stimpy Show creator John Kricfalusi suggested that it was derivative of Ralph Bakshi's works, and jokingly suggested its use as a form of punishment.[36] Likewise, even some of the Disney animators viewed it unfavorably considering it "another talking dog-and-cat movie".[37]

Accolades

References

  1. ↑ "Oliver & Company". Box Office Mojo. Retrieved January 5, 2012.
  2. ↑ "Oliver & Company - Washington Post". Washington Post. November 18, 1988. Retrieved 31 January 2016.
  3. ↑ Stewart 2005, pp. 93–94.
  4. 1 2 3 Beck 2005, pp. 182-83.
  5. ↑ Willistein, Paul (November 22, 1987). "Disney Gearing Up For More Animation". The Morning Call. Retrieved July 10, 2015.
  6. 1 2 Koeing 2001, p. 192.
  7. ↑ Hulett 2014, p. 90.
  8. ↑ George Scribner (February 3, 2009). Once Upon A Time In New York City: Oliver & Company's Director George Scribner!. Interview with Jérémie Noyer. Animated Views. Retrieved July 10, 2015.
  9. ↑ Strickler, Jeff (April 21, 1996). "`Oliver' gets a dog's eye view, in a Twist on the classic story" (Fee required). Star Tribune. Retrieved July 10, 2015 – via HighBeam Research.
  10. ↑ Koeing 2001, p. 193.
  11. ↑ Hulett 2014, p. 96.
  12. 1 2 3 4 Culhane, John (November 13, 1988). "'Oliver & Company' Gives Dickens A Disney Twist urban scene from an appropriate rooftop.". The New York Times. Retrieved July 8, 2015.
  13. ↑ "Disney Archives – Oliver and Company". Disney.go.com. Archived from the original on July 23, 2008. Retrieved July 10, 2015.
  14. ↑ Solomon, Charles (December 27, 1988). "Cheech Marin as Animated Tito: Check It Out". Los Angeles Times. Retrieved July 8, 2015.
  15. ↑ Willistein, Paul (November 19, 1988). "A New York State Of Voice In Animated Film Billy Joel Speaks For Dodger The Dog". TheMorning Call. Retrieved July 8, 2015.
  16. 1 2 Stewart 2005, pp. 182–83.
  17. ↑ J.A.C Redford (February 2, 2009). Once Upon A Time In New York City: Oliver & Company’s Composer J.A.C. Redford!. Interview with Jérémie Noyer. Animated Views. Retrieved July 10, 2015.
  18. ↑ Solomon, Charles (November 18, 1988). "Can You Imagine Mickey Mouse Turning 60?". Los Angeles Times. Retrieved July 10, 2015.
  19. 1 2 "The Making of Oliver & Company". The Wonderful World of Disney. ABC.
  20. ↑ Fabrikant, Geraldine (November 28, 1988). "Advertising; Marketing Movies for Children". The New York Times. Retrieved July 10, 2015.
  21. ↑ Elliot, Samuel (November 22, 1995). "Coca-Cola, Pepsico and Burger King sign on with Disney for a happy ending with 'Toy Story' tie-ins.". Retrieved July 10, 2015.
  22. 1 2 Gritten, David, ed. (2007). "Oliver and Company (*)". Halliwell's Film Guide 2008. Hammersmith, London: HarperCollins Publishers. p. 871. ISBN 0-00-726080-6.
  23. ↑ Hicks, Chris (March 29, 1996). "'Oliver' just as delightful 2nd time around". Deseret News. p. W4. Retrieved January 17, 2012.
  24. ↑ Snow, Shauna (April 24, 1996). "Arts and entertainment reports from The Times, national and international news services and the nation's press.". Retrieved July 10, 2015.
  25. ↑ Easton, Nina (November 22, 1988). "Kitten Takes On Baby Brontosaurus". Los Angeles Times. Retrieved July 10, 2015.
  26. ↑ Solomon, Charles (August 19, 1990). "The New Toon Boom". Los Angeles Times. Retrieved July 10, 2015.
  27. ↑ Bates, James; Apodaca, Patrice (June 20, 1996). "Stalking the King of Animation". Los Angeles Times. Retrieved July 10, 2015.
  28. ↑ Dutka, Elaine (April 2, 1996). "The Cash Registers Are Ringing". Los Angeles Times. Retrieved July 10, 2015.
  29. ↑ "Re-releases of Oliver & Company". Box Office Mojo. Retrieved October 25, 2008.
  30. ↑ "Oliver & Company - Rotten Tomatoes". Rotten Tomatoes. Flixster. Retrieved July 10, 2015.
  31. ↑ "The Land Before Time, Oliver and Company, Child’s Play (1988)". siskelandebert.org. Retrieved July 10, 2015.
  32. ↑ Solomon, Charles (November 18, 1988). "Dogs, Dinosaurs from Disney, Bluth : 'Oliver & Company'". Los Angeles Times. Retrieved July 10, 2015.
  33. ↑ Travers, Peter (November 21, 1988). "Picks and Pans Review: Oliver & Company". People. Retrieved July 10, 2015.
  34. ↑ Howe, Desson; Kempley, Rita (November 18, 1988). "Oliver & Company". The Washington Post. Retrieved July 10, 2015.
  35. ↑ Walters, Barry (March 30, 1996). "Bones to pick with dog movies, old and new". San Francisco Examiner. San Francisco Chronicle. Retrieved July 10, 2015.
  36. ↑ Kricfalusi, John (1994). "Mike Judge Interview". Wild Cartoon Kingdom (3). Retrieved March 20, 2009.
  37. ↑ Thomas, Bob (March 7, 1997). Disney's Art of Animation: From Mickey Mouse To Hercules. Disney Editions. p. 117. ISBN 978-0786862412.

Bibliography

  • Beck, Jerry (2005). The Animated Movie Guide. Chicago Reader Press. ISBN 1-55652-591-5. 
  • Hulett, Steve (December 4, 2014). Mouse In Transition: An Insider's Look at Disney Feature Animation. Theme Park Press. ISBN 978-1941500248. 
  • Koenig, David (January 28, 2001). Mouse Under Glass: Secrets of Disney Animation & Theme Parks. Irvine, California: Bonaventure Press. ISBN 978-0964060517. 
  • Stewart, James (2005). DisneyWar. New York: Simon and Schuster. ISBN 0-684-80993-1. 

External links

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