Classical Milanese orthography

The classical Milanese orthography is the orthography used for the Western Lombard language, in particular for the Milanese dialect, by the major poets and writers of this literature, such as Carlo Porta, Carlo Maria Maggi, Delio Tessa etc. It was first used in the sixteenth century by Carlo Maria Maggi; Maggi first introduced the trigram oeu, while previous authors, like Bonvesin de la Riva (thirteenth century), used Latinizing orthographies. In 1606 G.A. Biffi with his Prissian de Milan de la parnonzia milanesa began the first codification, incorporating vowel length and the use of ou to represent the sound /œ/. The classical orthography came as a compromise between the old Tuscan system and the French one; the characteristic that considerably differentiates this orthography from the effective pronunciation is the method for the distinction of long and short vowels. As of today, because it has become more archaic, it is often replaced by simpler methods that use signs ö, ü for front rounded vowels and the redoubling of vowels for long vowels. The classical orthography was regularized in the 1990s by the Circolo Filologico Milanese for modern use.

The classical Milanese orthography (as edited by Circolo Filologico Milanese) has the following conventions that differ from Italian alphabet.

General use of accents:

Pronunciation of vowels and false diphthongs:

Use of consonants:

Table of pronunciation

Sign Context IPA Notes
a (à) followed by double consonant or accented word-finally /a/ stress is indicated with grave accent
a (à) elsewhere /ɒː/ stress is indicated with grave accent
aa word-finally /ɒː/ always stressed
b always /b/ devoiced [p] word-finally
c followed by consonant or by a, o, u /k/
ci followed by a, o, u //
c followed by e, i or word-finally //
ch followed by e, i or word-finally /k/
d always /d/ devoiced [t] word-finally
e (è) followed by double consonant or accented word-finally /ɛ/ stress is indicated with grave accent
e (é) elsewhere // stress is indicated with acute accent
ee word-finally // always stressed
f always /f/
g followed by consonant or by a, o, u /ɡ/
gi followed by a, o, u //
g followed by e, i or word-finally // devoiced [] word-finally
gh followed by e, i or word-finally /ɡ/ devoiced [k] word-finally
i (ì) followed by double consonant or accented word-finally /i/ stress is indicated with grave accent
i preceded by consonant and followed by vowel /j/
i (ì) elsewhere // stress is indicated with grave accent
ii word-finally // always stressed
j when not preceded by consonant /j/
l always /l/
m followed by consonant /◌̃/
m elsewhere /m/
n when it doesn't form a vowel with the preceding vowel or word-finally when last syllable is unstressed /n/
n elsewhere /◌̃/
nn word-finally /n/
o always /u/
oo word-finally // always stressed
ò always /ɔ/ always stressed
ô always // always stressed
oeu followed by double consonant /œ/
/ø/
always stressed
oeu elsewhere /œː/
/øː/
always stressed
p always /p/
qu always followed by a vowel other than u //
r always /r/
s word-finally, followed by voiceless consonant or word-initially /s/
s intervocalic or followed by voiced consonant /z/
sci followed by a, o, u /ʃ/
sc followed by e, i or word-finally /ʃ/
s'ci followed by a, o, u /s/
s'c followed by e, i /s/
sgi followed by a, o, u /ʒ/
sg followed by e, i /ʒ/
ss between vowels /s/
t always /t/
u (ù) followed by double consonant or accented word-finally /y/ stress is indicated with grave accent
u between q or g and a vowel, or as part of a diphthong /w/ never stressed
u (ù) elsewhere // stress is indicated with grave accent
uu word-finally // always stressed
v always /v/
/ʋ/
devoiced [f] word-finally
z always /ts/
/dz/
/s/
variable; never voiced /dz/ word-finally

References

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