Old French

Old French
franceis, françois, romanz
Region	northern France, parts of Belgium (Wallonia) and Switzerland, England, Ireland, Kingdom of Sicily, Principality of Antioch, Kingdom of Cyprus
Era	evolved into Middle French by the 14th century
Language family	Indo-European Italic Romance Western Gallo-Romance Gallo-Rhaetian Oïl Old French
Language codes
ISO 639-2	fro
ISO 639-3	fro
Glottolog	oldf1239[1]

Old French (franceis, françois, romanz; Modern French ancien français) was the Gallo-Romance dialect continuum spoken from the 9th century to the 14th century. In the 14th century, these dialects came to be collectively known as the langues d'oïl, contrasting with the langue d'oc or "Occitan" language in the south of France. The mid-14th century is taken as the transitional period to Middle French, the language of the French Renaissance, specifically based on the dialect of the Île-de-France region.

The territory where Old French was spoken natively roughly extended to the historical Kingdom of France and its vassals (including parts of the Angevin Empire, which during the 12th century remained under Anglo-Norman rule), and Burgundy, Lorraine and Savoy to the east (corresponding to modern north-central France, Belgian Wallonia, western Switzerland and northwestern Italy), but the influence of Old French was much wider, as it was carried to England, Sicily and the Crusader states as the language of a feudal elite and of commerce (the term lingua franca indeed derives from the name of the French language, even though the Romance-based pidgin so identified was substantially based on Occitan and Italian).

Areal and dialectal divisions

Map of France in 1180, at the height of the feudal system. The possessions of the French king are in light blue, vassals to the French king in green, Angevin possessions in red. Shown in white is the Holy Roman Empire to the east, the western fringes of which, including Upper Burgundy and Lorraine, were also part of the Old French areal.

The areal of Old French in contemporary terms corresponded to the northern parts of the Kingdom of France (including Anjou and Normandy, which in the 12th century were ruled by the Plantagenet kings of England), Upper Burgundy and the duchy of Lorraine. The Norman dialect was also spread to England and Ireland, and during the crusades, Old French was also spoken in the Kingdom of Sicily, and in the Principality of Antioch and the Kingdom of Jerusalem in the Levant.

As part of the emerging Gallo-Romance dialect continuum, the langues d'oïl were contrasted with the langue d'oc (the emerging Occitano-Romance group, at the time also called Provençal, adjacent to the Old French areal in the south-west, and with the Gallo-Italic ("Old Italian") group to the south-east. The Franco-Provençal group developed in Upper Burgundy, sharing features with both French and Provençal; it may have begun to diverge from the langues d'oïl as early as the 9th century, and is attested as distinct variant of French from the 12th century.

Dialects or variants of Old French included:

• the Burgundian of Burgundy, then an independent duchy whose capital was at Dijon;
• the Picard language of Picardy, whose principal cities were Calais and Lille. It was said that the Picard language began at the east door of Notre-Dame de Paris, so far-reaching was its influence;
• Old Norman, spoken in Normandy, whose principal cities were Caen and Rouen. The Norman conquest of England brought many Norman-speaking aristocrats into the British Isles. Most of the older Norman (sometimes called "French") words in the English language reflect the influence of this variety of Oïl language, which became a conduit for the introduction into the Anglo-Norman realm, as did Anglo-Norman control of Anjou and Gascony and other continental possessions. The Anglo-Norman language reflected a shared culture on both sides of the English Channel.^[2] Ultimately, this language declined and fell, becoming Law French, a jargon spoken by lawyers, which was used in English law until the reign of Charles II. Norman, however, still survives in Normandy and the Channel Islands as a regional language;
• the Walloon language, centered around Namur in present-day Wallonia;
• the Gallo language of Brittany, the Romance language of the Duchy of Brittany;
• the Lorrain, the Romance language of the Duchy of Lorraine.

Distribution of the modern langues d'oïl (shades of green) and of Franco-Provençal dialects (shades of blue)

Some modern languages are derived from Old French dialects other than the Classical French based on the Île-de-France dialect. They include Angevin, Berrichon, Bourguignon-Morvandiau, Champenois, Franc-Comtois, Gallo, Lorrain, Norman, Picard, Poitevin, Saintongeais, Walloon.

History

Evolution from Vulgar Latin

Beginning with Plautus’s time (254–184 b.c.), Classical Latin’s phonological structure changed, eventually yielding Vulgar Latin, the common spoken language of the Western Roman Empire. This latter form differed strongly from its classical counterpart in phonology; it was the ancestor of the Romance languages, including Old French.^{[3][4][5][6][7]}

Non-Latin influences

Gaulish

Some Gaulish words influenced Vulgar Latin and, through this, other Romance languages. For example, classical Latin equus was uniformly replaced in Vulgar Latin by caballus ‘nag, work horse’, derived from Gaulish caballos (cf. Welsh ceffyl, Breton kefel),^[8] giving Modern French cheval, Occitan caval (chaval), Catalan cavall, Spanish caballo, Portuguese cavalo, Italian cavallo, Romanian cal, and, by extension, English cavalry. An estimated 200 words of Gaulish etymology survive in modern French, for example chêne ‘oak tree’ and charrue ‘plough’.^[9]

Despite attempts to explain some phonetic changes being caused by a Gaulish substrate, only one of them is certain, because this fact is clearly attested in the Gaulish-language epigraphy on the pottery found at la Graufesenque (A.D. 1st century). There, the Greek word paropsid-es (written in Latin) appears as paraxsid-i.^[10] The consonant clusters /ps/ and /pt/ shifted to /xs/ and /xt/, e.g. Latin capsa > *kaxsa > caisse (≠ Italian cassa) or captīvus > *kaxtivus > OF chaitif^[11] (mod. chétif; cf. Irish cacht ‘servant’; ≠ Italian cattiv-ità, Portuguese "cativo", Spanish cautivo). This phonetic evolution is parallel to the shift of the Latin cluster /kt/ in Old French (Latin factum > fait, ≠ Italian fatto, Portuguese feito, Spanish hecho; or lactem* > lait, ≠ Italian latte, Portuguese leite, Spanish leche).

Frankish

The pronunciation, vocabulary, and syntax of the Vulgar Latin spoken in Roman Gaul in Late Antiquity was modified by the Old Frankish language, spoken by the Franks who settled in Gaul from the 5th century and conquered the entire Old French-speaking area by the 530s. The name français itself is derived from the name the Franks.

The Old Frankish language had a definitive influence on the birth of Old French, which partly explains why the earliest attested Old French documents are older than the earliest attestations in other Romance languages (e.g. Strasbourg Oaths, Sequence of Saint Eulalia).^[12] It is the result of an earlier gap created between Latin and the new language, which severed the intercomprehensibility between the two. The Old Low Franconian influence is also believed to be responsible for the differences between the langue d′oïl and the langue d′oc (Occitan), being that various parts of Northern France remained bilingual between Latin and Germanic for some time,^[13] and these areas correspond precisely to where the first documents in Old French were written. This Germanic language shaped the popular Latin spoken here and gave it a very distinctive identity compared to the other future Romance languages. The very first noticeable influence is the substitution of the Latin melodic accent by a Germanic stress^[14] and its result was diphthongization, differentiation between long and short vowels, the fall of the unaccentuated syllable and of the final vowels, e.g. Latin decimus, -a ‘tenth’ > OF disme > F dîme ‘tithe’ (> E dime; Italian decima, Portuguese décima, Spanish diezmo); VL dignitate > OF deintié (> E dainty. Italian degnità, Romanian demnitate); or VL catena > OF chaeine (> E chain. Occitan, Portuguese cadeia, Spanish cadena, Italian catena). Additionally, two phonemes that had long since died out in Vulgar Latin were reintroduced: [h] and [w] (> OF g(u)-, ONF w- cf. Picard w-), e.g. VL altu > OF halt ‘high’ (influenced by OLF *hōh ; ≠ Italian, Portuguese and Spanish alto, Occitan naut) ; L vespa > F guêpe, Picard wèpe, Wallon wèsse, all ‘wasp’ (influenced by OLF *wapsa ; ≠ Occitan vèspa, Italian and Portuguese vespa, Spanish avispa) ; L viscus > F gui ‘mistletoe’ (influenced by OLF *wīhsila ‘morello’ with analogous fruits, when they are not ripe; ≠ Occitan vesc, Italian vischio) ; LL vulpiculu ‘fox kit’ (from L vulpes ‘fox’) > OF golpilz, Picard woupil ‘fox’ (influenced by OLF *wulf ‘wolf’; ≠ Occitan volpìlh, Old Italian volpiglio, Spanish vulpeja ‘vixen’). On the opposite, the Italian, Portuguese and Spanish words of Germanic origin borrowed from French or directly from Germanic retain /gw/ ~ /g/, e.g. It, Sp. guerra ‘war’). In these examples, we notice a clear consequence of bilingualism, that sometimes even changed the first syllable of the Latin words. One example of a Latin word influencing an Old Low Franconian loan is framboise ‘raspberry’, from OF frambeise, from OLF *brāmbesi ‘blackberry’ (cf. Dutch braambes, braambezie; akin to German Brombeere, English dial. bramberry) blended with LL fraga or OF fraie ‘strawberry’, which explains the replacement [b] > [f] and in turn the final -se of framboise added to OF fraie to make freise, modern fraise (≠ Wallon frève, Romanian fragă, Romansh fraja, Italian fragola, fravola ‘strawberry’).^[15][16]

Pope (1934) estimated that perhaps still 15% of the vocabulary of modern French derives from Germanic sources (while the proportion was larger in Old French, because the French language borrowed heavily from Latin and Italian).

Earliest written Old French

At the third Council of Tours in 813, priests were ordered to preach in the vernacular language (either Romance or Germanic), since the common people could no longer understand formal Latin.

The earliest documents said to be written in French – after the Reichenau and Kassel glosses (8th and 9th centuries) – are the Oaths of Strasbourg (treaties and charters into which King Charles the Bald entered in 842):

Pro Deo amur et pro Christian poblo et nostro commun salvament, d’ist di en avant, in quant Deus savir et podir me dunat, si salvarai eo cist meon fradre Karlo, et in aiudha et in cadhuna cosa...

(For the love of God and for the Christian people, and our common salvation, from this day forward, as God will give me the knowledge and the power, I will defend my brother Charles with my help in everything...)

The second-oldest document in Old French is the Eulalia sequence, which is important for linguistic reconstruction of Old French pronunciation due to its consistent spelling.

The royal House of Capet, founded by Hugh Capet in 987, inaugurated the development of northern French culture in and around Île-de-France, which slowly but firmly asserted its ascendency over the more southerly areas of Aquitaine and Tolosa (Toulouse). The Capetians' langue d'oïl, the forerunner of modern standard French, did not begin to become the common speech of all of France, however, until after the French Revolution.

Transition to Middle French

In the Late Middle Ages, the Old French dialects diverged into a number of distinct langues d'oïl, among which Middle French proper was the dialect of the Île-de-France region. During the Early Modern period, French now becomes established as the official language of the Kingdom of France throughout the realm, also including the langue d'oc-speaking territories in the south. It was only in the 17th to 18th centuries – with the development especially of popular literature of the Bibliothèque bleue – that a standardized Classical French spread throughout France alongside the regional dialects.

Literature

The material and cultural conditions in France and associated territories around the year 1100 triggered what Charles Homer Haskins termed the "Renaissance of the 12th century", resulting in a profusion of creative works in a variety of genres. Old French gives way to Middle French in the mid-14th century, paving the way for early French Renaissance literature of the 15th century.

The earliest extant French literary texts date from the ninth century, but very few texts before the 11th century have survived. The first literary works written in Old French were saints' lives. The Canticle of Saint Eulalie, written in the second half of the 9th century, is generally accepted as the first such text.

At the beginning of the 13th century, Jean Bodel, in his Chanson de Saisnes, divided medieval French narrative literature into three subject areas: the Matter of France or Matter of Charlemagne; the Matter of Rome (romances in an ancient setting); and the Matter of Britain (Arthurian romances and Breton lais). The first of these is the subject area of the chansons de geste ("songs of exploits" or "songs of (heroic) deeds"), epic poems typically composed in ten-syllable assonanced (occasionally rhymed) laisses. More than one hundred chansons de geste have survived in around three hundred manuscripts.^[17] The oldest and most celebrated of the chansons de geste is The Song of Roland (earliest version composed in the late 11th century).

Bertrand de Bar-sur-Aube in his Girart de Vienne set out a grouping of the chansons de geste into three cycles: the Geste du roi centering on Charlemagne, the Geste de Garin de Monglane (whose central character was William of Orange), and the Geste de Doon de Mayence or the "rebel vassal cycle", the most famous characters of which were Renaud de Montauban and Girart de Roussillon. A fourth grouping, not listed by Bertrand, is the Crusade cycle, dealing with the First Crusade and its immediate aftermath.

Jean Bodel's other two categories—the "Matter of Rome" and the "Matter of Britain"—concern the French romance or roman. Around a hundred verse romances survive from the period 1150–1220.^[18] From around 1200 on, the tendency was increasingly to write the romances in prose (many of the earlier verse romances were adapted into prose versions), although new verse romances continued to be written to the end of the 14th century.^[19] The most important romance of the 13th century is the Romance of the Rose which breaks considerably from the conventions of the chivalric adventure story.

Medieval French lyric poetry was indebted to the poetic and cultural traditions in Southern France and Provence—including Toulouse, Poitiers, and the Aquitaine region—where langue d'oc was spoken (Occitan language); in their turn, the Provençal poets were greatly influenced by poetic traditions from the Hispano-Arab world. The Occitan or Provençal poets were called troubadours, from the word trobar "to find, to invent". Lyric poets in Old French are called trouvères.

By the late 13th century, the poetic tradition in France had begun to develop in ways that differed significantly from the troubadour poets, both in content and in the use of certain fixed forms. The new poetic (as well as musical: some of the earliest medieval music has lyrics composed in Old French by the earliest composers known by name) tendencies are apparent in the Roman de Fauvel in 1310 and 1314, a satire on abuses in the medieval church, filled with medieval motets, lais, rondeaux and other new secular forms of poetry and music (mostly anonymous, but with several pieces by Philippe de Vitry, who would coin the expression ars nova to distinguish the new musical practice from the music of the immediately preceding age). The best-known poet and composer of ars nova secular music and chansons of the incipient Middle French period was Guillaume de Machaut.

Discussions about the origins of non-religious theater (théâtre profane) – both drama and farce—in the Middle Ages remain controversial, but the idea of a continuous popular tradition stemming from Latin comedy and tragedy to the 9th century seems unlikely. Most historians place the origin of medieval drama in the church's liturgical dialogues and "tropes". Mystery plays were eventually transferred from the monastery church to the chapter house or refectory hall and finally to the open air, and the vernacular was substituted for Latin. In the 12th century one finds the earliest extant passages in French appearing as refrains inserted into liturgical dramas in Latin, such as a Saint Nicholas (patron saint of the student clercs) play and a Saint Stephen play. An early French dramatic play is Le Jeu d'Adam (c. 1150) written in octosyllabic rhymed couplets with Latin stage directions (implying that it was written by Latin-speaking clerics for a lay public).

A large body of fables survive in Old French; these include (mostly anonymous) literature dealing with the recurring trickster character of Reynard the Fox. Marie de France was also active in this genre, producing the Ysopet (Little Aesop) series of fables in verse. Related to the fable was the more bawdy fabliau, which covered topics such as cuckolding and corrupt clergy. These fabliaux would be an important source for Chaucer and for the Renaissance short story (conte or nouvelle).

Phonology

Old French was constantly changing and evolving. However, the form in the late 12th century, as attested in a great deal of mostly poetic writings, can be considered standard. The writing system at this time was more phonetic than that used in most subsequent centuries. In particular, all written consonants (including final ones) were pronounced, except for s preceding non-stop consonants and t in et, and final e was pronounced [ə]. The phonological system can be summarised as follows:^[20]

Consonants

Old French consonants

	Labial	Dental	Palatal	Velar	Glottal
Nasal	m	n	ɲ
Plosive	p b	t d		k ɡ
Affricate		ts dz	tʃ dʒ
Fricative	f v	s z			(h)
Lateral		l	ʎ
Trill		ɲ

Notes:

• The affricates /ts/, /dz/, /tʃ/, /dʒ/ became fricatives ([s], [z], [ʃ], [ʒ]) in Middle French. /ts/ was written as c, ç, -z, as in cent, chançon, priz ("a hundred, song, price"). /dz/ was written as -z-, as in doze "twelve".
• /ʎ/ (l mouillé), as in conseil, travaillier ("advice, to work"), became /j/ in Modern French.
• /ɲ/ appeared not only in the middle of a word, but also at the end, as in poing "hand". At the end of a word, /ɲ/ was later lost, leaving a nasalized vowel.
• /h/ was found only in Germanic loanwords and was later lost. In native Latin words, /h/ was lost early on, as in om, uem, from Latin homō.
• Intervocalic /d/ from both Latin /t/ and /d/ was lenited to [ð] in the early period (cf. contemporary Spanish: amado [aˈmaðo]). At the end of words it was also devoiced to [θ]. In some texts it was sometimes written as dh or th (aiudha, cadhuna, Ludher, vithe). By 1100 it disappeared altogether.^[21]

Vowels

In Old French, the nasal vowels were not separate phonemes, but occurred as allophones of the oral vowels before a nasal consonant. This nasal consonant was fully pronounced; thus bon was pronounced [bõn] (Modern French [bɔ̃]). Nasal vowels were present even in open syllables before nasals, where Modern French has oral vowels, as in bone [bõnə] (Modern French bonne [bɔn]).

Monophthongs

Old French vowels

		Front	Central	Back
Close	oral	i   y		u
	nasal	ĩ   ỹ
Close-mid	oral	e	ə
	nasal	ẽ		õ
Open-mid		ɛ		ɔ
Open	oral	a
	nasal	ã

Notes:

• /o/ had formerly existed, but closed to /u/; it would later appear again when /aw/ monophthongized, and also when /ɔ/ closed in certain positions (e.g. when followed by original /s/ or /z/, but not by /ts/, which later became /s/).

Diphthongs and triphthongs

Late Old French diphthongs and triphthongs

	IPA	Example	Meaning
falling
Oral	/aw/	chevaus	horse
	/oj/	toit	roof
	/ow/	coup	blow, hit
	/ew/ ~ /øw/	neveu	nephew
Nasal	/ẽj/	plein	full
	/õj/	loing	far
rising
Oral	/je/	pié	foot
	/ɥi/	fruit	fruit
	/we/ ~ /wø/	cuer	heart
Nasal	/jẽ/	bien	well
	/ɥĩ/	juignet	July
	/wẽ/	cuens	count (nom. sg.)
triphthongs stress always falls on middle vowel
Oral	/e̯aw/	beaus	beautiful
	/jew/	dieu	god
	/wew/	jueu	Jew

Notes:

• In Early Old French (up to about the mid-12th century), the spelling ⟨ai⟩ represented a diphthong /aj/, instead of the later monophthong /ɛ/,^[22] and ⟨ei⟩ represented the diphthong /ej/, which became /oj/ in Late Old French.
• In Early Old French the diphthongs described above as "rising" may have been falling diphthongs (/ie̯/, /yj/, /ue̯/). In earlier works with vowel assonance, the diphthong written ⟨ie⟩ did not assonate with any pure vowels, suggesting that it cannot have simply been /je/.
• The pronunciation of the vowels written ⟨ue⟩ and ⟨eu⟩ is debated. In very early Old French, they represented (and were written as) /uo/, /ou/, and by Middle French, they had both merged as /ø ~ œ/, but it is unclear what the transitional pronunciations were.

Grammar

Nouns

Old French maintained a two-case system, with a nominative case and an oblique case, for longer than did some other Romance languages (e.g. Spanish and Italian). Case distinctions, at least in the masculine gender, were marked on both the definite article and on the noun itself. Thus, the masculine noun li voisins, "the neighbour" (Latin vicínus /wiˈkiːnus/ > Proto-Romance */veˈtsinu(s)/ > OF voisins /vojˈzĩns/; Modern French le voisin) was declined as follows:

Evolution of the nominal masculine inflection from Classical Latin to Old French

		Latin	Old French
Singular	Nominative	ille vicīnus	li voisins
	Oblique (Accusative in Latin)	illum vicīnum	le voisin
Plural	Nominative	illī vicīnī	li voisin
	Oblique (Accusative in Latin)	illōs vicīnōs	les voisins

In later Old French, these distinctions became moribund. As in most other Romance languages, it was the oblique case form that usually survived to become the modern French form: l'enfant (the child) represents the old oblique; the OF nominative was li enfes. But in some cases where there were significant differences between nominative and oblique forms, the nominative form survives, or sometimes both forms survive with different meanings:

• Both li sire (nominative, Latin sénior) and le seigneur (oblique, Latin (accusative) seniórem) survive in the vocabulary of later French as different ways to refer to a feudal lord.
• Modern French sœur "sister" is the nominative form (OF suer < Latin nominative sóror); the OF oblique form seror (< Latin accusative sorórem) no longer survives.
• Modern French prêtre "priest" is the nominative form (OF prestre < présbyter); the OF oblique form prevoire, later provoire (< presbýterem) survives only in the Paris street name Rue des Prouvaires.
• Modern French indefinite pronoun on "one" continues OF nominative om "man" (< hómo); homme "man" continues the oblique form (OF ome < hóminem).

In a few cases where the only distinction between forms was the nominative -s ending, the -s was preserved in spelling to distinguish otherwise homonymous words. An example is fils "son" (< Latin nominative filius), spelled as such to distinguish it from fil "wire". In this case, a later spelling pronunciation has resulted in the modern pronunciation /fis/ (earlier /fi/).

As in Spanish and Italian, the neuter gender was eliminated, and old neuter nouns became masculine. Some Latin neuter plurals were re-analysed as feminine singulars, though; for example, Latin gaudiu(m) was more widely used in the plural form gaudia, which was taken for a singular in Vulgar Latin, and ultimately led to modern French la joie, "joy" (feminine singular).

Nouns were declined in the following declensions:

		Class I (feminine)			Class II (masculine)
		Class I normal	Class Ia		Class II normal		Class IIa
meaning		"woman"	"thing"	"city"	"neighbor"	"servant"	"father"
sg.	nominative	la fame	la riens	la citéz	li voisins	li sergenz	li pere
	oblique		la rien	la cité	le voisin	le sergent	le pere
pl.	nominative	les fames	les riens	les citéz	li voisin	li sergent	li pere
	oblique				les voisins	les sergenz	les peres

		Class III (both)
		Class IIIa	Class IIIb	Class IIIc	Class IIId
meaning		"singer"	"baron"	"nun"	"sister"	"child"	"priest"	"lord"	"count"
sg.	nominative	li chantere	li ber	la none	la suer	li enfes	li prestre	li sire	li cuens
	oblique	le chanteor	le baron	la nonain	la seror	l'enfant	le prevoire	le seigneur	le conte
pl.	nominative	li chanteor	li baron	les nones	les serors	li enfant	li prevoire	li seigneur	li conte
	oblique	les chanteors	les barons	les nonains	les serors	les enfanz	les prevoires	les seigneurs	les contes

Class I is derived from the Latin first declension. Class Ia mostly comes from feminine third declension nouns in Latin. Class II is derived from the Latin second declension. Class IIa generally stems from second-declension nouns ending in -er and from third-declension masculine nouns; note that in both cases, the Latin nominative singular did not end in -s, and this is preserved in Old French.

Those classes show various analogical developments, like -es from the accusative instead of -Ø (-e after a consonant cluster) in Class I nominative plural (Latin -ae), li pere instead of *li peres (Latin illi patres) in Class IIa nominative plural, modelled on Class II, etc.

Class III nouns show a separate form in the nominative singular that does not occur in any of the other forms. IIIa nouns ended in -átor, -atórem in Latin, and preserve the stress shift; IIIb nouns likewise had a stress shift from -o to ónem. IIIc nouns are an Old French creation and have no clear Latin antecedent. IIId nouns represent various other types of third-declension Latin nouns with stress shift or irregular masculine singular (sóror, sorórem; ínfans, infántem; présbyter, presbýterem; sénior, seniórem; cómes, cómitem).

Regular feminine forms of masculine nouns are formed by adding an 'e' to the masculine stem, apart from when the masculine stem already ends in e. For example, bergier (shepherd) becomes bergiere (Modern French berger and bergère).

Adjectives

Adjectives agree in terms of number, gender and case with the noun they are qualifying. Thus a feminine plural noun in the nominative case requires any qualifying adjectives to be feminine, plural and in the nominative case. For example, in femes riches, riche has to be in the feminine plural form.

Adjectives can be divided into three declensional classes:^[23]

• Class I corresponding roughly to Latin 1st- and 2nd-declension adjectives
• Class II corresponding roughly to Latin 3rd-declension adjectives
• Class III containing primarily the descendants of Latin synthetic comparative forms in -ior, -iōrem.

Class I adjectives have a feminine singular form (nominative and oblique) ending in -e. This class can be further subdivided into two subclasses based on the masculine nominative singular form. Class Ia adjectives have a masculine nominative singular ending in -s:

E.g. bon "good" (< Latin bonus, > modern French bon)

	Masculine		Feminine		Neuter
	Singular	Plural	Singular	Plural	Singular
Nominative	bons	bon	bone	bones	bon
Oblique	bon	bons			—

For Class Ib adjectives, the masculine nominative singular ends in -e, like the feminine. This subclass contains descendants of Latin 2nd and 3rd declension adjectives ending in -er in the nominative singular.

E.g. aspre "harsh" (< Latin asper, > modern French âpre)

	Masculine		Feminine		Neuter
	Singular	Plural	Singular	Plural	Singular
Nominative	aspre	aspre	aspre	aspres	aspre
Oblique		aspres			—

For Class II adjectives, the feminine singular is not marked by the ending -e.

E.g. granz "big, great" (< Latin grandis, > modern French grand)

	Masculine		Feminine		Neuter
	Singular	Plural	Singular	Plural	Singular
Nominative	granz	grant	granz/grant	granz	grant
Oblique	grant	granz	grant		—

An important subgroup of Class II adjectives are the present participial forms in -ant.

Class III adjectives exhibit stem alternation resulting from stress shift in the Latin imparisyllabic declension, and a distinct neuter form:

E.g. mieudre "better" (< Latin melior, > modern French meilleur)

	Masculine		Feminine		Neuter
	Singular	Plural	Singular	Plural	Singular
Nominative	mieudre(s)	meillor	mieudre	meillors	mieuz
Oblique	meillor	meillors	meillor		—

Verbs

Verbs in Old French show the same extreme phonological deformations as other Old French words. Morphologically, however, Old French verbs are extremely conservative, preserving intact most of the Latin alternations and irregularities that had been inherited in Proto-Romance. Old French has much less analogical reformation than in Modern French, and significantly less than the oldest stages of other languages (e.g. Old Spanish), despite the fact that the various phonological developments in Gallo-Romance and Proto-French led to complex alternations in the majority of commonly-used verbs.

For example, the Old French verb laver "to wash" is conjugated je lef, tu leves, il leve in the present indicative and je lef, tu les, il let in the present subjunctive, in both cases regular phonological developments from Latin indicative lavō, lavās, lavat and subjunctive lavem, lavēs, lavet. This paradigm is typical in showing the phonologically regular but morphologically irregular alternations of most paradigms:

• The alternation je lef ~ tu leves is a regular result of final devoicing, triggered by loss of final /o/ but not /a/.
• The alternation laver ~ tu leves is a regular result of the diphthongization of stressed (but not unstressed) open syllable /a/ into /ae/ > /æ/ > /e/.
• The alternation je lef ~ tu les ~ il let in the subjunctive is a regular result of the simplification of the final clusters /fs/,/ft/ resulting from loss of /e/ in final syllables.

Modern French, on the other hand, has je lave, tu laves, il lave in both indicative and subjunctive, reflecting significant analogical developments: analogical borrowing of unstressed vowel /a/; analogical -e in the first singular (from verbs like j'entre, where the -e is regular); and wholesale replacement of the subjunctive with forms modeled on -ir/-oir/-re verbs. All of these serve to eliminate the various alternations in the Old French verb paradigm. Even modern "irregular" verbs are not immune from analogy: For example, Old French je vif, tu vis, il vit (vivre "to live") has yielded to modern je vis, tu vis, il vit, eliminating the "unpredictable" -f in the first-person singular.

The simple past also shows extensive analogical reformation and simplification in Modern French as compared with Old French.

The Latin pluperfect was preserved in very early Old French as a past tense with a value similar to a preterite or imperfect. For example, the Sequence of Saint Eulalia (878 AD) has past-tense forms such as avret (< Latin habuerat), voldret (< Latin voluerat), alternating with past-tense forms from the Latin perfect (continued as the modern "simple past"). Old Occitan also preserved this tense, with a conditional value; Spanish still preserves this tense (the -ra imperfect subjunctive), as does Portuguese (in its original value as a pluperfect indicative).

Verb alternations

In Latin, stress was determined automatically by the number of syllables in a word and the weight (length) of those syllables. This resulted in certain automatic stress shifts between related forms in a paradigm, depending on the nature of the suffixes added. For example, in pensō "I think", the first syllable was stressed, while in pensāmus "we think", the second syllable was stressed. In many Romance languages, vowels diphthongized in stressed syllables under certain circumstances, but not in unstressed syllables, resulting in alternations in verb paradigms: e.g. Spanish pienso "I think" vs. pensamos "we think" (pensar "to think"), or cuento "I tell" vs. contamos "we tell" (contar "to tell").

In the development of French, no fewer than five vowels diphthongized in stressed, open syllables. Combined with other stress-dependent developments, this yielded 15 or so types of alternations in so-called strong verbs in Old French. For example, /a/ diphthongized to /ai/ before nasal stops in stressed, open syllables, but not in unstressed syllables, yielding aim "I love" (Latin amō) but amons "we love" (Latin amāmus).

The different types are as follows:

Vowel alternations in Old French verbs

Vowel alternation		Environment	Example (-er conjugation)				Example (other conjugation)
Stressed	Unstressed		Latin etymon	3rd singular pres. ind.	Infinitive	meaning	Latin etymon	3rd singular pres. ind.	Infinitive / Other form	meaning
/e/	/a/	free /a/	lavāre	leve	laver	"to wash"	parere > *parīre	pert	parir	"to give birth"
/ãj̃/	/ã/	free /a/ + nasal	amāre	aime	amer	"to love"	manēre	maint	manoir	"to remain"
/je/	/e/	palatal + free /a/	*accapāre	achieve	achever	"to achieve"
/i/	/e/	palatal + /a/ + palatal	*concacāre	conchie	concheer	"to expel"	jacēre	gist	gesir	"to lie (down)"
/a/	/e/	palatal + blocked /a/	*accapitāre	achate	acheter	"to buy"	cadere > *cadēre	chiet	cheoir	"to fall"
/a/	/e/	intertonic /a/ + palatal?	*tripaliāre	travaille	traveillier	"to work"
/je/	/e/	free /ɛ/	levāre	lieve	lever	"to raise"	sedēre	siet	seoir	"to sit"
/jẽ/	/ẽ/	free /ɛ/ + nasal					*cremere	crient	creindre (var. cremir, -oir)	"to fear"
/i/	/oj/	/ɛ/ + palatal	pretiāre	prise	proisier	"to value"	exīre	ist	oissir	"to go out"
/ɛ/	/e/	intertonic /ɛ, e/ + double cons.	appellāre	apele	apeler	"to call"
/oj/	/e/	free /e/	*adhaesāre > *ad(h)ēsāre	adoise	adeser	"to touch"
/ẽj̃/	/ẽ/	free /e/ + nasal	mināre	meine	mener	"to lead"
/i/	/e/	palatal + free /e/
/oj/	/i/	intertonic /e/ + palatal	-	charroie	charrier	"to cart around"
/we/	/u/	free /ɔ/	*tropāre	trueve	trouver	"to find"	morī > *morīre	muert	mourir	"to die"
/uj/	/oj/	/ɔ/ + palatal	*appodiāre	apuie	apoiier	"to lean"
/ew/	/u/	free /o/	dēmōrārī	demeure	demourer	"to stay"	cōnsuere > *cōsere	queust	cousdre	"to sew"
/u/	/e/	intertonic blocked /o/	*corruptiāre	courouce	courecier	"to get angry"
/i/	/ã/	intertonic blocked /o/ + nasal	calumniārī	chalonge	chalengier	"to challenge"

In Modern French the verbs in the -er class have been systematically leveled. Generally the "weak" (unstressed) form predominates, but there are some exceptions (e.g. modern aimer/nous aimons). The only remaining alternations are in verbs like acheter/j'achète and jeter/je jette, where unstressed /ǝ/ alternates with stressed /ɛ/, and in (largely learned) verbs like adhérer/j'adhère, where unstressed /e/ alternates with stressed /ɛ/. Many of the non-er verbs have become obsolete and many of the remaining verbs have been leveled. A few alternations remain, however, in what are now known as irregular verbs, such as je tiens, nous tenons or je meurs, nous mourons.

Some verbs had a more irregular alternation between different-length stems, with a longer stressed stem alternating with a shorter unstressed stem. This was a regular development stemming from the loss of unstressed intertonic vowels, which remained when stressed:

• j'aiu/aidier "help" < adiūtō, adiūtāre
• j'araison/araisnier "speak to" < adratiōnō, adratiōnāre
• je deraison/deraisnier "argue" < dēratiōnō, dēratiōnāre
• je desjun/disner "dine" < disjējūnō, disjējūnāre
• je manju/mangier "eat" < mandūcō, mandūcāre
• je parol/parler "speak" < parabolō, parabolāre

The alternation of je desjun, disner is particularly complicated; it appears that disjējūnāre > Western Romance /desjejuˈnare > /desjejˈnare/ (preliminary intertonic loss) > /desiˈnare/ (triphthong reduction) > /disiˈnare/ (metaphony) > /disˈner/ (further intertonic loss and other proto-French developments). Note that both of the stems have become full verbs in modern French, déjeuner "to have lunch" and dîner "to dine". Furthermore, déjeuner does not derive directly from je desjun (< *disj(ēj)ūnō with total loss of unstressed -ēj-). Instead, it comes from Old French desjeüner, based on the alternative form je desjeün (< *disjē(j)ūnō with loss only of -j-, likely influenced by jeûner "to fast" < Old French jeüner < je jeün "I fast" < jē(j)ūnō, where jē- is an initial rather than intertonic syllable and hence the vowel -ē- cannot disappear).

Example of a regular -er verb

	Indicative				Subjunctive		Conditional	Imperative
	Present	Simple Past	Imperfect	Future	Present	Imperfect	Present	Present
je	dur	durai	duroie	durerai	dur	durasse	dureroie
tu	dures	duras	durois	dureras	durs	durasses	durerois	dure
il	dure	dura	duroit	durera	durt	durast	dureroit
nous	durons	durames	duriiens/-ïons	durerons	durons	durissons/-issiens	dureriions/-ïons	durons
vous	durez	durastes	duriiez	dureroiz/-ez	durez	durissoiz/-issez/-issiez	dureriiez/-ïez	durez
ils	durent	durerent	duroient	dureront	durent	durassent	dureroient

Non-finite forms:

• Infinitive: durer
• Present participle: durant
• Past Participle: duré

Auxiliary verb: avoir

Example of a regular -ir verb

	Indicative				Subjunctive		Conditional	Imperative
	Present	Simple Past	Imperfect	Future	Present	Imperfect	Present	Present
je	fenis	feni	fenissoie	fenirai	fenisse	fenisse	feniroie
tu	fenis	fenis	fenissoies	feniras	fenisses	fenisses	fenirois	fenis
il	fenist	feni(t)	fenissoit	fenira	fenisse(t)	fenist	feniroit
nous	fenissons	fenimes	fenissiiens	fenirons	fenissons	feniss-ons/-iens	feniriiens	fenissons
vous	fenissez	fenistes	fenissiiez	fenir-oiz/-ez	fenissez	feniss-oiz/-ez/-iez	feniriiez	fenissez
ils	fenissent	fenirent	fenissoient	feniront	fenissent	fenissent	feniroient

Non-finite forms:

• Infinitive: fenir
• Present participle: fenissant
• Past Participle: feni(t)

Auxiliary verb: avoir

Example of a regular -re verb

	Indicative				Subjunctive		Conditional	Imperative
	Present	Simple Past	Imperfect	Future	Present	Imperfect	Present	Present
je	cor	corui	coroie	corrai	core	corusse	corroie
tu	cors	corus	coroies	corras	cores	corusses	corroies	cor
il	cort	coru(t)	coroit	corra	core(t)	corust	corroit
nous	corons	corumes	coriiens	corrons	corons	coruss-ons/-iens	corriiens	corons
vous	corez	corustes	coriiez	corr-oiz/-ez	corez	coruss-oiz/-ez/-iez	corriiez	corez
ils	corent	corurent	coroient	corront	corent	corussent	corroient

Non-finite forms:

• Infinitive: corre
• Present participle: corant
• Past Participle: coru(t)

Auxiliary verb: estre

Examples of the auxiliary verbs

avoir (to have)

	Indicative				Subjunctive		Conditional	Imperative
	Present	Simple Past	Imperfect	Future	Present	Imperfect	Present	Present
je	ai	eus	avoie	aurai	ai	eusse	auroie
tu	ais (later as)	eus	avois	auras	ais	eusses	aurois	ave
il	ai (later a)	eut	avoit	aura	ai	eusst	auroit
nous	avons	eumes	aviens/-ïons	aurons	aions	eussons/-issiens	auravons/-ïons	avons
vous	avez	eustes	aviez	auroiz/-ez	aiez	eussoiz/-issez/-issiez	auravez/-ïez	avez
ils	ont	eurent	avoient	auront	ont	eussent	auroient

Non-finite forms:

• Infinitive: avoir (earlier aveir)
• Present participle: aiant
• Past Participle: eut

Auxiliary verb: avoir

estre (to be)

	Indicative				Subjunctive		Conditional	Imperative
	Present	Simple Past	Imperfect	Future	Present	Imperfect	Present	Present
je	suis	fui	(i)ere ; esteie > estoie	(i)er; serai; estrai	seie > soie	fusse	sereie > seroie; estreie > estroie
tu	es, ies	fus	(i)eres ; esteies > estoies	(i)ers; seras; estras	seies > soies	fusses	sereies > seroies; estreies > estroies	seies > soies
il	est	fu(t)	(i)ere(t), (i)ert ; esteit > estoit	(i)ert; sera(t); estra(t)	seit > soit	fust	sereit > seroit; estreit > estroit
nous	somes, esmes	fumes	eriiens, erions ; estiiens, estions	(i)ermes; serons; estrons	seiiens, seions > soiiens, soions	fuss-ons/-iens	seriiens, serions; estriiens, estrions	seiiens > soiiens, seions > soions
vous	estes	fustes	eriiez ; estiiez	--; sere(i)z; estre(i)z	seiiez > soiiez	fuss-eiz/-ez/-iez	seriiez; estriiez	seiiez > soiiez
ils	sont	furent	(i)erent ; esteient > estoient	(i)erent; seront; estront	seient > soient	fussent	sereient > seroient; estreient > estroient

Non-finite forms:

• Infinitive: estre
• Present participle: estant
• Past Participle: esté(t)

auxiliary verb: avoir

Other parts of speech

Adverbs, prepositions, conjunctions and interjections are generally invariable. One notable exception being the adverb tot (same as modern French tout; all, every).

See also

• Bartsch's law
• Anglo-Norman literature
• History of French
• History of the English language
• Languages of France

Notes

1. Nordhoff, Sebastian; Hammarström, Harald; Forkel, Robert; Haspelmath, Martin, eds. (2013). "Old French". Glottolog. Leipzig: Max Planck Institute for Evolutionary Anthropology.
2. Lusignan, Serge. La langue des rois au Moyen Âge: Le français en France et en Angleterre. Paris: Presses Universitaires de France, 2004.
3. "Brill Online Dictionaries". Iedo.brillonline.nl. Retrieved 2013-06-16.
4. "Romance languages - Encyclopedia Britannica". Britannica.com. Retrieved 2013-06-16.
5. "Encyclopedia of Indo-European Culture - Google Boeken". Books.google.com. Retrieved 2013-06-16.
6. "Definition of Italic in Oxford Dictionaries (British & World English)". Oxforddictionaries.com. Retrieved 2013-06-16.
7. "Definition of Romance in Oxford Dictionaries (British & World English)". Oxforddictionaries.com. Retrieved 2013-06-16.
8. Xavier Delamarre, Dictionnaire de la langue gauloise. Paris: Errance, 2003, 96.
9. Delamarre (2003, pp. 389–90) lists 167
10. Pierre-Yves Lambert, La Langue gauloise (Paris: Errance, 1994), 46-7. ISBN 978-2-87772-224-7
11. Lambert 46-47
12. Bernard Cerquiglini, La naissance du français, Presses Universitaires de France, 2nd edn., chap. 3, 1993, p. 53.
13. Cerquiglini 53
14. Cerquiglini 26.
15. "Etymology of ''frambuesa'' (Spanish)". Buscon.rae.es. Retrieved 2013-06-16.
16. Portuguese framboesa ‘raspberry’ and Spanish frambuesa are French loans.
17. La Chanson de Roland. Edited and Translated into Modern French by Ian Short. Paris: Livre de Poche, 1990. p. 12. ISBN 978-2-253-05341-5
18. (French) Antoine Adam, Georges Lerminier, and Édouard Morot-Sir, eds. Littérature française. "Tome 1: Des origines à la fin du XVIIIe siècle," Paris: Larousse, 1967, p. 16.
19. (French) Antoine Adam, Georges Lerminier, and Édouard Morot-Sir, eds. Littérature française. "Tome 1: Des origines à la fin du XVIIIe siècle," Paris: Larousse, 1967, p. 36-37.
20. The chart is based on phonologies given in Laborderie, Noëlle, Précis de Phonétique Historique, Nathan 1994; and in Rickard, Peter, A History of the French Language, 2nd edition, Routledge 1989, pp. 47-8.
21. Berthon, H. E.; Starkey, V. G. (1908). Tables synoptiques de phonologie de l'ancien français. Oxford Clarendon Press.
22. Zink (1999), p. 132
23. Moignet (1988, p. 26–31), Zink (1992, p. 39–48), de La Chaussée (1977, p. 39–44)

References

• de la Chaussée, François (1977). Initiation à la morphologie historique de l'ancien français. Paris: Klincksieck. ISBN 2-252-01922-0.
• Cole, William (2005). First and Otherwise Notable Editions of Old French Texts Printed from 1742 to 1874: A Bibliographical Catalogue of My Collection. Sitges: Cole & Contreras.
• Delamarre, X.; P.-Y. Lambert (2003). Dictionnaire de la langue gauloise : Une approche linguistique du vieux-celtique continental (2nd ed.). Paris: Errance. ISBN 2-87772-237-6.
• Einhorn, E. (1974). Old French: A Concise Handbook. Cambridge: Cambridge University Press. ISBN 0-521-20343-0.
• Kibler, William (1984). An Introduction to Old French. New York: Modern Language Association of America.
• Lanly, André (2002). Morphologie historique des verbes français. Paris: Champion. ISBN 2-7453-0822-X.
• Moignet, Gérard (1988). Grammaire de l'ancien français (2nd ed.). Paris: Klincksieck. ISBN 9782252015094.
• Pope, Mildred K. (1934). From Latin to Modern French with Especial Consideration of Anglo-Norman Phonology and Morphology. Manchester: Manchester University Press.
• Zink, Gaston (1999). Phonétique historique du français (6th ed.). Paris: PUF. ISBN 2-13-046471-8.
• Zink, Gaston (1992). Morphologie du français médiéval (2nd ed.). Paris: PUF. ISBN 2-13-044766-X.

External links

• Old French on the Web
• Old French Online from the University of Texas at Austin
• Lexilogos: Online dictionaries of Old French
• DÉCT- (Electronic Dictionary of Chretien de Troyes) : complete lexicon and transcriptions of the five romances of this Old French author. University of Ottawa - CNRS.
• Du Bellay, Joachim (1549). La Défense, et illustration de la langue française. Paris: Arnoul L'Angelier.