Sonnet 120

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The first five lines of Sonnet 120 in the 1609 Quarto
Q1 Q2 Q3 C	That you were once unkind befriends me now, And for that sorrow which I then did feel Needs must I under my transgression bow, Unless my nerves were brass or hammer’d steel. For if you were by my unkindness shaken, As I by yours, you’ve pass’d a hell of time; And I, a tyrant, have no leisure taken To weigh how once I suffer’d in your crime. O, that our night of woe might have remember’d My deepest sense, how hard true sorrow hits, And soon to you, as you to me then, tender’d The humble salve which wounded bosoms fits! But that your trespass now becomes a fee; Mine ransoms yours, and yours must ransom me.	4 8 12 14
	—William Shakespeare[1]

Sonnet 120 is one of 154 sonnets written by the English playwright and poet William Shakespeare. It's a member of the Fair Youth sequence, in which the poet expresses his love towards a young man.

Structure

Sonnet 120 is an English or Shakespearean sonnet. The English sonnet has three quatrains, followed by a final rhyming couplet. It follows the typical rhyme scheme of the form abab cdcd efef gg and is composed in iambic pentameter, a type of poetic metre based on five pairs of metrically weak/strong syllabic positions. The 4th line exemplifies a regular iambic pentameter:

×  /    ×  /      ×     /   ×   /  ×      / 
Unless my nerves were brass or hammer'd steel. (120.4)

Four lines (5, 7, 9, and 11) have a final extrametrical syllable or feminine ending, as for example:

 ×  /   ×   /    ×  / ×  /   ×     /(×) 
For if you were by my unkindness shaken, (120.5)

/ = ictus, a metrically strong syllabic position. × = nonictus. (×) = extrametrical syllable.

Interpretations

• Paul Rhys, for the 2002 compilation album, When Love Speaks (EMI Classics)

Notes

1. Pooler, C[harles] Knox, ed. (1918). The Works of Shakespeare: Sonnets. The Arden Shakespeare [1st series]. London: Methuen & Company. OCLC 4770201.

References

First edition and facsimile

• Shakespeare, William (1609). Shake-speares Sonnets: Never Before Imprinted. London: Thomas Thorpe.
• Shakespeare, William; Lee, Sidney (1905). Shakespeares Sonnets: Being a reproduction in facsimile of the first edition. Oxford: Clarendon Press. OCLC 458829162.

Variorum editions

• Alden, Raymond Macdonald (1916). The Sonnets of Shakespeare. Boston: Houghton Mifflin Company. OCLC 234756.
• Rollins, Hyder Edward (1944). A New Variorum Edition of Shakespeare: The Sonnets [2 Volumes]. Philadelphia: Lippincott. OCLC 6028485.

Modern critical editions

• Atkins, Carl D. (2007). Shakespeare's Sonnets: With Three Hundred Years of Commentary. Madison: Fairleigh Dickinson University Press. ISBN 978-0-8386-4163-7. OCLC 86090499.
• Booth, Stephen (2000) [1st ed. 1977]. Shakespeare's Sonnets (Rev. ed.). New Haven: Yale Nota Bene [Yale University Press]. ISBN 0-300-01959-9. OCLC 2968040.
• Burrow, Colin (2002). The Complete Sonnets and Poems. The Oxford Shakespeare. Oxford: Oxford University Press. ISBN 978-0192819338. OCLC 48532938.
• Duncan-Jones, Katherine (2010) [1st ed. 1997]. Shakespeare's Sonnets. The Arden Shakespeare Third Series (Rev. ed.). London: Bloomsbury. ISBN 978-1-4080-1797-5. OCLC 755065951.
• Evans, G. Blakemore (1996). The Sonnets. The New Cambridge Shakespeare. Cambridge: Cambridge University Press. ISBN 978-0521294034. OCLC 32272082.
• Kerrigan, John (1995) [1st ed. 1986]. The Sonnets ; and, A Lover's Complaint. New Penguin Shakespeare (Rev. ed.). Penguin Books. ISBN 0-14-070732-8. OCLC 15018446.
• Mowat, Barbara A.; Werstine, Paul (2006). Shakespeare's Sonnets & Poems. Folger Shakespeare Library. New York: Washington Square Press. ISBN 978-0743273282. OCLC 64594469. online text
• Orgel, Stephen (2001). The Sonnets. The Pelican Shakespeare (Rev. ed.). New York: Penguin Books. ISBN 978-0140714531. OCLC 46683809.
• Vendler, Helen (1997). The Art of Shakespeare's Sonnets. Cambridge, MA: The Belknap Press of Harvard University Press. ISBN 0-674-63712-7. OCLC 36806589.