Sonnet 150

Sonnet 150
Detail of old-spelling text.
Sonnet 150 in the 1609 Quarto

Q1



Q2



Q3



C

O, from what power hast thou this powerful might
With insufficiency my heart to sway?
To make me give the lie to my true sight,
And swear that brightness doth not grace the day?
Whence hast thou this becoming of things ill,
That in the very refuse of thy deeds
There is such strength and warrantise of skill,
That, in my mind, thy worst all best exceeds?
Who taught thee how to make me love thee more,
The more I hear and see just cause of hate?
O, though I love what others do abhor,
With others thou shouldst not abhor my state:
If thy unworthiness rais’d love in me,
More worthy I to be belov’d of thee.




4



8



12

14

—William Shakespeare[1]

Sonnet 150 is one of 154 sonnets written by the English playwright and poet William Shakespeare. It is considered a Dark Lady sonnet, as are all from 127 to 152. Nonetheless 150 is an outlier, and in some ways appears to belong more to the Fair Youth.[2]

Structure

Sonnet 150 is an English or Shakespearean sonnet. The English sonnet has three quatrains, followed by a final rhyming couplet. It follows the typical rhyme scheme of the form abab cdcd efef gg and is composed in iambic pentameter, a type of poetic metre based on five pairs of metrically weak/strong syllabic positions. The 12th line exemplifies a regular iambic pentameter:

 ×   /  ×     /    ×       /  ×  /   ×   / 
With others thou shouldst not abhor my state: (150.12)
/ = ictus, a metrically strong syllabic position. × = nonictus.

The 5th line (potentially) begins with a common metrical variant, an initial reversal; and it ends with the rightward movement of the fourth ictus (resulting in a four-position figure, × × / /, sometimes referred to as a minor ionic):

  /     ×     ×    /   × / ×   ×    /    / 
Whence hast thou this becoming of things ill, (150.5)

Lines 1, 8, and 11 also potentially have initial reversals, and line 3 has a minor ionic.

The meter demands that line 1's "power" function as one syllable, and "powerful" as two.[3]

Notes

  1. Pooler, C[harles] Knox, ed. (1918). The Works of Shakespeare: Sonnets. The Arden Shakespeare [1st series]. London: Methuen & Company. OCLC 4770201.
  2. Michael R. G. Spiller. The Development of the Sonnet: An Introduction.
  3. Booth 2000, p. 128.

References

First edition and facsimile
Variorum editions
Modern critical editions
  • Atkins, Carl D. (2007). Shakespeare's Sonnets: With Three Hundred Years of Commentary. Madison: Fairleigh Dickinson University Press. ISBN 978-0-8386-4163-7. OCLC 86090499. 
  • Booth, Stephen (2000) [1st ed. 1977]. Shakespeare's Sonnets (Rev. ed.). New Haven: Yale Nota Bene [Yale University Press]. ISBN 0-300-01959-9. OCLC 2968040. 
  • Burrow, Colin (2002). The Complete Sonnets and Poems. The Oxford Shakespeare. Oxford: Oxford University Press. ISBN 978-0192819338. OCLC 48532938. 
  • Duncan-Jones, Katherine (2010) [1st ed. 1997]. Shakespeare's Sonnets. The Arden Shakespeare Third Series (Rev. ed.). London: Bloomsbury. ISBN 978-1-4080-1797-5. OCLC 755065951. 
  • Evans, G. Blakemore (1996). The Sonnets. The New Cambridge Shakespeare. Cambridge: Cambridge University Press. ISBN 978-0521294034. OCLC 32272082. 
  • Kerrigan, John (1995) [1st ed. 1986]. The Sonnets ; and, A Lover's Complaint. New Penguin Shakespeare (Rev. ed.). Penguin Books. ISBN 0-14-070732-8. OCLC 15018446. 
  • Mowat, Barbara A.; Werstine, Paul (2006). Shakespeare's Sonnets & Poems. Folger Shakespeare Library. New York: Washington Square Press. ISBN 978-0743273282. OCLC 64594469.  online text
  • Orgel, Stephen (2001). The Sonnets. The Pelican Shakespeare (Rev. ed.). New York: Penguin Books. ISBN 978-0140714531. OCLC 46683809. 
  • Vendler, Helen (1997). The Art of Shakespeare's Sonnets. Cambridge, MA: The Belknap Press of Harvard University Press. ISBN 0-674-63712-7. OCLC 36806589. 
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